Katana VentraIP

Blood on the Fields

Blood on the Fields is a two-and-a-half-hour jazz oratorio by Wynton Marsalis. It was commissioned by Lincoln Center and treats the history of slavery and its aftermath in the United States of America. The oratorio tells the story of two slaves, Jesse and Leona, as they traverse the difficult journey to freedom. The narrative suggests that the individual freedom and agency of its protagonists is necessarily and inextricably intertwined with the empowerment of the community and nation as a whole.[3] The work received the 1997 Pulitzer Prize for Music,[4] being the first time the prize was ever given for a jazz music composition, an honor that had previously been reserved for classical composers.

Blood on the Fields

June 17, 1997 (1997-06-17)

January 22–25, 1995

– trumpet, oratory vocal

Wynton Marsalis

– vocal

Jon Hendricks

– vocal

Cassandra Wilson

Miles Griffith – vocal

– lead trumpet, oratory vocal

Roger Ingram

Marcus Printup – second trumpet, oratory vocal

– third trumpet, oratory vocal

Russell Gunn

– lead trombone, oratory vocal

Ron Westray

Wayne Goodman – second trombone, oratory vocal

– trombone and tuba, oratory vocal

Wycliffe Gordon

Walter Blanding – soprano saxophone, oratory vocal

– lead alto saxophone, oratory vocal

Wes Anderson

– lead tenor saxophone, oratory vocal

Robert Stewart

– tenor, soprano saxophones, clarinet and bass clarinet, oratory vocal

Victor Goines

– baritone saxophone, clarinet and bass clarinet, oratory vocal

James Carter

– violin, oratory vocal

Regina Carter

Michael Ward – violin, oratory vocal

– piano, oratory vocal

Eric Reed

Reginald Veal – bass, oratory vocal

– drums, tambourine, oratory vocal[5]

Herlin Riley