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Anything Goes

Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse.[1] The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. Songs introduced that later became pop and jazz standards are "Anything Goes", "You're the Top", "All Through the Night", and "I Get a Kick Out of You".

This article is about the 1930s musical. For other uses, see Anything Goes (disambiguation).

Anything Goes

Cole Porter

1934 Broadway
1935 West End
1987 Broadway Revival
1989 West End revival
2003 West End revival
2011 Broadway revival
2012 US tour
2015 UK tour
2021/2022 London revival
2022 UK tour

Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and has been filmed three times. The musical has long been a popular choice for school and community productions.[2]

History[edit]

The original idea for a musical set on board an ocean liner came from producer Vinton Freedley, who was living on a boat, having left the US to avoid his creditors.[3] He selected the writing team, P. G. Wodehouse and Guy Bolton, and the star, Ethel Merman. The first draft of the show was called Crazy Week, which became Hard to Get, and finally Anything Goes. The original plot involved a bomb threat, a shipwreck, and human trafficking on a desert island,[4] but, just a few weeks before the show was due to open, a fire on board the passenger ship SS Morro Castle caused the deaths of 138 passengers and crew members. According to one version,[5] Freedley judged that to proceed with a show on a similar subject would be in dubious taste, and he insisted on changes to the script. However, theatre historian Lee Davis maintains that Freedley wanted the script changed because it was "a hopeless mess".[6] Bolton and Wodehouse were in England at the time and were thus no longer available, so Freedley turned to his director, Howard Lindsay, to write a new book.[4] Lindsay recruited press agent Russel Crouse as his collaborator, beginning a lifelong writing partnership.[4] The roles of Billy Crocker and Moonface Martin were written for the well-known comedy team William Gaxton and Victor Moore, and Gaxton's talent for assuming various disguises was featured in the libretto.

Reno Sweeney — a sultry turned nightclub singer and an old friend of Billy

evangelist

Billy Crocker — a young Wall Street broker in love with Hope

Moonface Martin — a second-rate , "Public Enemy Number 13"

gangster

Hope Harcourt — an American

debutante

Lord Evelyn Oakleigh — Hope's wealthy and eccentric English fiancé

Bonnie/Erma — Moonface's girlfriend (1934 original), Snake Eyes' girlfriend and Moonface's friend (2011 revival)

Elisha J. Whitney — an Wall Street banker, Billy's boss

Ivy League

Mrs. Evangeline Harcourt — Hope's haughty and overbearing mother

Captain, steward, purser on the ship

Ching and Ling ("Luke" and "John" in the 1987 revival and 2002 concert) — two Chinese "converts" and reformed gamblers who accompany Bishop Henry T. Dobson

Ritz Quartette (1934 original) / Lady Fair Quartet (1987 revival)

The Right Reverend Bishop Henry T. Dobson

Reno's Angels (Purity, Chastity, Charity and Virtue) (1934 original and 1962 revival / 2002 concert and 2011 revival) — Reno's backing singers

Ship's crew, passengers, reporters, photographers and F.B.I. agents

"Waltz Down the Aisle" [dropped before the Boston tryout, later reworked by Porter as "Wunderbar" for ] - Sir Evelyn and Hope Harcourt

Kiss Me, Kate

"What a Joy to Be Young" [dropped before the New York opening; alternate title: "To Be in Love and Young"] - Hope Harcourt

"Kate the Great" [unused] - Reno Sweeney and Angels

[17]

Cut songs

Notable productions[edit]

Broadway[edit]

The official Broadway debut was at the Alvin Theatre on November 21, 1934. It ran for 420 performances, becoming the fourth longest-running musical of the 1930s, despite the impact of the Great Depression on Broadway patrons' disposable income. The opening production was directed by Howard Lindsay with choreography by Robert Alton and sets by Donald Oenslager. Today, the show remains a frequently-revived favorite.[18]

West End[edit]

