Bhimbetka rock shelters
The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period.[1][2] It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times.[3][4][5] It is located in the Raisen District in the Indian state of Madhya Pradesh, about 45 kilometres (28 mi) south-east of Bhopal. It is a UNESCO World Heritage Site that consists of seven hills and over 750 rock shelters distributed over 10 km (6.2 mi).[2][6] At least some of the shelters were inhabited more than 100,000 years ago.[2][7]
UNESCO World Heritage Site
The rock shelters and caves provide evidence of human settlement and the cultural evolution from hunter-gatherers to agriculture, and expressions of prehistoric spirituality.[8]
Some of the Bhimbetka rock shelters feature prehistoric cave paintings and the earliest are dated to 10,000 BCE, corresponding to the Indian Mesolithic.[9][10][11][12][13][14] These cave paintings show themes such as animals, early evidence of dance and hunting from the Stone Age as well as of warriors on horseback from a later time (perhaps the Bronze Age).[15][16][17] The Bhimbetka site has the oldest-known rock art in India,[18] as well as is one of the largest prehistoric complexes.[8][19]
Background[edit]
Etymology[edit]
Bhimbetka meaning "Bhima's resting place" or "Bhima's lounge", is compound word made of Bhima (second brother among the five Pandavas of Mahabharata) and Baithaka (seat or lounge). According to the native belief, Bhima during his exile used to rest here to interact with the locals.[21]
The rock shelters and caves of Bhimbetka have a large number of paintings. Some of the oldest paintings are dated to 10,000 BCE,[9][10][11][12][13][14] but some of the geometric figures date to as recently as the medieval period. The drawings and paintings can be classified under seven different periods. V. S. Wakankar classified the drawings and paintings into seven different periods and dated the earliest paintings to have belonged to the upper Palaeolithic to be as early as 40,000 years ago.[32][33] The colours used are vegetable colours which have endured through time because the drawings were generally made deep inside a niche or on inner walls.
Period I – (Upper Paleolithic): These are linear representations in green of humans dancing and hunting.[34]
Period II – (Mesolithic): Comparatively small in size the stylised figures in this group show linear decorations on the body. In addition to animals there are human figures and hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed sticks, bows and arrows.[15][16][35] Some scenes are interpreted as depicting tribal war between three tribes symbolised by their animal totems.[1][36] The depiction of communal dances, birds, musical instruments, mothers and children, pregnant women, men carrying dead animals, drinking and burials appear in rhythmic movement.[15][16][35]
Period III – (Chalcolithic) Similar to the paintings of the Mesolithic, these drawings reveal that during this period the cave dwellers of this area were in contact with the agricultural communities of the Malwa plains, exchanging goods with them.
Period IV & V – (Early historic): The figures of this group have a schematic and decorative style and are painted mainly in red, white and yellow. The association is of riders, depiction of religious symbols, tunic-like dresses and the existence of scripts of different periods. The religious beliefs are represented by figures of yakshas, tree gods and magical sky chariots.
Period VI & VII – (Medieval): These paintings are geometric linear and more schematic, but they show degeneration and crudeness in their artistic style. The colors used by the cave dwellers were prepared by combining black manganese oxides, red hematite and charcoal.
One rock, popularly referred to as "Zoo Rock", depicts elephants, barasingha (swamp deer), bison and deer. Paintings on another rock show a peacock, a snake, a deer and the sun. On another rock, two elephants with tusks are painted. Hunting scenes with hunters carrying bows, arrows, swords, and shields also find their place in the community of these pre-historic paintings. In one of the caves, a bison is shown in pursuit of a hunter while his two companions appear to stand helplessly nearby; in another, some horsemen are seen, along with archers. In one painting, a large wild bovine (possibly a gaur or bison) is seen.
Yashodhar Mathpal has conducted a very careful study of the various animals depicted in these rock shelters. He has identified sloth bear, wolf, hyaena, rhinoceros, wild cattle, deer, antelopes, hare, monkeys, anteater, rats, fish, turtle, peafowl, some birds without any details among the wild animals and a domesticated dog. Deer and antelope are amongst the most numerous of the wild animals depicted. The pictures include groups of hunters; one such group is depicted as running away from a rhinoceros. Other groups are engaged in hunting deer, antelopes and other prey. Spear and bow and arrow are the main weapons of hunt; fish and turtle are being caught in a net, and rats are being driven out of their burrows to be caught. The paintings are classified largely in two groups, one as depictions of hunters and food gatherers, and in others as fighters, riding on horses and elephant carrying metal weapons. The first group of paintings date to prehistoric times while second one dates to historic times.[37][38] Most of the paintings from the historic period depict battles between rulers carrying swords, spears, bows and arrows.[38]
In one of the desolate rock shelters, the painting of a man holding a trident-like staff and dancing has been nicknamed "Nataraj" by archaeologist V. S. Wakankar.[39][40] It is estimated that paintings in at least 100 rock shelters might have eroded away.[41]