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Character flaw

In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorder, vice, phobia, prejudice, or deficiency present in a character who may be otherwise very functional. The flaw can be a problem that directly affects the character's actions and abilities, such as a violent temper. Alternatively, it can be a simple foible or personality defect, which affects the character's motives and social interactions, but little else.

This article is about the literary concept. For ethical shortcomings in real people, see Vice.

Flaws can add complexity, depth and humanity to the characters in a narrative. For example, the sheriff with a gambling addiction, the action hero who is afraid of heights, or a lead in a romantic comedy who must overcome his insecurity regarding male pattern baldness are all characters whose flaws help provide dimension. Perhaps the most widely cited and classic of character flaws is Achilles' famous heel.


In general, flaws can be categorized as minor, major, or tragic.

Minor flaw[edit]

A minor character flaw is an imperfection which serves to distinguish the character in the mind of the reader / viewer / player / listener, making them memorable and individual, but otherwise does not affect the story in any way.


Examples of this could include a noticeable scar, a thick accent or a habit such as cracking their knuckles.


Protagonists and other major characters may (and usually do) have multiple minor flaws, making them more accessible, and enabling the reader / viewer / listener to relate to the character (in the case of a sympathetic character) or otherwise influence the audience's opinions of the character.


Many insignificant or archetypal characters which are encountered only once or rarely are defined solely by a single minor flaw, differentiating them from the stock character or archetype that they adhere to.

For villains, their major flaw is usually the cause of their eventual downfall.

For heroes, their major flaw usually must be overcome (either temporarily or permanently) at some point in the story, often at the climax, by their own determination or skill.

For neutral characters, or those that shift allegiance, the major flaw is usually the cause of either their corruption, redemption or both.

For the protagonist, the most visible flaw generally serves a more vital interest, as well, as it defines their core problem. It is the protagonist's reluctant (and usually unconscious) journey to address this problem that forms the spine of the story, sometimes acting as the to stimulate the plot.

MacGuffin

A major character flaw is a much more noticeable and important hindrance which actually impairs the individual, whether physically, mentally or morally. Sometimes major flaws are not actually negative per se (such as devout religious beliefs or a rigid code of honor), but are classified as such in that they often serve to hinder or restrict the character in some way.


Examples of this type of flaw could include blindness, amnesia or greed.


Unlike minor flaws, major flaws are almost invariably important to either the character's, or the story's development.

Tragic/fatal flaw[edit]

This is a specific sort of flaw, also known as "Hamartia", which is possessed by Aristotelian tragic heros. It is a flaw which causes an otherwise noble or exceptional character to bring about their own downfall and, often, their eventual death.


Examples of this could include hubris, misplaced trust, excessive curiosity, pride and lack of self-control.


This fall usually occurs at the beginning of a story, with the story itself concentrating on the consequences or attempted redemption of the fall.

downfall is directly linked to arrogance: Oedipus Rex

Oedipus's

suffers from hubris, leading to the murder of Duncan I of Scotland; he later becomes paranoid, leading him to order the deaths of Banquo and the family of Macduff: Macbeth

Macbeth

is indecisive and self-doubting, which thwarts him in avenging his father's murder: Hamlet

Prince Hamlet

suffers from excessive curiosity and irresponsibility, leading to the creation of the monster that destroys his life: Frankenstein

Victor Frankenstein

is selfish and wants to marry Katrina for her money.

Ichabod Crane

has a vulnerable spot on his back, where a linden leaf fell as he was bathing in dragon's blood: Völsunga saga

Sigurd

acts in greed when he takes Briseis away from Achilles, losing the warrior's support in the Trojan War, whereas Achilles was held back by his own arrogance: The Iliad.

Agamemnon

' flaw was an extreme hubris which led him to dishonor the god Poseidon: The Odyssey

Odysseus

despite his many accomplishments, suffers from self-doubt because of his huge nose which keeps him from pursuing the woman he loves.

Cyrano De Bergerac

suffers from extreme depression, as well as extreme boredom due to his huge yet mostly inactive mind: The Hitchhiker's Guide to the Galaxy

Marvin the Paranoid Android

's extreme thanatophobia eventually transformed him into the vile Lord Voldemort in his pursuit for immortality: Harry Potter

Tom Riddle

's bluntness and hot temper cause conflict with her family: Little Women

Jo March

eventual downfall is linked to his placing the weight of the galaxy on his shoulder in his desire for peace: Star Wars Legends

Jacen Solo's

Billy Budd is a seaman who stammers at moments of emotion, which results in his killing a Royal Navy officer and being hanged for murder:

Billy Budd

Begin, Mary Jane (2015). My Little Pony: The Art of Equestria. New York: Abrams.  978-1-4197-1577-8.

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