Charles B. Cochran, a British theatrical manager, had bought the London performance rights during the show's Boston run,[5] and he produced it at the West End's Palace Theatre. The musical opened on June 14, 1935, and ran for 261 performances. The cast included Jeanne Aubert as Reno Sweeney (the name changed to Reno La Grange, to suit Aubert's French background), Jack Whiting as Billy Crocker, and Sydney Howard as Moonface Martin. P. G. Wodehouse was engaged to replace the specifically American references in the book and lyrics with references more appropriate to an English audience.[19]

1962 Off-Broadway revival to 1987 Broadway revival[edit]

The production was revived in an Off-Broadway production in 1962, opening on May 15, 1962, at the Orpheum Theatre. It was directed by Lawrence Kasha with a cast that included Hal Linden as Billy Crocker, Kenneth Mars as Sir Evelyn, and Eileen Rodgers as Reno Sweeney. For this revival, the script was revised to incorporate several of the changes from the movie versions. Most changes revolved around the previously minor character Bonnie. This revision was also the first stage version of Anything Goes to incorporate several songs from other Porter shows: "Take Me Back to Manhattan" from The New Yorkers, 1930, "It's De-Lovely" from Red, Hot and Blue, 1934, "Friendship" from Du Barry Was a Lady, 1939, and "Let's Misbehave" from Paris, 1928.


For the 1987 Broadway revival, John Weidman and Timothy Crouse (Russel's son) updated the book and re-ordered the musical numbers, using Cole Porter songs from other Porter shows, a practice which the composer often engaged in. This revival was rescored for a 16-piece swing band playing on stage, in the style of early Benny Goodman.[20] This production opened at the Vivian Beaumont Theater, in Lincoln Center, on October 19, 1987, and ran for 784 performances. Directed by Jerry Zaks and choreographed by Michael Smuin, it starred Patti LuPone as Reno Sweeney, Howard McGillin as Billy, Bill McCutcheon as Moonface, and Anthony Heald as Lord Evelyn; Leslie Uggams and Linda Hart were replacement Renos. It was nominated for ten Tony Awards (including nominations for McGillin, LuPone, McCutcheon, and Heald), winning for Best Revival of a Musical, Best Featured Actor (McCutcheon), and Best Choreography. The production also won the Drama Desk Awards for Outstanding Revival of a Musical and Outstanding Actress (for LuPone).

1989 West End revival and Australia[edit]

Elaine Paige, a British actress and singer, heard of the success of the 1987 Broadway production and made sure to attend a performance. After seeing the production herself, she was determined to bring it to London.[21] To secure a place in the show's cast, Paige decided it was best she co-produced the show with her then-partner, lyricist Tim Rice. The London production opened in July 1989 at the Prince Edward Theatre. Paige starred as Reno Sweeney[22] (she was replaced later in the run by Louise Gold). The original cast also starred Howard McGillin as Billy Crocker[22] (who was replaced later in the show's run by John Barrowman),[23] Bernard Cribbins as Moonface, and Kathryn Evans as Erma. The other principals included Ursula Smith, Martin Turner, and Ashleigh Sendin.


Jerry Zaks again directed the production, with scenic and costume design by Tony Walton, lighting by Paul Gallo, and sound by Tony Meola. The musical director was John Owen Edwards and the choreographer Michael Smuin.


The show transferred to Australia the same year and played in both Sydney and Melbourne, starring Geraldine Turner as Reno Sweeney, Peter Whitford as Moonface, Simon Burke as Billy Crocker, Marina Prior as Hope Harcourt, and Maggie Kirkpatrick as Evangeline Harcourt.

