Alberto Sordi
Alberto Sordi Cavaliere di Gran Croce OMRI (15 June 1920 – 24 February 2003) was an Italian actor, comedian, voice dubber, director, singer, composer and screenwriter.
Alberto Sordi
15 June 1920
24 February 2003 (aged 82)
Italian
Albertone
- Actor
- dubber
- comedian
- director
- singer
- composer
- screenwriter
1937–1998
Sordi is considered one of the most important actors in the history of Italian cinema and one of the best in commedia all'italiana. Together with Nino Manfredi, Vittorio Gassman and Ugo Tognazzi he formed a quartet that starred in the most popular movies of this genre. His trio with Aldo Fabrizi and Anna Magnani was one of the most prominent in the Roman cinema.
Sordi established himself as an icon from a career that spanned seven decades of Italian cinema with his skills in comedy and light drama. He started as a voice actor and a theater actor, but eventually grew to fame as a comedian. In the 1960s, he started interpreting complex dramatic characters, as well as directing his own films: his credits as a director include 19 movies. Sordi won five Nastro d'argento, ten David di Donatello, a Golden Lion for Lifetime Achievement, and many other awards and accolades.
Early years and education[edit]
Alberto Sordi was born in Rome, in via San Cosimato, 7, on the 15th of June, 1920. His father Pietro Sordi (1879-1941) was a music professor, he played tuba contrabbasso in the orchestra of the Teatro dell'Opera di Roma. His mother Maria Righetti (1889-1952) was an elementary school teacher. Alberto Sordi was the fifth of their children, his elder siblings were Savina (1911-1972), Giuseppe (1915-1990), and Aurelia (1917-2014). He received his name after Alberto, the couple's third son, who died in 1916 being only several days old. The Sordi family was coming from Valmontone where Alberto spent a part of his childhood.[1]
Already in elementary school Alberto started staging small puppet plays. At the age of 7, he developed interest in opera. He sang in the Sistine Chapel Choir headed by Lorenzo Perosi. When Sordi's voice changed to bass, he studied opera and performed as an opera singer for several years.[2][1] However, the parents didn’t support his pursuit of an acting career. Only the maternal grandfather Primo Righetti encouraged Alberto Sordi to try himself as a performer and even presented him with a tuxedo with some money inside the pocket. For several years, he wore that costume on stage.[3]
In 1936, he recorded a disc of children's fairy tales for the Fonit record company and left for Milan with the proceeds There Sordi enrolled to Accademia dei Filodrammatici, for which he abandoned his studies at the Istituto di Avviamento Commerciale "Giulio Romano" in Rome. However, to please the mother, he graduated as an accountant several years later. From Accademia dei Filodrammatici he was expelled for the thick Romanesco dialect.[4][5] In light theatre, after an unsuccessful attempt with the company of Aldo Fabrizi and Anna Fougez in the 1936-1937 season in the show San Giovanni, he tried again in the following season. He formed a comic duo with his childhood friend, they debuted at Cinema Teatro Pace in Milan but had little success and had to go back to Rome.[6]
Career[edit]
Voice actor[edit]
In 1937, he returned to Rome and found himself several roles as a background actor at Cinecittà. In the same year, he won a competition organised by Metro-Goldwyn-Mayer to dub the voice of Oliver Hardy (initially under the pseudonym Albert Odisor), along with Mauro Zambuto, who dubbed Stan Laurel. As recalled by Sordi himself, he went into the auditions with no specific dubbing experience and with little expectation of success, given the competition from established professionals in the industry. It was MGM dubbing director Franco Schirato who considered Sordi's low register and ‘warm and mellow’ voice an ideal match for the character's considerable size (although Hardy's voice was actually in the tenor register); he was therefore cast without delay, debuting in the dubbing of the comedy Below Zero in 1939, followed by the feature film The Flying Deuces in the same year. As a voice actor, Sordi worked until 1956. In addition to numerous other Laurel and Hardy films, he gave the voice to, among others, Bruce Bennett, Anthony Quinn, John Ireland, Robert Mitchum, Pedro Armendáriz and, for the Italians, Franco Fabrizi and even Marcello Mastroianni, in the 1950 film Sunday in August. His own voice was dubbed over by Gualtiero De Angelis in Cuori nella tormenta and Carlo Romano in Bullet for Stefano. After 1952, he no longer worked as a voice actor, giving all his energy to acting.[5][7]
