Katana VentraIP

Claire Denis

Claire Denis (French: [dəni]; born 21 April 1946) is a French film director and screenwriter. Her feature film Beau Travail (1999) has been called one of the greatest films of the 1990s and of all time.[1][2][3] Other acclaimed works include Trouble Every Day (2001), 35 Shots of Rum (2008), White Material (2009), High Life (2018) and Both Sides of the Blade (2022), the last of which won her the Silver Bear for Best Director at the Berlin International Film Festival.[4] For her film Stars at Noon (2022), Denis competed for the Palme d'Or at the 2022 Cannes Film Festival. She won the Grand Prix, sharing the award with Lukas Dhont's film Close.[5]

Not to be confused with Clare Dennis or Claire Danes.

Claire Denis

(1946-04-21) 21 April 1946

Paris, France

Director, writer, professor

Her work has dealt with themes of colonial and post-colonial West Africa, as well as issues in modern France, and continues to influence European cinematic identity.[6][7][8]

Early life[edit]

Denis was born on 21 April 1946[9] in Paris,[10][11] but raised in colonial French Africa, where her father was a civil servant, living in Burkina Faso, Cameroon, French Somaliland, and Senegal.[12] Her childhood spent living in West Africa with her parents and her younger sister colored her perspective on certain political issues. Their father told them that independence from France would be a good thing for these colonies.[13] Her upbringing was a strong influence on her films, which have dealt with colonialism and post-colonialism in Africa.[14] Her father moved with the family every two years because he wanted the children to learn about geography.


Growing up in West Africa, Denis used to watch old and damaged copies of war films sent from the United States. As an adolescent she loved to read. Completing the required material while in school, at night she would sneak her mother's detective stories to read.[15] At age 12, Denis was diagnosed with polio and returned to France for treatment. She lived in Sceaux, a suburb of Paris, for the rest of her teenage years.[16] During her time in France, she felt unfit for living in France. She was educated for a life in Africa, and felt completely different from everyone around her.[17]


In 1969, Denis married a photographer she met at the age of 15, after being hired as his assistant. Due to the complex nature of having him in her private life but also as her teacher, they divorced soon after.[18]

Political views[edit]

In December 2023, alongside 50 other filmmakers, Denis signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[39][40][41]

Michael Omasta, Isabella Reicher (Ed.), Claire Denis. Trouble Every Day, FilmmuseumSynemaPublikationen, Vienna 2006,  3-901644-15-6

ISBN

Levilson Reis, "An 'other' scene, an 'other' point of view: France's colonial family romance, Protée's postcolonial fantasy, and Claire Denis' 'screen' memories." Studies in European Cinema, vol. 10, nos. 2–3, 2013, pp. 119–131. .

DOI: 10.1386/seci.10.2-3.119_1

by Damon Smith (Senses of Cinema).

"L'intrus: An Interview with Claire Denis"

by Darren Hughes (Senses of Cinema).

"Dancing Reveals So Much: An Interview with Claire Denis"

by Samantha Dinning (Senses of Cinema).

"Great Directors: Claire Denis"

Claire Denis, 2004, Manchester University Press, Manchester and New York.

Martine Beugnet

Judith Mayne, Claire Denis, 2005, University of Illinois Press, Urbana and Chicago.

by Kevin Lee, (MUBI).

Spectacularly Intimate: An Interview with Claire Denis

Marcelline Block, Situating the Feminist Gaze and Spectatorship in Postwar Cinema, 2008, Cambridge Scholars Publishing, Newcastle upon Tyne.

James Phillips, Cinematic Thinking: Philosophical Approaches to the New Cinema, 2008, Stanford University Press, Stanford.

by Ian Murphy (Jump Cut)

"Feeling and form in the films of Claire Denis"

by Megan Ratner (Cineaste)

"Moving Toward the Unknown Other: An Interview with Claire Denis"

by Susan Hayward (L'Esprit Créateur)

Claire Denis's "Post-colonial" Films and Desiring Bodies

'Enfolding Surfaces, Spaces and Materials: Claire Denis' Neo-Baroque Textures of Sensation' by Saige Walton (Screening the Past)

[2]

by Saige Walton (Senses of Cinema)

"Gestures of Intimacy: Claire Denis' I Can't Sleep"

by Marcin Wisniewski (Senses of Cinema)

"White Material"

Robertson, Kate. "Borders/Bodies: Space, Surface, Touch and Desire." In Trouble Every Day, 55–80. Liverpool University Press, 2021.

https://doi.org/10.2307/j.ctv1r1nr10.5

at IMDb

Claire Denis

MUBI

Back to Africa: An Interview with Claire Denis

Faculty page at European Graduate School (Biography, filmography, photos and video lectures)

Claire Denis.

a Reverse Shot symposium

Claire Denis

an interview for The New York Times by Charlotte Druckman

Claire Denis

on the IFC Center website

No Fear: The Films of Claire Denis

by Megan Ratner

Moving Toward the Unknown Other: An Interview with Claire Denis

by Ian Murphy (Jump Cut essay)

"Feeling and form in the films of Claire Denis"

Hell Is For Hyphenates, 30 September 2014

The films of Claire Denis