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August Wilson

August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America".[1] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle), which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences (1987) and The Piano Lesson (1990), both of which won the Pulitzer Prize for Drama, as well as Ma Rainey's Black Bottom (1984) and Joe Turner's Come and Gone (1988). In 2006, Wilson was inducted into the American Theater Hall of Fame.

This article is about the late-20th-century writer. For the late-19th-century writer Augusta J. Evans Wilson, see Augusta Wilson. For the United States Navy sailor, see August Wilson (Medal of Honor).

August Wilson

Frederick August Kittel Jr.
(1945-04-27)April 27, 1945
Pittsburgh, Pennsylvania, U.S.

October 2, 2005(2005-10-02) (aged 60)
Seattle, Washington, U.S.

Author, playwright

Pulitzer Prize for Drama (1987, 1990)
Whiting Award (1986)
Heinz Award in the Arts and Humanities (2004)

Brenda Burton
(m. 1969; div. 1972)
Judy Oliver
(m. 1981; div. 1990)
(m. 1994)

2

His works delve into the African-American experience as well as examine the human condition. Other themes range from the systemic and historical exploitation of African Americans, race relations, identity, migration, and racial discrimination. Viola Davis said that Wilson's writing "captures our humor, our vulnerabilities, our tragedies, our trauma. And he humanizes us. And he allows us to talk."[2] Since Wilson's death, two of his plays have been adapted into films: Fences (2016) and Ma Rainey's Black Bottom (2020). Denzel Washington has shepherded the films and has vowed to continue Wilson's legacy by adapting the rest of his plays into films for a wider audience.[3] Washington said, "the greatest part of what's left of my career is making sure that August is taken care of".[4]

Career[edit]

1960s[edit]

Wilson knew that he wanted to be a writer, but this created tension with his mother, who wanted him to become a lawyer. She forced him to leave the family home and he enlisted in the United States Army for a three-year stint in 1962, but he was discharged after a year[9] and went back to working various odd jobs as a porter, short-order cook, gardener, and dishwasher.


Frederick August Kittel Jr. changed his name to August Wilson to honor his mother after his father's death in 1965. That same year, he discovered the blues as sung by Bessie Smith, and he bought a stolen typewriter for $10, which he often pawned when money was tight.[10] At 20, he decided he was a poet and submitted work to such magazines as Harper's.[5] He began to write in bars, the local cigar store, and cafes—longhand on table napkins and on yellow notepads, absorbing the voices and characters around him. He liked to write on cafe napkins because, he said, it freed him up and made him less self-conscious as a writer. He would then gather the notes and type them up at home.[5] Gifted with a talent for catching dialect and accents, Wilson had an "astonishing memory", which he put to full use during his career. He slowly learned not to censor the language he heard when incorporating it into his work.[10]

Personal life[edit]

Wilson was married three times. His first marriage was to Brenda Burton from 1969 to 1972. They had one daughter, Sakina Ansari, born 1970. In 1981, he married Judy Oliver, a social worker; they divorced in 1990. He married again in 1994 and was survived by his third wife, costume designer Constanza Romero, whom he met on the set of The Piano Lesson. They had a daughter, Azula Carmen Wilson.[5] Wilson also was survived by siblings Freda Ellis, Linda Jean Kittel, Richard Kittel, Donna Conley and Edwin Kittel.[1]

Death[edit]

Wilson reported that he had been diagnosed with liver cancer in June 2005 and been given three to five months to live. He died at age 60 on October 2 of that year at Swedish Medical Center in Seattle, and was interred at Greenwood Cemetery, Pittsburgh, on October 8.[30] He reportedly requested a "Black funeral" at Saint Paul Cathedral, but permission for a non-Catholic funeral was not granted by the diocese. A memorial service was instead held at the University of Pittsburgh.[11]

1985: New York Drama Critics' Circle Award for Best American Play

Ma Rainey's Black Bottom

1986: for Drama

Whiting Award

1987: Artist of the Year by

Chicago Tribune

1988: Literary Lion Award from the New York Public Library

1988: Golden Plate Award of the [49]

