14 Shots to the Dome
14 Shots to the Dome is the fifth studio album by American hip hop recording artist LL Cool J. It was released on March 30, 1993, via Def Jam Recordings. Recording sessions took place at Marley's House Of Hits, at Cove City Sound Studios and at Unique Recording Studios in New York, and at QDIII Soundlab in Los Angeles, at Bobcat's House in Palmdale, and at Encore Studio in Burbank. Production was handled by Marley Marl, DJ Bobcat, Quincy Jones III, Andrew Zenable and Chris Forte. It features guest appearances from Lords of the Underground and Lieutenant Stitchie.
14 Shots to the Dome
March 30, 1993
1992–1993
- Marley's House Of Hits (Chestnut Ridge, N.Y.)
- QDIII Soundlab (Los Angeles)
- Cove City Sound Studios (Long Island)
- Unique Recording Studios (New York City)
- Bobcat's House (Palmdale, Calif.)
- Encore Studio (Burbank, Calif.)
64:46
- Andrew Zenable
- Christopher Joseph Forte
- DJ Bobcat
- Marley Marl
- Quincy Jones III
The album peaked at number five on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart. On June 2, 1993, it was certified Gold by the Recording Industry Association of America.
It spawned three charted singles: "How I'm Comin'", "Pink Cookies In a Plastic Bag Getting Crushed by Buildings" b/w "Back Seat (of My Jeep)" and "Stand By Your Man".
It is his first album following his hugely successful previous album 1990's Mama Said Knock You Out. Unlike that release, which saw him have success on his own terms, 14 Shots sees LL adopting the sound of his West Coast gangsta rap contemporaries, especially that of Ice Cube and Cypress Hill. Many fans saw this as a jarring departure, and the album met mixed critical and commercial response. The album's second single "Back Seat" would later be sampled by R&B artist Monica for her debut single "Don't Take It Personal" which became a major hit two years later.
Critical reception[edit]
Robert Christgau stated: "Proof we didn't need that his talent is as phat as an elefant's phart and his brain is the size of a pea. Only it isn't his brain--it's his ability to comprehend contradiction. Like Michael Ivey, of all people, he flunked his follow-up because he can't figure out how to put success and rap together. Where Ivey (or the Basehead 'character,' ha ha) takes his dorky confusion out on women, L.L.'s sexism is love-man suave--his 'It's so relaxin' after a piece of pussy gets off in the back of his Jeep is a rare moment of grace. Instead he slings the gangsta metaphors and handgun memories in the vain hope that the guys hanging out by the check-cashing place will think he's hard. But from the look of the crotch he's grabbing in several photos, as of now he just ain't."[3]