Katana VentraIP

Clark Terry

Clark Virgil Terry Jr.[1] (December 14, 1920 – February 21, 2015)[2] was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.

Clark Terry

Clark Virgil Terry Jr.

(1920-12-14)December 14, 1920
St. Louis, Missouri, US

February 21, 2015(2015-02-21) (aged 94)
Pine Bluff, Arkansas, US

  • Musician
  • composer

1940s–2015

He played with Charlie Barnet (1947), Count Basie (1948–51),[3] Duke Ellington (1951–59),[3] Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.[4]

Big band era[edit]

Blending the St. Louis tone with contemporary styles, Terry's years with Basie and Ellington (who secretly recruited Terry away from Basie)[6] in the late 1940s and 1950s established his prominence. During his period with Ellington, he took part in many of the composer's suites and acquired a reputation for his wide range of styles (from swing to hard bop), technical proficiency, and good humor. Terry influenced musicians including Miles Davis and Quincy Jones, both of whom acknowledged Terry's influence during the early stages of their careers. Terry had informally taught Davis while they were still in St Louis,[7] and Jones during Terry's frequent visits to Seattle with the Count Basie Sextet.[8]


After leaving Ellington in 1959, Clark's international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become a staff musician. He appeared for ten years on The Tonight Show as a member of the Tonight Show Band until 1972, first led by Skitch Henderson and later by Doc Severinsen, where his unique "mumbling" scat singing led to a hit with "Mumbles".[9] Terry was the first African American to become a regular in a band on a major US television network. He said later: "We had to be models, because I knew we were in a test.... We couldn't have a speck on our trousers. We couldn't have a wrinkle in the clothes. We couldn't have a dirty shirt."[10]


Clark has many relationships in the music world and they all speak highly of him. One of those relationships was Quincy Jones, who wrote the preface to Terry's autobiography. Jones led a band for the musical Free and Easy in 1959, and Terry left Duke Ellington Orchestra to join them in Belgium. [11]


Terry continued to play with musicians such as trombonist J. J. Johnson and pianist Oscar Peterson,[12] and led a group with valve-trombonist Bob Brookmeyer that achieved some success in the early 1960s. In February 1965, Brookmeyer and Terry appeared on BBC2's Jazz 625.[13] and in 1967, presented by Norman Granz, he was recorded at Poplar Town Hall, in the BBC series Jazz at the Philharmonic, alongside James Moody, Dizzy Gillespie, Coleman Hawkins, Benny Carter, Teddy Wilson, Bob Cranshaw, Louie Bellson and T-Bone Walker.[14]


In the 1970s, Terry concentrated increasingly on the flugelhorn, which he played with a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson's) and performed as the leader of his Big B-A-D Band (formed about 1970). After financial difficulties forced him to break up the Big B-A-D Band, he performed with bands such as the Unifour Jazz Ensemble. His humor and command of jazz trumpet styles are apparent in his "dialogues" with himself, on different instruments or on the same instrument, muted and unmuted.

Induction into the Nesuhi Ertegun Jazz Hall of Fame (2013)[34]

Jazz at Lincoln Center

The 2010 , two Grammy certificates, three Grammy nominations[35]

Grammy Lifetime Achievement Award

Induction into the Jazz Hall of Fame[36]

Down Beat

The Jazz Master Award (1991)[37]

National Endowment for the Arts

In 1988 an Honorary Doctorate of Music from .[38]

Berklee College of Music

Sixteen [39]

honorary doctorates

Keys to several cities

[40]

Jazz Ambassador for tours in the Middle East and Africa[41]

U.S. State Department

A in Germany[42]

knighthood

presented by Phi Mu Alpha Sinfonia fraternity in (1985). Terry was awarded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia (1968).

Charles E. Lutton Man of Music Award

An honorary member of the Iota Phi chapter of , National Honorary Band Fraternity (2011), at the University of New Hampshire.

