Baptismal font

Immersion fonts[edit]

The earliest baptismal fonts were designed for full immersion, and were often cross-shaped, usually with three steps to represent Holy Trinity, leading down into the baptismal pool. Often such baptismal pools were located in a separate building, called a baptistery; however, this baptismal practice was then relocated to be administered near the entrance of the church, mostly nearby the main door to signify entrance to the Church. As infant baptism became more common, fonts became smaller. Denominations that believe only in baptism by full immersion tend to use the term "baptismal font" to refer to immersion tanks dedicated for that purpose; however, in the Roman Catholic tradition, a baptismal font differs from an immersion.


Full-immersion baptisms may take place in a man-made tank or pool, or a natural body of water such as a river or lake. The entire body is fully immersed, dunked, submerged or otherwise placed completely under the water. This practice symbolizes the death of the old nature, as found in Romans 6:3–4. In Hagia Sophia, the water was supplied to the baptismal tank from a water tower.^[13] In the Eastern Orthodox Church, baptism is always by full triple immersion, even in the case of infant baptism (aspersion or pouring is permitted only in extremis). For this reason, Eastern baptismal fonts tend to be larger than their Western counterparts and they are usually portable. Eastern Orthodox fonts are often shaped like a large chalice (significant since the Orthodox administer Holy Communion to infants after baptism), and are normally fashioned out of metal rather than stone or wood. Symbolically, Orthodox baptismal fonts represent the womb of the Church, as well as the tomb of Christ, since the baptized individual is put into the tomb/womb and is brought out born into a new life in Christ.^[14] During the baptismal service, three candles are lit on or around the baptismal font, in honour of the Holy Trinity. In many Orthodox churches, a special kind of holy water, called "Theophany Water", is consecrated on the Feast of Theophany (Epiphany). The consecration (literally, "Great Blessing") is performed twice: the first time on the eve of the feast, in a baptismal font; the second, on the day of the feast, in a natural body of water.


In the Roman Catholic Church, especially after its Second Vatican Council (1962–1965), greater attention is being given to the form of the baptismal font. Currently, the Roman Catholic Church encourages baptismal fonts that are suitable for the full immersion of an infant or child, and for at least the pouring of water over the whole body of an adult. The font should be located in a space that is visibly and physically accessible, and should preferably make provision for flowing water.


Baptisms of the Church of Jesus Christ of Latter-day Saints are usually undertaken in a simple font located in a local meetinghouse, although they can be performed in any body of water in which the person may be completely immersed. In Latter-day Saint temples, where proxy baptisms for the dead are performed, the fonts rest on the sculptures of twelve oxen representing the twelve tribes of Israel, following the pattern of the Molten Sea in the Temple of Solomon (see 2 Chronicles 4:2-5).