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Baul

The Baul (Bengali: বাউল) are a group of mystic minstrels of mixed elements of Vaishnavism and Tantra from different parts of Bengal such as Bangladesh and the neighboring Indian states of West Bengal, Tripura and Assam's Barak Valley and Meghalaya. Bauls constitute both a syncretic religious sect of troubadours and a musical tradition. Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims.[1][2] They can often be identified by their distinctive clothes and musical instruments. Lalon Shah is regarded as the most celebrated Baul saint in history.[3][4][5]

Baul songs

Social practices, rituals and festive events

2008 (3rd session)

Representative

Although Bauls constitute only a small fraction of the Bengali population, their influence on the culture of Bengal is considerable. In 2005, the Baul tradition of Bangladesh was included in the list of Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO.[6]

Etymology[edit]

The origin of the word Baul is debated. The most common view is that it may be derived either from the Sanskrit word vātula, which means "mad, crazy", or from vyākula, which means "impatiently eager, upset". According to philosopher Shashibhusan Dasgupta, both of these derivations are consistent with the modern sense of the word, "inspired people with an ecstatic eagerness for a spiritual life where one can realise one's union with the eternal Beloved".[7] Another theory is that it comes from the Persian word Aul.[8]

History[edit]

The origin of Bauls is not known exactly, but the word "Baul" has appeared in Bengali texts as old as the 15th century. The word is found in the Chaitanya Bhagavata of Vrindavana Dasa Thakura as well as in the Chaitanya Charitamrita of Krishnadasa Kaviraja.[9] Some scholars maintain that it is not clear when the word took its sectarian significance, as opposed to being a synonym for the word madcap, agitated. Bauls are a part of the culture of rural Bengal. Many attempts have been made to ascertain the origin of Bauls but there is wide disagreement among scholars.[10] But they agree that no founders have been acknowledged either by Bauls themselves or others.[11] Bauls are divided into several named groups, each following a named Hindu or Muslim guru. Besides, there are other communities who later identified or affiliated themselves with Bauls, like Darbesi, Nera and two sub-sects of KartabhajasAul and Sai. The Bauls themselves attribute their lack of historical records to their reluctance to leave traces behind. Dr. Jeanne Openshaw writes that the music of the Bauls appears to have been passed down entirely in oral form until the end of the 19th century, when it was first transcribed by outside observers.[11]


There are two classes of Bauls: ascetic Bauls who reject family life and Bauls who live with their families. Ascetic Bauls renounce family life and society and survive on alms. They have no fixed dwelling place, but move from one akhda to another. Bangladeshi men wear white lungis and long, white tunics; women wear white saris. They carry jholas, shoulder bags for alms. They do not beget or rear children. They are treated as jyante mara. Women dedicated to the service of ascetics, are known as sevadasis "service slaves". A male Baul can have one sevadasi, who is associated with him in the act of devotion. Until 1976 the district of Kushtia had 252 ascetic Bauls. In 1982-83 the number rose to 905; in 2000, they numbered about 5000.


Those who choose family life, live with their spouse, children and relations in a secluded part of a village. They do not mix freely with other members of the community. Unlike ascetic Bauls, their rituals are less strict. In order to become Bauls, they recite some mystic verses and observe certain rituals.[12]


The bauls of eastern India dress colourfully in orange and red and have a somewhat different way of getting together. There is a big yearly gathering called Jaydeb Mela, taking place in Januari in Kenduli, near Bolpur, which attract bauls and followers in large numbers.

Lalon

Music of Bangladesh

Parvathy Baul

Bangla (band)

Bhattacharya, Baskar The Path of the Mystic Lover: Baul Songs of Passion and Ecstasy Inner Traditions, 1983

Enamul Haq, Muhammad (1975), A history of Sufism in Bengal, , Dhaka.

Asiatic Society

Qureshi, Mahmud Shah (1977), Poems Mystiques Bengalis. Chants Bauls Unesco. Paris.

Siddiqi, Ashraf (1977), Our Folklore Our Heritage, Dhaka.

Karim, Anwarul (1980), The Bauls of Bangladesh. Academy, Kushtia.

Lalon

Mukherjee, Prithwindra (1981), Chants Caryâ du bengali ancien (édition bilingue), Le Calligraphe, Paris.

Mukherjee, Prithwindra (1985), Bâul, les Fous de l'Absolu (édition trilingue), Ministère de la Culture/ Findakly, Paris

Capwell, Charles (1986), The Music of the Bauls of Bengal. , USA 1986. ISBN 0-87338-317-6.

Kent State University Press

Dimock, Edward C. (1989), The Place of the Hidden Moon: Erotic Mysticism in the Vaisnava-Sahajiya Cult of Bengal, , Chicago. ISBN 0-226-15237-5, ISBN 978-0-226-15237-0

The University of Chicago Press

Bandyopadhyay, Pranab (1989), Bauls of Bengal. Firma KLM Pvt, Ltd., Calcutta.

Mcdaniel, June (1989), The Madness of the Saints. Chicago.

Sarkar, R. M. (1990), Bauls of Bengal. New Delhi.

Brahma, Tripti (1990), Lalon : His Melodies. Calcutta.

Gupta, Samir Das (2000), Songs of Lalon. Sahitya Prakash, Dhaka.

Karim, Anwarul (2001), Rabindranath O Banglar Baul (in Bengali), Dhaka.

Openshaw, Jeanne (2002). . Cambridge University Press. ISBN 978-0-521-81125-5.

Seeking Bauls of Bengal

(2005). Song of the Great Soul: An Introduction to the Baul Path. Ekatara Baul Sangeetha Kalari.

Baul, Parvathy

Capwell, Charles (2011), Sailing on the Sea of Love THE MUSIC OF THE BAULS OF BENGAL, The University of Chicago Press, Chicago.  978-0-85742-004-6

ISBN

Sen, Mimlu (2009), Baulsphere, , ISBN 978-81-8400-055-9

Random House

Sen, Mimlu (2010), , Rider Books, ISBN 978-1-84604-189-1

The Honey Gatherers

Knight, Lisa I. (2011). . Oxford University Press. ISBN 978-0-19-977354-1.

Contradictory Lives: Baul Women in India and Bangladesh

Mukherjee, Prithwindra (2014), Le Spontané: chants Caryâ et Bâul, Editions Almora, Paris.

(archived). Dedicated to the memory of Professor Edward C. Dimock, Jr. who inspired generations of American and Bengali scholars with the poetry and philosophy of Baul songs. It is the culmination of Sally Grossman's forty-plus year long interest in the Bauls and has been conceived, inspired, and generously supported by her with the advice and cooperation of Charles Capwell.

Baul Archive

Lalon Song's Archive

Lalon Song's Archive