Chalk Mark in a Rain Storm
Chalk Mark in a Rain Storm is the 13th studio album by Canadian singer-songwriter Joni Mitchell, released on March 23, 1988, by Geffen Records. Her third release on the label, the album features duets with a number of artists such as Peter Gabriel on "My Secret Place," Willie Nelson on "Cool Water," Don Henley on "Snakes and Ladders," and Billy Idol and Tom Petty on the track "Dancin' Clown." Henley also performs backing vocals on "Lakota," and Wendy and Lisa perform backing vocals on "The Tea Leaf Prophecy (Lay Down Your Arms)."
Chalk Mark in a Rain Storm
March 23, 1988
1986–1987
- Ashcombe House (Somerset)
- The Wool Hall (Bath)
- Artisan Sound (Hollywood)
- A&M (Hollywood)
- Village Recorders (Los Angeles)
- Ocean Way (Los Angeles)
- Galaxy (Los Angeles)
- Ground Control (Los Angeles)
- Soundcastle (Hollywood)
46:25
Background and recording[edit]
In early 1986, Mitchell and Larry Klein visited Peter Gabriel's Ashcombe House recording studio near Bath, England. Since Gabriel had mostly finished his album So by that time, he offered Mitchell and Klein the use of his studio if they wanted to record. They did, and the result was the track "My Secret Place" which was a duet between Mitchell and Gabriel. Mitchell told Musician magazine about this song: "It's a love beginning song. The song's about the threshold of intimacy. It's a shared thing so I wanted it to be like the Song of Solomon, where you can't tell what gender it is. It's the uniting spirit of two people at the beginning of a relationship".
In February 1987, Mitchell saw Billy Idol performing his hit version of the William Bell R&B ballad, "To Be a Lover" on the Grammy Awards show. She felt he captured the original spirit of rock'n'roll along with a new spark of energy, and would be perfect for a cameo on her song "Dancin' Clown". Idol came over to Mitchell's studio one evening a few days after the Grammys and recorded his part, complete with yelps and howls. Mitchell told Macleans magazine about this pairing up: "It was for the contrast he provided. It's a great little cameo for him, and he brings real life to the part." Later, Tom Petty recorded his cameo on the same song.
While reminiscing about her friendship with saxophonist Wayne Shorter, Mitchell recalled their unusual style of collaboration, explaining that since both she and he were painters, they possessed a "visual" understanding of music, where she could abstractly describe an emotion or a scene for him that he would translate in to his playing, an attribute she claimed was unique to him as a saxophone player. Before recording "A Bird That Whistles (Corrina, Corrina)", Mitchell gave Shorter the simple direction that he was "the bird on [the song]," and from there, "the first lick he made was so bird-like, it was perfect." He immediately requested the opportunity to record a second take after finishing his first, but Joni refused, being happy with what she just heard him play. She later said that in that moment Shorter had "slept through his own magic."
About Chalk Mark, Mitchell told interviewer Kristine McKenna: "I've discovered that with your focus no longer on finding a mate, you get a heightened sense of community, and I've become a bit more political – not too political though".
Chalk Mark in a Rain Storm was released in March 1988, and the song "Snakes and Ladders" (featuring Don Henley) was issued as a pre-release single to radio stations in January 1988.
Themes[edit]
Contemporary commercialism is addressed in the songs "Number One", "Lakota" which deals with the destruction of Native American culture and the unusual "The Reoccurring Dream" was constructed from samples Mitchell collected by recording TV commercials on her VCR for 2 weeks. "Cool Water" (a Mitchell rewrite of the Bob Nolan original) also discusses water pollution.
War is explored in two very different stories: "The Tea Leaf Prophecy (Lay Down Your Arms)" tells the tale of Mitchell's parents meeting during World War II after a surprisingly prophetic tea-leaf reading, while "The Beat of Black Wings" is about an embittered Vietnam vet named Killer Kyle, who found it difficult to get the sound of helicopter blades out of his head. This song may be based on a scene from the film adaptation of The Looking Glass War.[2]
In the more straightforward love songs, Mitchell sings of intimacy in "My Secret Place", and young, rambunctious love in "Snakes and Ladders" and "Dancin' Clown".
Track numbering does not match the LP listing (above); it refers to CD and digital releases of the album.