Bill Melendez
José Cuauhtémoc "Bill" Melendez (November 15, 1916 – September 2, 2008)[1][2] was an American animator, director, producer, and voice actor. Melendez is known for working on the Peanuts animated specials, as well as providing the voices of Snoopy and Woodstock. Before Peanuts, he previously worked as an animator for Walt Disney Productions, Warner Bros. Cartoons, and UPA.
Bill Melendez
September 2, 2008 (aged 91)
C. Melendez
J.C. Melendez
William Melendez
- Animator
- director
- producer
- voice actor
1938–2006
- Walt Disney Animation Studios (1935–1941)
- Warner Bros. Cartoons (1941–1949)
- UPA (1949–1953)
2, including Steven C. Melendez
In a career spanning over 60 years, he won six Primetime Emmy Awards and was nominated for thirteen more. In addition, he was nominated for an Oscar and five Grammy Awards. The two Peanuts specials, A Charlie Brown Christmas and What Have We Learned, Charlie Brown?, which he directed, were each honored with a Peabody Award.
Early life[edit]
A native of Hermosillo, Sonora, Mexico, Melendez was educated in American public schools in Douglas, Arizona.[1] He later attended the Chouinard Art Institute in Los Angeles (which would later become California Institute of the Arts).[1]
Early animation work (1935–1961)[edit]
On completion of his studies, Melendez found his first job at a lumber mill. After watching Snow White and the Seven Dwarfs, he gained employment at Disney in 1938, where he worked as an assistant animator to Hawley Pratt whom he befriended and worked together to developed a naval game with toy ships. He worked on what are now considered classics: Pinocchio, Fantasia, Dumbo, and Bambi and he worked once as an animator for a Donald Duck short, The Flying Jalopy.[3] Following the 1941 Disney strike, Melendez was hired by Leon Schlesinger Productions, later known as Warner Bros. Cartoons, where he served as animator on the Looney Tunes and Merrie Melodies series. He worked in Bob Clampett's unit, first as an assistant animator for Rod Scribner, and then as a full animator. After Clampett's departure in 1946, he moved to the Arthur Davis unit. When the number of animation units at Warner Bros. was reduced from four to three in 1949, Melendez along with Emery Hawkins moved to Robert McKimson's unit for a time.
After animating a few shorts under McKimson's belt, Melendez was fired by producer Edward Selzer. Afterwards, he moved over to United Productions of America (UPA), where he animated on cartoons such as Gerald McBoing-Boing (1950). Melendez also produced and directed thousands of television commercials, first at UPA, then John Sutherland Productions and Playhouse Pictures.[4] In 1963, Melendez founded his own studio in the basement of his Hollywood home. Bill Melendez Productions is still active and is currently run by his son Steven C. Melendez.[5]
In addition to animation, Melendez was once a faculty member at the University of Southern California's Cinema Arts Department.
Melendez was referenced in the 1961 Looney Tunes short The Pied Piper of Guadalupe, directed by Friz Freleng. In it, Sylvester tries to learn how to play the flute by getting music lessons in order to lure the mice from a small Mexican town. He was referenced as J.C. Melendez, alluding to the name he was credited with in a few dozen Warner Bros. shorts during the mid '40s to early '50s (excluding his first few cartoons where he was credited as C. Melendez).
Peanuts franchise (1959–2006)[edit]
In 1959, Melendez was hired to do some animated television commercials featuring characters from the comic strip Peanuts for the Ford Motor Company. These animations were seen by documentary producer Lee Mendelson, and Mendelson hired Melendez to do some interstitial animations for a film he was producing about the comic strip entitled A Boy Named Charlie Brown.
Melendez was the only person Peanuts creator Charles M. Schulz trusted to turn his popular comic creations into television specials. He and his studio worked on every single television special and direct-to-video film for the Peanuts gang and Melendez directed the majority of them. He provided the vocal effects for Snoopy and Woodstock in every single production, voice acting the characters in the studio by uttering gibberish, and the voices were mechanically sped up at different speeds to represent the two different characters, although some later specials had Snoopy speaking in a clear voice, reflecting how he would be thinking to himself in the comics.
According to an article in The New York Times published shortly after his death, Melendez did not intend to do voice acting for the two characters. "Schulz would not countenance the idea of a beagle uttering English dialogue, Mr. Melendez recited gibberish into a tape recorder, sped it up and put the result on the soundtrack."[1] He also directed, did the animation for, and provided voice acting in the first four Peanuts theatrical films, A Boy Named Charlie Brown (1969), Snoopy, Come Home (1972), Race for Your Life, Charlie Brown (1977), and Bon Voyage, Charlie Brown (1980), as well as the video games Get Ready for School, Charlie Brown! (1995) and Snoopy's Campfire Stories (1996).[6]
The last Peanuts-related production he worked on was He's a Bully, Charlie Brown (2006). Melendez and Lee Mendelson, who also worked on the Peanuts specials, films, and TV shows, formed their own production team and did other animated specials. They were responsible for the first two Garfield animated specials, Here Comes Garfield (1982) and Garfield on the Town (1983), as well as Frosty Returns (1992), the pseudo-sequel to Rankin/Bass' Frosty the Snowman (1969).
National Student Film Institute[edit]
During the 1980s and 1990s Melendez served on the advisory board of the National Student Film Institute.[7][8]