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André Breton

André Robert Breton (French: [ɑ̃dʁe ʁɔbɛʁ bʁətɔ̃]; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism.[1] His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism".[2]

For the Quebec-born singer, see André Breton (singer). For the French publisher, see André le Breton.

André Breton

André Robert Breton
(1896-02-19)19 February 1896
Tinchebray, France

28 September 1966(1966-09-28) (aged 70)
Paris, France

Writer

20th century

poetry, essays, novels, aesthetics

Simone Kahn
(m. 1921; div. 1931)
(m. 1934; div. 1943)
(m. 1945⁠–⁠1966)

1

Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature.

Legacy[edit]

Breton as a collector[edit]

Breton was an avid collector of art, ethnographic material, and unusual trinkets. He was particularly interested in materials from the northwest coast of North America. During a financial crisis he experienced in 1931, most of his collection (along with that of his friend Paul Éluard) was auctioned. He subsequently rebuilt the collection in his studio and home at 42 rue Fontaine. The collection grew to over 5,300 items: modern paintings, drawings, sculptures, photographs, books, art catalogs, journals, manuscripts, and works of popular and Oceanic art.[31]


French anthropologist Claude Lévi-Strauss endorsed Breton's skill in authentication based on their time together in 1940s New York.[15]


After Breton's death on 28 September 1966, his third wife, Elisa, and his daughter, Aube, allowed students and researchers access to his archive and collection. After thirty-six years, when attempts to establish a surrealist foundation to protect the collection were opposed, the collection was auctioned by Calmels Cohen at Drouot-Richelieu. A wall of the apartment is preserved at the Centre Georges Pompidou.[32]

Nine previously partly unpublished manuscripts, including the Manifeste du surréalisme, were auctioned by Sotheby's in May 2008.[33]

from 1921 to 1931, to Simone Collinet, Kahn (1897–1980);

née

from 1934 to 1943, to , with whom he had his only child, a daughter, Aube Elléouët Breton;

Jacqueline Lamba

from 1945 to 1966 (his death), to .

Elisa Bindhoff Enet

Breton married three times:[14]

1919: Mont de piété [""]

Mount of piety

1920: S'il vous plaît – Published in English as: If You Please

1920: (with Philippe Soupault) – Published in English as: The Magnetic Fields

Les Champs magnétiques

1923: Clair de terre – Published in English as: Earthlight

1924: Les Pas perdus – Published in English as: The Lost Steps

1924: – Published in English as: Surrealist Manifesto

Manifeste du surréalisme

1924: Poisson soluble ["Soluble fish"]

1924: ["A corpse"]

Un cadavre

1926: Légitime défense ["Legitimate defense"]

1928: Le Surréalisme et la peinture (expanded editions in 1945 and 1965) – Published in English as: Surrealism and Painting

1928: (expanded edition 1963) – Published in English as: Nadja

Nadja

1930: Ralentir travaux ["Slow down, men at work"] (with and Paul Éluard)

René Char

1930: – Published in English as: The Second Manifesto of Surrealism

Deuxième Manifeste du surréalisme

1930: L'Immaculée Conception (with Paul Éluard) – Published in English as: Immaculate Conception

1931: L'Union libre ["Free union"]

1932: Misère de la poésie ["Poetry's misery"]

1932: Le Revolver à cheveux blancs ["The white-haired revolver"]

1932: Les Vases communicants (expanded edition 1955) – Published in English as: Communicating Vessels

1933: Le Message automatique – Published in English as:

The Automatic Message

1934: Qu'est-ce que le surréalisme? – Published in English as: What Is Surrealism?

1934: Point du jour – Published in English as: Break of Day

1934: L'Air de l'eau ["The air of the water"]

1935: Position politique du surréalisme ["Political position of surrealism"]

1936: Au lavoir noir ["At the black washtub"]

1936: Notes sur la poésie ["Notes on poetry"] (with Paul Éluard)

1937: Le Château étoilé ["The starry castle"]

1937: L'Amour fou – Published in English as: Mad Love

1938: Trajectoire du rêve ["Trajectory of dream"]

1938: Dictionnaire abrégé du surréalisme ["Abridged dictionary of surrealism"] (with Paul Éluard)

1938: ["For an independent revolutionary art"] (with Diego Rivera)

Pour un art révolutionnaire indépendant

1940: (expanded edition 1966) – Published in English as: Anthology of Black Humor

Anthologie de l'humour noir

1941: "Fata morgana" (A long poem included in subsequent anthologies)

1943: Pleine marge ["Full margin"]

1944: Arcane 17 – Published in English as: Arcanum 17

1945: Situation du surréalisme entre les deux guerres ["Situation of surrealism between the two wars"]

Anti-art

Hector Hyppolite

(recurring figure in 2023 TV series)

Transatlantic

André Breton: Surrealism and Painting – edited and with an introduction by Mark Polizzotti.

Manifestoes of Surrealism by André Breton, translated by and Helen R. Lane. ISBN 0-472-06182-8

Richard Seaver

Media related to André Breton at Wikimedia Commons

Quotations related to André Breton at Wikiquote

 French Wikisource has original text related to this article: André Breton

(in French)

André Breton's Nadja

in American public collections, on the French Sculpture Census website

André Breton