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Brian Ferneyhough

Brian John Peter Ferneyhough (/ˈfɜːrnih/;[1][2] born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement.[3][4] Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987.

Brian Ferneyhough

16 January 1943 (1943-01-16) (age 81)

Coventry

British

Composer and Lecturer

Life[edit]

Ferneyhough was born in Coventry and received formal musical training at the Birmingham School of Music and the Royal Academy of Music from 1966 to 1967, where he studied with Lennox Berkeley. Ferneyhough was awarded the Mendelssohn Scholarship in 1968 and moved to mainland Europe to study with Ton de Leeuw in Amsterdam, and later with Klaus Huber in Basel.[5]


Between 1973 and 1986 he taught composition at the Hochschule für Musik Freiburg, Germany,[6] where his students included Toshio Hosokawa, Joël-François Durand, Roger Redgate, Alessandro Melchiorre, Giulio Castagnoli, Kaija Saariaho, Joël Bons (winner of the 2021 Grawemeyer Award), Hans-Ola Ericsson, and Rodney Sharman.


The Royan Festival of 1974 saw the premiere of Cassandra's Dream Song, the first of several pieces for solo flute, as well as Missa Brevis, written for 12 singers. In 1975, performances of his work for large ensemble Transit and Time and Motion Study III were given; the former piece being awarded a Koussevitzky Prize, the latter performed at the Donaueschingen festival. In many of these events he was paired with fellow British composer, Michael Finnissy, with whom he became friends during his student days.[7] In 1984 he was given the title Chevalier de l'Ordre des Arts et des Lettres.[5]


Between 1987 and 1999 he was Professor of Music at the University of California, San Diego. His graduate students at UCSD included composers Chaya Czernowin and Mark Applebaum, among many others. In 2000, he became William H. Bonsall Professor in Music at Stanford University. For the 2007–08 academic year, he was visiting professor at the Harvard University Department of Music. Between 1978 and 1994 Ferneyhough was a composition lecturer at the Darmstädter Ferienkurse and, since 1990, has directed an annual mastercourse at the Fondation Royaumont in France.


In 2007, Ferneyhough received the Ernst von Siemens Music Prize for lifetime achievement.[8] In 2009 he was appointed foreign member of the Royal Swedish Academy of Music.


In 2012 he was awarded an honorary DMus from Goldsmiths, University of London. In December 2018 he received an honorary degree from the Royal Birmingham Conservatoire for his contribution to contemporary classical music.[9]

First String Quartet (1963)

Sonatas for String Quartet (1967)

Second String Quartet (1980)

Adagissimo (1983)

Third String Quartet (1987)

Fourth String Quartet (1989–90)

Fifth String Quartet (2006)

Dum transisset I–IV for string quartet (2007)

Exordium for string quartet (2008)

Sixth String Quartet (2010)

Silentium (2014)

Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme  21274317 (French)

OCLC

Boros, James; , eds. (1995). The Collected Writings of Brian Ferneyhough. Amsterdam: Harwood Academic Publishers. ISBN 9783718655762.

Toop, Richard

Feller, Ross Alan (1994). (DMA thesis). University of Illinois Urbana-Champaign. hdl:2142/19574. OCLC 34051107.

Multicursal Labyrinths in the Work of Brian Ferneyhough

Bortz, Graziela. . Ph.D. Thesis, City University of New York, 2003.

Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers

Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity' ". 48, no. 1 (Winter 2010): 136–172.

Perspectives of New Music

(January 1998). "Review: [untitled]". Tempo. New Series (203): 45–48, 50–52. JSTOR 946283. Reviewed works: Brian Ferneyhough – Collected Writings, edited by James Boros and Richard Toop. Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble, c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Félix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772.

Pace, Ian

Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". 48, no. 2 (Summer 2010):114–151.

Perspectives of New Music

. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–153.

Schick, Steven

(ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (in German)

Tadday, Ulrich

Tadday, Ulrich (2008). "Brian Ferneyhough". . Neue Folge (in German) (140). München: Edition Text + Kritik. ISBN 978-3-88377-918-8.

Musik-Konzepte

. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.

Toop, Richard

Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–175.

. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.

Whittall, Arnold

Williams, Alastair. " and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.

Adorno

– includes biography, works and selected discography

Info at Brian Ferneyhough's publisher, Edition Peters

Archived 2 November 2013 at the Wayback Machine

Info at Stanford University Department of Music

Living Composers Project

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