Alain Chivilò

After the failure of the project carried out with some artists in certain areas of Europe, divided by origin, at the beginning of the first decade of the 2000s called quod erat demonstrandum (a global provocative act in taking on unsuitable jobs) thought to denounce the current strength of commonplace generated by a culturally superficial society, now, he is trying to form the community to a philosophy based on dialogue and listening.^{[n 5]}


In press, as freelance journalist,^{[n 6]} he writes for various national and international newspapers and magazines, interviewing artists as for example Sir Anthony Caro, Marc Quinn, Shozo Shimamoto, Hermann Nitsch, Jacques Villeglé, Fabrizio Plessi, Gianni Berengo Gardin, Riccardo Licata, Eugenio Carmi, Rabarama, Achille Perilli, Luca Alinari, Alberto Biasi, Xu Deqi, Helidon Xhixha. In June 2017 all these art contacts, that involved him, have been published in a new book: Tracce Segni Macchie Bruciature Concetti Scatti Tagli Buchi.^{[n 7]}


As art critic a simplicity of expression (not banality) is a fundamental feature of his texts. ^{[n 8]} In the curatorship field he conceives and proposes art events within a constant research. He has also organised exhibitions at Casa dei Carraresi Treviso, Casa del Mantegna Mantua, in Venice and other different locations in Italy and Europe. Not only Art but also sports, fashion and design.


Due to the three years of pandemic period (COVID-19, Coronavirus 2020-2022) and the general economic crisis, connected to the changing generations of artists, it is becoming very difficult to create and plan events, but Alain Chivilo is continuing with the same spirit of strength, emotion, power and determination.^{[n 9]}