American Academy of Achievement

1988: New York Drama Critics Circle Award for Best Play – Joe Turner's Come and Gone

1990: Governor's Awards for Excellence in the Arts and Distinguished Pennsylvania Artists

1990: New York Drama Critics Circle Award for Best Play – The Piano Lesson

1991: award

Black Filmmakers Hall of Fame

1991: from the Saint Louis University Library Associates[50][51]

St. Louis Literary Award

1992: American Theatre Critics' Association Award – Two Trains Running

1992,2007: New York Drama Critics Circle Citation for Best American Play – Two Trains Running

1992: Clarence Muse Award

1996: New York Drama Critics Circle Award for Best Play – Seven Guitars

1999: National Humanities Medal

2000: New York Drama Critics Circle Award for Best Play – Jitney

2001:Outer Critics Circle Award for John Gassner Playwriting Award – Fences

2002: Olivier Award for Best new Play – Jitney

2004: The 10th Annual in Arts and Humanities[52]

Heinz Award

2004: The U.S. Comedy Arts Festival Freedom of Speech Award

2005: Make Shift Award at the U.S. Confederation of Play Writers

2006: .[53]

American Theatre Hall of Fame

2013: Lucille Lortel Award for Outstanding Revival – The Piano Lesson

The childhood home of Wilson and his six siblings, at 1727 Bedford Avenue in Pittsburgh, was declared a historic landmark by the State of Pennsylvania on May 30, 2007.[37] On February 26, 2008, Pittsburgh City Council placed the house on the List of City of Pittsburgh historic designations. On April 30, 2013, the August Wilson House was added to the National Register of Historic Places.[38]


In Pittsburgh, there is an August Wilson Center for African American Culture. The center includes a permanent exhibition on Wilson's life in Pittsburgh's Hill District, "August Wilson: A Writer's Landscape."[39]


On October 16, 2005, fourteen days after Wilson's death, the Virginia Theatre in New York City's Broadway Theater District was renamed the August Wilson Theatre. It is the first Broadway theatre to bear the name of an African-American.[40] The theatre has run many shows, including Jersey Boys, Groundhog Day, and Mean Girls.[41]


In 2007, the August Wilson Monologue Competition was founded by Kenny Leon and Todd Kreidler. High school students, supported by professional actors, mentors, local drama teachers and others learn a monologue from one of Wilson's plays, and perform it in front of a professional jury. This tribute to Wilson's work is an official contest in many American cities including, as of 2020, Atlanta, Boston, Buffalo, Chicago, Dallas, Greensboro, Los Angeles, New Haven, New York, Norfolk, Pittsburgh, Portland, San Diego, and Seattle. The national winner of the contest gets the chance to perform on Broadway.[42]


In Seattle, Washington, along the south side of the Seattle Repertory Theatre, the vacated Republican Street between Warren Avenue N. and 2nd Avenue N. on the Seattle Center grounds has been renamed August Wilson Way.[43]


In September 2016, an existing community park near his childhood home was renovated and renamed August Wilson Park.[44]


In 2020, the University Library System at the University of Pittsburgh acquired Wilson's literary papers and materials to establish the August Wilson Archive.[45][46][47]


In 2021, the United States Postal Service honored Wilson with a Forever stamp featuring him as part of the Black Heritage series of stamps. It was designed by Ethel Kessler with art from Tim O'Brien.[48]


Other awards and honors by year:

Hartigan, Patti (2023). August Wilson: A Life. New York: Simon & Schuster.  9781501180668. OCLC 1347429411.

ISBN

August Wilson Archives, University of Pittsburgh

August Wilson Theatre Broadway

August Wilson Center for African American Culture

Archived February 23, 2012, at the Wayback Machine

Berkeley Rep profile of Wilson and works

The Whiting Foundation Profile

Pittsburgh Post-Gazette article

at IMDb

August Wilson

August Wilson Journal