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Anna Wintour

Dame Anna Wintour CH DBE (/ˈwɪntər/ WIN-tər; born 3 November 1949[1]) is a British and American[2][3] media executive, who has served as editor-in-chief of Vogue since 1988. Wintour has also served as Global Chief Content Officer of Condé Nast since 2020, where she oversees all Condé Nast publications worldwide, and concurrently serves as Artistic Director. Wintour is also Global Editorial Director of Vogue.[4] With her trademark pageboy bob haircut and dark sunglasses, Wintour is regarded as the most powerful woman in publishing, and has become an important figure in the fashion world. Wintour is praised for her skill in identifying emerging fashion trends, but has been criticised for her reportedly aloof and demanding personality.

For the song, see Anna Wintour (song).

Dame

Anna Wintour

(1949-11-03) 3 November 1949

London, England
  • United Kingdom
  • United States

1975–present

(m. 1984; div. 1999)
(m. 2004; div. 2020)

2

Her father, Charles Wintour, who was Editor of the London-based Evening Standard from 1959 to 1976, consulted with her on how to make the newspaper relevant to the youth of the era. She became interested in fashion as a teenager and her career in fashion journalism began at two British magazines. Later, she moved to the United States, with stints at New York and House & Garden. She returned to London and was the Editor of British Vogue between 1985 and 1987. A year later, she assumed control of the franchise's magazine in New York, reviving what many saw as a stagnating publication. Her use of the magazine to shape the fashion industry has been the subject of debate within it. Animal rights activists have attacked her for promoting fur, while other critics have charged her with using the magazine to promote elitist and unattainable views of femininity and beauty.


A former personal assistant, Lauren Weisberger, wrote the 2003 bestselling roman à clef The Devil Wears Prada, later made into a successful 2006 film starring Meryl Streep as Miranda Priestly, a fashion editor, believed to be based on Wintour. In 2009, Wintour's editorship of Vogue was the original focus of a documentary film, R. J. Cutler's The September Issue. The film's focus switched to the creative teams and more senior fashion editors as filming progressed.[5]

Early life and education[edit]

Wintour was born in Hampstead, London, to Charles Wintour (1917–1999), editor of the Evening Standard, and Eleanor "Nonie" Trego Baker (1917–1995), an American and the daughter of a Harvard Law School professor.[6] Her parents were married in 1940 and divorced in 1979.[7] Wintour was named after her maternal grandmother, Anna Baker (née Gilkyson), a merchant's daughter from Pennsylvania.[8] Audrey Slaughter, a magazine editor who founded publications such as Honey and Petticoat, was her stepmother.[9][10]


Wintour's grandfather was Major-General Fitzgerald Wintour, a British military officer and descendant of Prime Minister George Grenville. Through her paternal grandmother, Alice Jane Blanche Foster, Wintour is a great-great-great-granddaughter of the late-18th-century novelist Lady Elizabeth Foster, who was later the Duchess of Devonshire, and her first husband, the Irish politician John Thomas Foster. Her great-great-great-great-grandfather was Frederick Hervey, 4th Earl of Bristol, who served as the Anglican Bishop of Derry. Sir Augustus Vere Foster, 4th Baronet, the last Baronet of that name, was a granduncle of Wintour's.[11] She is a niece of Cordelia James, Baroness James of Rusholme, the daughter of Fitzgerald Wintour.[12]


Wintour had four siblings. Her older brother, Gerald, died in a traffic accident as a child.[13] One of her younger brothers, Patrick, is also a journalist, currently diplomatic editor of The Guardian.[14] James and Nora Wintour have worked in London local government and for international non-governmental organisations, respectively.[15]


Wintour attended North London Collegiate School, where she frequently rebelled against the dress code by taking up the hemlines of her skirts.[16] At the age of 14, she began wearing her hair in a bob.[17] She developed an interest in fashion as a regular viewer of Cathy McGowan on Ready Steady Go!,[18] and from reading Seventeen, which her grandmother sent from the United States.[19] "Growing up in London in the '60s, you'd have to have had Irving Penn's sack over your head not to know something extraordinary was happening in fashion", she recalled.[20] Her father regularly consulted her when he was considering ideas for increasing readership in the youth market.[18]

Career[edit]