2002–2003 Concert, London, and West End revivals[edit]

In April 2002, a one-night-only concert performance of the show was performed at the Vivian Beaumont Theater. Patti LuPone played Reno with Howard McGillin as Billy and Boyd Gaines as Lord Evelyn Oakleigh. LuPone and Gaines would later star together in the 2008 Broadway revival of Gypsy. The performance was directed and choreographed by Robert Longbottom with music supervision by David Chase and designs by Tony Walton.[24]


The National Theatre revived the musical, which opened at the Olivier Theatre on December 18, 2002, and closed on March 22, 2003. The production then transferred to the West End at the Theatre Royal, Drury Lane, running from September 26, 2003 (in previews), through August 28, 2004. Directed by Trevor Nunn, it starred Sally Ann Triplett, John Barrowman, and Yao Chin (who is now a TV reporter). A cast recording of this production is available.[25]

2011 Broadway revival[edit]

A revival of the 1987 Broadway rewrite opened on April 7, 2011, at the Stephen Sondheim Theatre, produced by the Roundabout Theatre Company. Previews began on March 10, 2011. This production was directed and choreographed by Kathleen Marshall with musical supervision by Rob Fisher, dance arrangements by David Chase, and designs by Derek McLane, Martin Pakledinaz, and Peter Kaczorowski. This revival retained much of the 1987 orchestrations by Michael Gibson with some additions from arranger Bill Elliott.


The show's opening night cast featured Sutton Foster as Reno Sweeney, Joel Grey as Moonface Martin, Laura Osnes as Hope Harcourt, Jessica Walter as Evangeline Harcourt, Colin Donnell as Billy Crocker, Adam Godley as Sir Evelyn Oakleigh, John McMartin as Elisha Whitney, Jessica Stone as Erma,[26] Robert Creighton as Purser, Andrew Cao as Luke, Raymond J. Lee as John, and Walter Charles as the Captain.[27][28] The production was received generally very well by the critics and received a total of nine Tony Award nominations and ten Drama Desk Award nominations, including Best Actress in a Musical, Best Director of a Musical, and Best Revival of a Musical. The revival won the Drama Desk Awards and Tony Awards for Best Revival and Best Choreography, and Foster won the Drama Desk and Tony Awards for Best Actress in a Musical.[29]


A cast recording of this production became available as a digital download on August 23, 2011, and it arrived in stores on September 20, 2011.[30]


Stephanie J. Block took over for Sutton Foster as Reno Sweeney in a limited engagement (November 4–23, 2011) while Foster filmed a television pilot.[31][32] Block permanently assumed the role on March 15, 2012, as Foster left the musical to take a role in a television series.[33]


The production was originally scheduled to run through July 31, 2011, and was initially extended to April 29, 2012.[34] It was extended two more times before closing on July 8, 2012, after 521 regular performances and 32 previews.[35][36]

2012 U.S. national tour[edit]

A national tour in the United States began[37] in October 2012 at the Playhouse Square in Cleveland, Ohio, which was played more than 25 other major cities.[38] Rachel York played Reno Sweeney.[39] Other cast-members included Fred Applegate as Moonface Martin, Erich Bergen as Billy Crocker, Jeff Brooks as Purser, Joyce Chittick as Erma, Alex Finke as Hope Harcourt, Dennis Kelly as Elisha Whitney, Vincent Rodriguez III as Luke, Marcus Shane as John, Sandra Shipley as Mrs. Evangeline Harcourt, Edward Staudenmayer as Sir Evelyn Oakleigh, and Chuck Wagner as the Captain.[40]

2015 U.K. tour[edit]

The critically acclaimed Sheffield Theatres production directed by Daniel Evans began a UK and Ireland tour at the New Wimbledon Theatre on January 29, 2015, and was scheduled to visit 32 venues in its nine-month run. The production starred Debbie Kurup as Reno Sweeney and Matt Rawle as Billy Crocker with Hugh Sachs as Moonface Martin and Jane Wymark as Evangeline Harcourt until April 4, 2015, followed by Shaun Williamson and Kate Anthony, respectively, from April 6, 2015. The tour was cut short and ended at the Grand Opera House, Belfast on May 30, 2015.

2015 Australian revival[edit]

An Australian revival was announced in September 2014 with the cast led by Caroline O'Connor as Reno Sweeney and featuring Todd McKenney, Alex Rathgeber, Claire Lyon, Wayne Scott Kermond, and Alan Jones. Jones was replaced in the role of the Captain by Gerry Connolly in Melbourne and Brisbane. The revival, directed by Dean Bryant, played in Melbourne, Brisbane, and Sydney, sequentially, running from June until November.

