Katana VentraIP

Catherine Howard

Catherine Howard[b] (c. 1523 – 13 February 1542) was Queen of England from 1540 until 1541 as the fifth wife of King Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn (the second wife of Henry VIII), and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court, and he secured her a place in the household of Henry's fourth wife, Anne of Cleves, where she caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and she was between 15 and 21 years old, though it is widely accepted that she was 17 at the time of her marriage to Henry VIII.

For other people named Catherine Howard, see Catherine Howard (disambiguation).

Catherine Howard

28 July 1540 – 23 November 1541[a]

c. 1523
Lambeth, London, England

13 February 1542 (aged about 19)
Tower of London, London, England (decapitated)

13 February 1542

(m. 1540)

Catherine Howard's signature

Catherine was stripped of her title as queen in November 1541 and beheaded three months later on the grounds of treason for committing adultery with her distant cousin, Thomas Culpeper.

Ancestry[edit]

Catherine had an aristocratic ancestry as a granddaughter of Thomas Howard, 2nd Duke of Norfolk (1443 – 1524), but her father, Lord Edmund Howard, was not wealthy, being the third son of his father – under the rules of primogeniture, the eldest son inherited all of the father's estate.


Catherine's mother, Joyce Culpeper, already had five children from her first husband, Ralph Leigh (c. 1476 – 1509) when she married Lord Edmund Howard, and they had another six together, Catherine being about her mother's tenth child. With little to sustain the family, her father often had to beg for the help of his more affluent relatives.


Her father's sister, Elizabeth Howard, was the mother of Anne Boleyn. Therefore, Catherine Howard was the first cousin of Anne Boleyn, and the first cousin once removed of Lady Elizabeth (later Queen Elizabeth I), Anne's daughter by Henry VIII. She also was the second cousin of Jane Seymour, as her grandmother Elizabeth Tilney was the sister of Seymour's grandmother, Anne Say.[1]


After Catherine's mother died in 1528, her father married two more times. In 1531, he was appointed Controller of Calais.[2] He was dismissed from his post in 1539, and died in March 1539. Catherine was the third of Henry VIII's wives to have been a member of the English nobility or gentry; Catherine of Aragon[3] and Anne of Cleves[4] were royalty from continental Europe.

Arrival at court[edit]

Catherine's uncle, the Duke of Norfolk, found her a place at Court in the household of the King's fourth wife, Anne of Cleves.[21] As a young and attractive lady-in-waiting, Catherine quickly caught the eye of multiple men, including the King and Thomas Culpeper. In the early stages of her time at court, and prior to the arrival of Anne of Cleves, the relationship between the King and Catherine has been little remarked upon. He seems to have found her attractive, and whenever they happened to be in each other's company they publicly flirted, but little else appears to have happened. As Anne arrived and the King came to show little interest in her, an opportunity for Catherine slowly began to present itself.[22]


Prior to this point, Catherine and Thomas Culpeper had slowly entered into a quasi-relationship and one that was not sexual – although, from later testimony, Culpeper expected it to soon become so, also telling Catherine that he loved her (likely more lust than actual love). Catherine rejected this, and in response he moved onto another woman within the Queen's household. This deeply upset Catherine, who does appear to have had some level of feelings for him at this time, for on one occasion she broke down in tears in front of her fellow maids of honor. Prior to this instance, it was she who controlled how long her relationships lasted and when they ended. During this time, word reached back to Francis Dereham of the rumored soon-to-be marriage between the pair, and he arrived at court to dispute this with them both. After being, again, told off by Catherine, he returned to the dowager duchess's household, which he requested to leave, being Catherine was no longer there. Believing this desperation was temporary and soon to blow over, Agnes Howard denied this request.[23]


The King had displayed little interest in Anne from the beginning, but some historians have argued that, with Thomas Cromwell failing to find a new match, Norfolk saw an opportunity. The Howards may have sought to recreate the influence gained during Anne Boleyn's reign as queen consort. According to Nicholas Sander, the religiously conservative Howard family may have seen Catherine as a figurehead for their fight by expressed determination to restore Roman Catholicism to England. Catholic bishop Stephen Gardiner entertained the couple at Winchester Palace with "feastings".[24] However, Russell does not accept this interpretation.[25]