From fashion to journalism[edit]

"I think my father really decided for me that I should work in fashion", she recalled in The September Issue.[19] He arranged for his daughter's first job, at the influential Biba boutique, when she was 15.[21] The next year, she left North London Collegiate and began a training program at Harrods. At her parents' behest, she also took fashion classes at a nearby school. Soon she gave them up, saying, "You either know fashion or you don't."[22] Another older boyfriend, Richard Neville, gave her her first experience of magazine production at his popular and controversial Oz.[23]


In 1970, when Harper's Bazaar UK merged with Queen to become Harper's & Queen, Wintour was hired as one of its first editorial assistants, beginning her career in fashion journalism.[24] She told her co-workers that she wanted to edit Vogue.[25] While there, she discovered model Annabel Hodin, a former North London classmate. Her connections helped her secure locations for innovative shoots by Helmut Newton, Jim Lee[26] and other trend-setting photographers.[27] One recreated the works of Renoir and Manet using models in go-go boots.[28] After chronic disagreements with her rival, Min Hogg,[29] she quit and moved to New York with her boyfriend, freelance journalist Jon Bradshaw.[30]

New York City[edit]

In her new home, she became a junior fashion editor at Harper's Bazaar in New York City in 1975.[28] Wintour's innovative shoots led editor Tony Mazzola to fire her after nine months.[31] She was reportedly introduced to Bob Marley by one of Bradshaw's friends, and disappeared with him for a week;[32] in a 2017 appearance on The Late Late Show with James Corden, she said she had never actually met the reggae legend, but certainly would have "hooked up" with him if she had.[33] A few months later, Bradshaw helped her get her first position as a fashion editor, at Viva, a women's adult magazine started by Kathy Keeton, then wife of Penthouse publisher Bob Guccione. She has rarely discussed working there, due to that connection.[34] This was the first job at which she was able to hire a personal assistant, which began her reputation as a demanding and difficult boss.[35]


In late 1978, Guccione shut down the unprofitable magazine. Wintour decided to take some time off from work. She broke up with Bradshaw and began a relationship with French record producer Michel Esteban, for two years dividing her time with him between Paris and New York.[36] She returned to work in 1980, succeeding Elsa Klensch as fashion editor for a new women's magazine named Savvy.[37] It sought to appeal to career-conscious professional women who spent their own money,[38] the readers Wintour would later target at Vogue.[39]


The following year, she became fashion editor of New York.[28] There, the fashion spreads and photo shoots she had been putting together for years finally began attracting attention. Editor Edward Kosner sometimes bent very strict rules for her and let her work on other sections of the magazine. She learned through her work on a cover involving Rachel Ward how effectively celebrity covers sold copies.[40] "Anna saw the celebrity thing coming before everyone else did", Grace Coddington said three decades later.[41] A former colleague arranged for an interview with Vogue editor Grace Mirabella that ended when Wintour told Mirabella she wanted her job.[42][43]

Charity work[edit]

Wintour serves as a trustee of the Metropolitan Museum of Art in New York,[28] where she has organised benefits that have raised $50 million for the museum's Costume Institute.[76] She began the CFDA/Vogue Fund in order to encourage, support and mentor unknown fashion designers. She has also raised over $10 million for AIDS charities since 1990, by organising various high-profile benefits.[28]

New Yorkers in journalism

(2009). The September Issue (Motion picture). Roadside Attractions.

Cutler, R.J. (director)

Gray, Kevin (13 September 1999). . New York. Retrieved 14 August 2009.

"The Summer of Her Discontent"

(1 February 2007). "Citizen Anna". The New York Times. Retrieved 2 February 2007.

Horyn, Cathy

(2005). Front Row: The Cool Life and Hot Times of Vogue's Editor In Chief. St. Martin's Press, New York. ISBN 0-312-32310-7.

Oppenheimer, Jerry

(17 May 2009). "Anna Wintour, Behind the Shades". 60 Minutes. CBS News. Retrieved 26 August 2009.

Safer, Morley

(2003). The Devil Wears Prada. Broadway Books, New York. ISBN 0-7679-1476-7.

Weisberger, Lauren

at IMDb

Anna Wintour

on the Muck Rack journalist listing site

Anna Wintour