2016 regional revival[edit]

A high-profile co-production between Gateway Playhouse (Bellport, New York) and Ogunquit Playhouse starred Andrea McArdle as Reno Sweeney and Sally Struthers as Mrs. Harcourt. The production, which ran in May to June 4, 2016, featured the Derek McLane sets and Martin Pakledinaz costumes that were created for the 2011 Broadway revival, which was produced by the Roundabout Theatre Company. The production was directed by Jayme McDaniel and choreographed by Jason Wise.[41]

2021 London revival and tour[edit]

A revival directed and choreographed by Kathleen Marshall, based on the 2011 Broadway production, opened for a limited season at the Barbican Theatre in London on August 4, 2021. The production repurposed the previous Broadway set designs by Derek McLane, sound design by Simon Baker, lighting design by Neil Austin and musical direction/supervision by Stephen Ridley.[42] Previews began on July 23 and, following two extensions, the show closed on November 6, 2021.[43][44]


Originally set to star Megan Mullally until she withdrew due to injury, Sutton Foster took over as Reno Sweeney in her London theatre debut.[45] It also starred Robert Lindsay as Moonface Martin, Gary Wilmot as Eli Whitney and Felicity Kendal as Mrs. Harcourt. Foster and Kendal departed the production in October, and were replaced by Rachel York and Haydn Gwynne, respectively.[46] The production received rave critical reviews,[47] broke box office records at the Barbican,[48] and received 9 Olivier Award nominations including Best Musical Revival the following year.[49] During its run, the show was recorded for cinema distribution.[50][51] This version was eventually shown on the Great Performances US television series on May 13, 2022.[52]


After concluding its run at the Barbican, a UK and Ireland tour from April 2022 and a limited return to the Barbican from July 2022 were announced. The new cast featured Kerry Ellis as Reno Sweeney, Denis Lawson as Moonface Martin, Simon Callow as Eli Whitney, and Bonnie Langford as Mrs. Harcourt. Nicole-Lily Baisden, Samuel Edwards, Carly Mercedes Dyer and Hadyn Oakley reprised their performances from the London run.[53][54]

Television version[edit]

In 1954, Ethel Merman, at the age of forty-six, reprised her role as Reno in a specially adapted live television version of the musical, co-starring Frank Sinatra as the hero, now renamed Harry Dane; Merman's good friend Bert Lahr (who had co-starred with her on Broadway in DuBarry Was a Lady) as Moonface Martin; and Sheree North.[55] This version was broadcast live on February 28, 1954, as an episode of The Colgate Comedy Hour, and has been preserved on kinescope.[56] It used five of the original songs plus several other Porter numbers and retained the shipboard setting, but it had a somewhat different plot.[57] It has been reported that Merman and Sinatra did not get along well. This version was released on DVD in 2011.[58]

1935 Original London cast

1936 Studio cast

1950 Studio recording with

Mary Martin

1953 Studio cast

1954 Television cast

1956 Film cast

1962 Off Broadway revival cast

Hal Linden

1969 London revival cast

Marion Montgomery

1987 Broadway revival cast with and Howard McGillin

Patti LuPone

1988 Studio cast with conducted by John McGlinn

Kim Criswell

1989 Australian revival cast

1989 London revival cast with

Elaine Paige

1995 Studio cast with

Louise Gold

2003 London revival cast

2011 Broadway revival cast with

Sutton Foster

There are many popular cast recordings of the show, including:

Title song was used for ' American Experience documentary of President Franklin D. Roosevelt because of the last verse of the song.

PBS

In the 1972 film , the song "You're the Top" is sung for the opening and closing credits by Barbra Streisand. Ryan O'Neal joins her for the closing credits, and this marks his only on-screen singing in a movie. The movie uses at least two other tunes from this musical as background music: "Anything Goes" and "I Get a Kick Out of You" are heard during the first hotel-lobby scene.

What's Up, Doc?