As the King's interest in Catherine grew, so did the house of Norfolk's influence. Her youth, prettiness and vivacity were captivating for the middle-aged sovereign, who claimed he had never known "the like to any woman". Within months of her arrival at court, Henry bestowed gifts of land and expensive cloth upon Catherine. The first administrative evidence of this was a grant made on 24 April 1540.[26] Henry called her his 'very jewel of womanhood' (that he called her his 'rose without a thorn' is likely a myth).[27] The French ambassador, Charles de Marillac, thought her "delightful". Holbein's portrait showed a young auburn-haired girl with a characteristically hooked Howard nose; Catherine was said to have a "gentle, earnest face", ,[28] while Elisabeth and Agnes Strickland, who co-authored the Victorian-era biography of Kathryn Howard in "The Lives of the Queens of England: Volume IV", where she is described as petite in stature, but of a full frame.

Historiography[edit]

Catherine has been the subject of contention for modern biographies, A Tudor Tragedy by Lacey Baldwin Smith (1967), Katherine Howard: A Tudor Conspiracy by Joanna Denny (2006), Katherine Howard: Henry VIII's Slandered Queen by Conor Byrne (2019), and Young and Damned and Fair by Gareth Russell (2017). Each is more or less sympathetic, though they disagree on various important points involving Catherine's motivations, date of birth and overall character.


Her life has also been described in the five collective studies of Henry's queens that have appeared since the publication of Alison Weir's The Six Wives of Henry VIII (1991)—such as David Starkey's The Six Wives: The Queens of Henry VIII (2003). Several of these writers have been highly critical of Catherine's conduct, if sympathetic to her eventual fate and regarding her punishment as excessive. Baldwin Smith described Catherine's life as one of hedonism and characterized her as a "juvenile delinquent", as did Francis Hackett in his 1929 biography of Henry. Weir had much the same judgement, describing her as an "empty-headed wanton". Other writers, especially those studying historical trends larger than Catherine's life, have been much more critical towards her. In his book Tudor Queens of England, which profiles 14 consorts and sovereigns, David Loades described Catherine as a "stupid and oversexed adolescent" who "certainly behaved like a whore", and wrote that her denial of a precontract was "a measure of her stupidity"; however, he also said that she died when she was "just 20 years old, a mere child". In her book Elizabeth's Women, profiling the rise of Queen Elizabeth I (Catherine's stepdaughter), Tracy Borman wrote that Catherine was "as much a sexual predator as [Francis] Dereham" and blamed Catherine almost entirely for her own fate.


Loades's and Borman's characterizations are unusually harsh, however. The general trend has been more fair to Catherine, particularly in the works of Antonia Fraser, Karen Lindsey, Joanna Denny, Conor Byrne, Josephine Wilkinson, and Gareth Russell. Lucy Worsley also takes a kinder, modern view of the accusations against Catherine and their relation to the men who took advantage of her in her youth. In her BBC miniseries Six Wives she states that today, instead of the "good-time girl" some historians accuse her of having been, we would call her an "abused child."[60]

An unidentified woman c.1532–43, Hans Holbein the Younger[72]

An unidentified woman c.1532–43, Hans Holbein the Younger[72]

Unknown woman engraved as Catherine Howard, 1797, Francesco Bartolozzi after Hans Holbein[72]

Unknown woman engraved as Catherine Howard, 1797, Francesco Bartolozzi after Hans Holbein[72]

Letter from Catherine Howard to Thomas Culpeper

PBS Six Wives of Henry VIII, which describes Catherine's death

Teri Fitzgerald, All that Glitters: Hans Holbein's Lady of the Cromwell Family

Teri Fitzgerald, Catherine Howard and the Cromwells

at the National Portrait Gallery, London

Portraits of Catherine Howard

Original images of the Act concerning the Attainder of the late Queen Katharine and her Complices