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Caballos de vapor

Caballos de vapor, sinfonía de baile (also known by the English translation, Horse-Power: Ballet Symphony, and by the abbreviation of this title, H. P.) is a ballet score composed by the Mexican composer Carlos Chávez in 1926–32. An abridged concert version is published as Suite sinfónica del ballet Caballos de vapor.

I. Danza del hombre (Dance of the Man)

Intermedio tropical (alias Interludio)

Intermedio II (alias Interludio II)

IV. Danza de los hombres y las máquinas (Dance of men and machines)

The score is designated a "dance symphony". Though it is not among the composer's numbered symphonies, it falls into the traditional four movements of a symphony, but they are further subdivided into a succession of dances:


The Suite omits the "Danza final" from the second movement, the second intermedio, and the entire fourth movement. Otherwise, it is identical with the ballet score in the 1954 orchestration.

Discography[edit]

Complete ballet[edit]

No recording of the complete ballet has been published. Robert Parker, citing an unpublished interview with Eduardo Mata from 13 August 1980, states that by that time Mata had made a recording with the London Symphony Orchestra that "includes the music for all four movements of the ballet".[7] However, the recording eventually issued by RCA was only made later, in December 1980, and is of the Suite (see below).

. 1960. Carlos Chávez, vida y obra. México: Fondo de Cultura Económica. ISBN 968-16-0222-6.

García Morillo, Roberto

Parker, Robert L. (1983). Carlos Chávez, Mexico's Modern-Day Orpheus. Twayne's Music Series. Boston: Twayne Publishers.  0-8057-9455-7.

ISBN

Parker, Robert L. (1985). "Carlos Chávez and the Ballet: A Study in Persistence". Dance Chronicle. 8 (3/4): 179–210. :10.1080/01472528408568910.

doi

Footnotes

Belnap, Jeffrey. 2006. "Diego Rivera's Greater America Pan-American Patronage, Indigenism, and H.P." Cultural Critique, no. 63 (Spring): 61–98.

. 1932. "Music and Theatre—1932". Modern Music 9, no. 4 (May–June): 164–68.

Blitzstein, Marc

. 1926. "Music: More of the Ultra-Moderns". New York Times (29 November): 16.

Downes, Olin

Gibson, Christina Taylor. 2012. "The Reception of Carlos Chávez's Horsepower: A Pan-American Communication Failure". American Music 30, no. 2 (Summer): 157–93.

Parker, Robert L. 1987. "Copland and Chávez: Brothers-in-Arms". American Music 5, no. 4 (Winter): 433–44.

Parker, Robert L. 1991. "A Recurring Melodic Cell in the Music of Carlos Chávez". Latin American Music Review / Revista de Música Latinoamericana 12, no. 2 (Autumn–Winter): 160–72.

. 1932. "American Composers VIII: Carlos Chavez". Modern Music 9, no. 4 (May–June): 153–59.

Rosenfeld, Paul

Skeel, Sharon. 2020. Catherine Littlefield: A Life in Dance. Oxford University Press.

. 1945. Music of Latin America. New York: Thomas Y. Crowell Company.

Slonimsky, Nicolas