In the 1974 film Blazing Saddles, "I Get a Kick Out of You" is performed in a comedic manner by Cleavon Little and the other actors portraying black railroad workers, complete with a full harmony arrangement.

Mel Brooks

"You're The Top" was used in the film , performed by Diana Rigg.[69]

Evil Under the Sun

In the 1984 film Indiana Jones and the Temple of Doom, Kate Capshaw performs the title song in Mandarin. The tune appears again later in the scene.[70]

Steven Spielberg

In the episode "Saving Private Brian", the Sergeant trainer claims Anything Goes to be one of his most favorite shows. Also, in "Brian: Portrait of a Dog", Lois wants to sing showtunes in the car. She begins to sing "Anything Goes".

Family Guy

In an episode of , Mr G cancels a production of Anything Goes one week before opening.[71]

Summer Heights High

In the play by Irish playwright Brian Friel, the song "Anything Goes" is played on the radio and sung by Gerry Evans to Aggie and Chris. The song basically sums up the entire concept of the play: times changing and people changing with them.

Dancing at Lughnasa

In an episode of , "You're the Top" is sung with slight lyrical changes.[72]

Gilmore Girls

The song "Anything Goes" is played on Galaxy News Radio, a fictional radio station, in the post-apocalyptic video game , as well as the next installment, Fallout 4.[73]

Fallout 3

During the latter half of , "You're The Top" can be heard playing from a Rapture radio.[74]

BioShock

who starred as Billy Crocker in 1989, 2002, and 2003, titled his 2008 autobiography Anything Goes.[75]

John Barrowman

In an episode of called "Can't Dance, Don't Ask Me", Steve teaches Kelly to tap dance to "Anything Goes".

Married... with Children

In the episode "The Fortune" (from the 1988 revival series), the movie was the favorite film of Luis Barazon—one of the targets. Further, the segment of the movie where the title song is performed is "the part he likes the best". Also, the phrase "Anything Goes" was the second level password needed to access Barazon's financial records so that the money the Barazons stole from their country's treasury could be returned.

Mission: Impossible

"Anything Goes" was used in a with "Anything You Can Do" (from Annie Get Your Gun) in the third-season premiere of the Fox musical television series Glee.[76]

mash-up

Anything Went was a parody of Anything Goes, partly shown on , the rest being left to the viewer's imagination. This episode featured veteran Broadway performer Tammy Grimes portraying fictional hammy veteran Broadway performer Lauren Bacchanal.

Mathnet

In an episode of , Richie sings "You're the Top", replacing the words "Mona Lisa" with "Mommy Lisa".[77]

The Dick Van Dyke Show

A cover of the title song was released as a duet by and Lady Gaga in July 2014.[78][79]

Tony Bennett

In the film , the minister sings "You're the Top".

Passed Away

In the 1999 romantic comedy , drag performer Coco Peru references the song "Blow, Gabriel, Blow".[80]

Trick

In 2017, the title song was used in a commercial.[81]

Toyota RAV4

In episode "Hitler Has Only Got One Ball", Okami listens to "Anything Goes" on a record player.[82]

The Man in the High Castle

In , Wayne Allwine, Bill Farmer, and Tony Anselmo (the voices of Mickey, Goofy, and Donald, respectively) perform the song "Friendship."

Disney's Sing Along Songs Volume 11: Friend Like Me

https://anythinggoesmusical.co.uk/home

at the Internet Broadway Database

​Anything Goes​ (1934 original production)

at the Internet Off-Broadway Database

​Anything Goes (1962 production)

at the Internet Broadway Database

​Anything Goes​ (1987 production)

at the Internet Broadway Database

​Anything Goes​ (2002 concert production)

at the Internet Broadway Database

​Anything Goes​ (2011 production)

Tams-Witmark listing for 1987 production

Tams-Witmark listing for 1962 production

Anything Goes 1962 Broadway revival cast recording album on Masterworks Broadway

at the Playbill Vault (archive)

1934 original production

at the Playbill Vault (archive)

1987 revival

at the Playbill Vault (archive)

2011 revival