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Carmina Burana

Carmina Burana (/ˈkɑːrmɪnə bʊˈrɑːnə/, Latin for "Songs from Benediktbeuern" [Buria in Latin]) is a manuscript of 254[1] poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. They were written principally in Medieval Latin, a few in Middle High German and old Arpitan. Some are macaronic, a mixture of Latin and German or French vernacular.

This article is about the medieval collection of poetry. For Carl Orff's musical composition based on the poems, see Carmina Burana (Orff). For the album by Ray Manzarek, see Carmina Burana (album).

They were written by students and clergy when Latin was the lingua franca throughout Italy and western Europe for travelling scholars, universities, and theologians. Most of the poems and songs appear to be the work of Goliards, clergy (mostly students) who satirized the Catholic Church. The collection preserves the works of a number of poets, including Peter of Blois, Walter of Châtillon and an anonymous poet referred to as the Archpoet.


The collection was found in 1803 in the Benedictine monastery of Benediktbeuern, Bavaria, and is now housed in the Bavarian State Library in Munich. It is considered to be the most important collection of Goliard and vagabond songs, along with the Carmina Cantabrigiensia.


The manuscripts reflect an international European movement, with songs originating from Occitania, France, England, Scotland, Aragon, Castile and the Holy Roman Empire.[2]


Twenty-four poems in Carmina Burana were set to music in 1936 by Carl Orff as Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis. His composition quickly became popular and a staple piece of the classical music repertoire. The opening and closing movement "O Fortuna" has been used in numerous films, becoming one of the most recognizable compositions in popular culture.

1584: A sanitized version of "" was published in the Finnish collection Piae Cantiones. The Piae Cantiones version includes a melody recognizable to modern audiences as the one that is now used for the Christmas carol "Good King Wenceslas".

Tempus adest floridum

1975–1977: The records five LPs of songs from Carmina Burana.

Clemencic Consort

1983: The album by Ray Manzarek, keyboard player for The Doors, produced by Philip Glass and Kurt Munkacsi; arrangements by Ray Manzarek. A&M Records.[32]

Carmina Burana

1991: Apotheosis, a techno group from Belgium, produced their first single, "O Fortuna", in 1991, which heavily sampled the classical piece originally composed by Carl Orff. However, the estate of Carl Orff (who died in 1982) took legal action in court to stop the distribution of the records on the grounds of copyright infringement. Judgment was finally accorded to the estate.

[33]

1997: Japanese composer used portions of "O Fortuna", "Estuans interius", "Veni, veni, venias", and "Ave formosissima" for the final boss theme "One-Winged Angel" in Square Enix's game Final Fantasy VII.[34]

Nobuo Uematsu

1998: Composer John Paul used a portion of the lyrics of "Fas et nefas ambulant" in the musical score of the video game .[35]

Gauntlet Legends

2005: German band recorded Cantus Buranus, a full-length opera, set to the original Carmina Burana manuscript in 2005, and released Cantus Buranus II in 2008

Corvus Corax

2009: The included the song "Carmina Burana" on their album Night Castle.

Trans-Siberian Orchestra

About one-quarter of the poems in the Carmina Burana are accompanied in the manuscript by music using unheighted, staffless neumes,[30] an archaic system of musical notation that by the time of the manuscript had largely been superseded by staffed neumes.[31] Unheighted neumes only indicate whether a given note is pitched higher or lower than the preceding note, without giving any indication of how much change in pitch there is between two notes, so they are useful only as mnemonic devices for singers who are already familiar with the melody. However, it is possible to identify many of those melodies by comparing them with melodies notated in staffed neumes in other contemporary manuscripts from the schools of Notre Dame and Saint Martial.[31]


Between 1935 and 1936, German composer Carl Orff composed music, also called Carmina Burana, for 24 of the poems. The single song "O Fortuna" (the Roman goddess of luck and fate), from the movement "Fortuna Imperatrix Mundi", is often heard in many popular settings such as films. Orff's composition has been performed by many ensembles. Other musical settings include:

1964, 1967 – Carmina Burana – Studio der frühen Musik, dir. (Teldec, 2 CD)

Thomas Binkley

1968 – Carmina Burana – Capella Antiqua München, dir. (Christophorus)

Konrad Ruhland

1975, 1976, 1978 – Carmina Burana – Clemencic Consort, dir. (Harmonia Mundi, 3 CD)

René Clemencic

1983 – Carmina Burana; Das Grosse Passionspiel – Das Mittelalter Ensemble der , dir. Thomas Binkley (Deutsche Harmonia mundi, 2 CD)

Schola Cantorum Basiliensis

1988 – Carmina Burana – Madrigalisti di Genova, dir. (Ars Nova, LP)

Leopoldo Gamberini

1990 – Carmina Burana; Le Grand Mystère de la Passion – Ensemble Organum, dir. (Harmonia Mundi, 2 CD)

Marcel Pérès

1992 – Satires, Desires and Excesses; Songs from Carmina Burana – , dir. Milton G. Scheuermann (Centaur)

New Orleans Musica da Camera

1994 – Carmina Burana – , dir. Philip Pickett (L'Oiseau Lyre, 4 CD released in 1987 (Vol. I), 1988 (Vol. II), 1989 (Vols III & IV))

New London Consort

1996 – Carmina Burana; Poetry & Music – , dir. Joel Cohen (Erato)

Boston Camerata

1997 – Carmina Burana; Medieval Poems and Songs – Ensemble Unicorn, dir. Michael Posch + Ensemble Oni Wytars, dir. (Naxos)

Marco Ambrosini

1998 – Carmina Burana – , dir. Bettina Hoffmann (Paragon-Amadeus 2 CD)

Modo Antiquo

2008 – Carmina Burana; Medieval Songs from the Codex Buranus – Clemencic Consort, dir. (Oehms)

René Clemencic

Drinkers Mass

, CB 143

Ecce gratum

Cantigas d'escarnho e de maldizer

Medieval poetry

Diemer, Peter; Diemer, Dorothee (1987). "Die Carmina Burana". In Benedikt Konrad Vollmann (ed.). Carmina Burana. Text und Übersetzung (in German). Frankfurt am Main: Deutscher Klassiker Verlag.

Knapp, Fritz Peter (1994). "Die Literatur des Früh- und Hochmittelalters in den Bistümern Passau, Salzburg, Brixen und Trient von den Anfängen bis 1273". In Herbert Zemann (ed.). Geschichte der Literatur in Österreich von den Anfängen bis zur Gegenwart (in German). Vol. 1. Graz: .

Akademische Druck- und Verlagsanstalt

Schaller, Dieter (1983). "Carmina Burana". (in German). Vol. 2. Munich and Zürich: Artemis.

Lexikon des Mittelalters

Walsh, P. G., ed. (1993). Love Lyrics from the Carmina Burana. . ISBN 978-0-807-84400-7.

University of North Carolina Press

Notes


Sources

Franklinos, Tristan E.; Hope, Henry, eds. (2020). . Woodbridge: Boydell & Brewer. ISBN 978-1-78327-379-9. Archived from the original on 2020-07-22. Retrieved 2020-06-23.

Revisiting the Codex Buranus: Contents, Contexts, Composition

Lehtonen, Tuomas M. S. (1995). Fortuna, Money, and the Sublunar World: Twelfth-century Ethical Poetics and the Satirical Poetry of the Carmina Burana (Ph.D. thesis, ). Bibliotheca historica, 9. Helsinki: Finnish Historical Society. ISBN 978-951-710-027-4. ISSN 1238-3503.

University of Helsinki

 Latin Wikisource has original text related to this article: Carmina Burana

Quotations related to Carmina Burana at Wikiquote

Text of the selections by Orff with translations from Teach Yourself Latin

Complete orig. text (without translation) from Biblioteca Augustana