Personal life[edit]
Sordi was very discreet about his private life and never spoke to journalists about it. Despite never marrying and having no children, Sordi was in several relationships, including a nine-year romance with actress Andreina Pagnani.[31] Only after his death some relatives revealed stories and anecdotes from his private life. The niece of Alberto Sordi recalled that he remained forever grateful to grandfather Primo Righetti for his constant support at the early stages of career. They remained close, when Primo Reghetti experienced health problems in the late years, Sordi paid for his treatment in the best private clinics.[3] The peers recalled that Sordi avoided the VIP social gatherings and parties, especially in the 1960s, the time of 'Dolce Vita', while most of his colleagues enjoyed nightlife, he was always busy working and releasing 13-15 movies a year.[32] Grew to enormous fame in Italy, he was nicknamed l'Albertone, lit. 'The Great Alberto'.[33]
Except for the brief period in his youth, when he tried to study in Milan, Sordi always lived in Rome. In 1958, he purchased and moved to a luxurious villa in via Druso, 45, next to the Baths of Caracalla. For more than 40 years, he lived there with his sister Aurelia.[19][34]
Sordi was raised Roman Catholic. He was also a big supporter of the AS Roma football team. This was something he expressed a fondness of in some of his films.[35]
Awards and honors[edit]
In his prolific career, Sordi received dozens of most prestigious and important awards and accolades.[36] He won ten David di Donatello, Italy's most prestigious film award, holding the record of David di Donatello as best actor,[37] and four awards for his works from the Italian National Syndicate of Film Journalists. At the 22nd Berlin International Film Festival, he won the Silver Bear for Best Actor award for Detenuto in attesa di giudizio.[38] At the 13th Moscow International Film Festival he won a Special Prize for I Know That You Know That I Know.[39] He also received a Golden Lion for lifetime achievement at the Venice Film Festival in 1995, and The Golden Globe Award[40] for his performance as an Italian labourer stranded in Sweden in To Bed or Not to Bed. In 2000, the City of Rome made him honorary mayor for a day to celebrate his eightieth birthday.[33]
Charity and legacy[edit]
Sordi deliberately built a reputation as a greedy man. He carefully maintained the myth, but as claimed and witnessed by relatives and friends, donated money to numerous charity projects and supported his family, friends, and colleagues, by paying for their healthcare and other needs. Even the costumes made for his films he gave away for the poor.[32]
In 1992, Sordi established Fondazione Alberto Sordi, a nonprofit institution aimed to help and support the elderly people. He also bought for the Foundation a land plot where in 2002 were opened two Healthcare and Rehabilitation centres for the senior Italians.[41][42]
In 2017, his family established the Alberto Sordi Family Award that honour Italian and international filmmakers and actors.[43]
Will and heritage[edit]
Alberto Sordi left all his fortune to his sister Aurelia. Aurelia, who died at 97, bequeathed the entire fortune to three foundations named after her brother, but only two of them were really supported by Sordi: Fondazione Alberto Sordi, established in 1992, and Fondazione Alberto Sordi per i giovani, founded in 2001. As suspected by the relatives, Aurelia was tricked into creating the third foundation by her closest personnel, a driver, a housekeeper, and lawyers. The third foundation, titled Fondazione Museo Alberto Sordi, was registered in 2011, when Aurelia had already displayed symptoms of dementia. According to Aurelia's will, also written in 2011, Fondazione Museo Alberto Sordi inherited the fortune of more than 30 mln euro and a Roman villa in via Druso, 45, where she and her brother had been living since 1958.[3][44][45] Fondazione Alberto Sordi and Fondazione Alberto Sordi per i giovani both received around 10 mln euro. 37 family members of Sordi sued the Fondazione Museo Alberto Sordi and 9 members of the personal staff of Aurelia, trying to invalidate the will. The case was started following a complaint filed by a bank that had noticed suspicious movements on Aurelia's bank accounts. However, after a five year trial, the court acknowledged the will and acquitted the defendants of all charges.[46][47]