Kappa Kappa Psi

The (2000)[43]

French Order of Arts and Letters

A life-sized wax figure for the in St. Louis

Black World History Museum

Inducted into the (1996)[44]

St. Louis Walk of Fame

Present's Merit Award (2005)[45]

NARAS

Trumpeter of the Year by the (2005)[39]

Jazz Journalists Association

Over 250 awards, medals and honors, including:

(EmArcy, 1955)

Clark Terry

The Jazz School with Joe Gordon, Paul Gonsalves (Wing, 1955)

(Riverside, 1957)

Serenade to a Bus Seat

(Riverside, 1957)

Duke with a Difference

(Argo, 1958) – recorded in 1957

Out on a Limb with Clark Terry

with Thelonious Monk (Riverside, 1958)

In Orbit

(Riverside, 1959)

Top and Bottom Brass

(Prestige/Moodsville, 1961)

Everything's Mellow

(Candid, 1961) – recorded in 1960

Color Changes

(Moodsville, 1962)

Clark Terry Plays the Jazz Version of All American

(Columbia, 1963) – recorded in 1962

Back in Bean's Bag

Tread Ye Lightly (Cameo, 1964)

What Makes Sammy Swing (, 1964)

20th Century Fox

(Impulse!, 1964)

The Happy Horns of Clark Terry

with Bob Brookmeyer (Mainstream, 1965)

The Power of Positive Swinging

with Bob Brookmeyer (Mainstream, 1965) – recorded in 1964

Tonight

with Bob Brookmeyer (Mainstream, 1966)

Gingerbread Men

(Mainstream, 1966)

Mumbles

with Chico O'Farrill (Impulse!, 1966)

Spanish Rice

(Impulse!, 1967)

It's What's Happenin'

with Shirley Scott (Impulse!, 1967)

Soul Duo

At the Montreux Jazz Festival (Polydor, 1970) – recorded in 1969

In Concert: Live (Etoile, 1973)

Previously Unreleased Recordings with Bob Brookmeyer (Verve, 1974)

Clark Terry's Big B-A-D Band Live at the Wichita Jazz Festival (Vanguard, 1975)

with Oscar Peterson (Pablo, 1975)

Oscar Peterson and Clark Terry

Wham/Live at the Jazz House (MPS, 1976)

Professor Jive (Inner City, 1976)

The Globetrotter (Vanguard, 1977)

Clark After Dark: The Ballad Artistry of Clark Terry (MPS, 1978)

(Pablo, 1979)

Ain't Misbehavin'

with Zoot Sims (Pablo, 1980) – recorded in 1979

Mother———! Mother———!!

(Pablo, 1980)

Memories of Duke

Yes, the Blues (Pablo, 1981)

To Duke and Basie (Enja, 1986)

Live 1964 (Emerald, 1987) – live recorded in 1964

Portraits (Chesky, 1989)

Squeeze Me (Chiaroscuro, 1989)

Having Fun (Delos, 1990)

Live at the Village Gate (Chesky, 1991)

Music in the Garden (Jazz Heritage, 1993)

What a Wonderful World (Red Baron, 1993)

Marian McPartland's Piano Jazz with Guest Clark Terry (Jazz Alliance, 1994)

Mellow Moods (Prestige, 1994)

Big Band Basie with Frank Wess (Reference, 1995)

The Second Set: Recorded Live at the Village Gate (Chesky, 1995)

Clark Terry with Peewee Claybrook and Swing Fever (D'Note, 1995)

Live in Chicago Vol. 1 (Monad, 1995)

Live in Chicago Vol. 2 (Monad, 1995)

Top and Bottom (Chiaroscuro, 1995)

Clark Terry Express (Reference, 1996)

The Songs Ella and Louis Sang with Carol Sloane (Concord Jazz, 1997)

One on One (Chesky, 2000)

The Hymn (Candid, 2001) – live recorded in 1993

Live in Concert (Image, 2001)

Friendship with Max Roach (Columbia, 2002)

Live on QE2 (Chiaroscuro, 2002)

George Gershwin's Porgy and Bess (Americana, 2004)

Live at Marihans (Chiaroscuro, 2005)

Louie and Clark Expedition 2 with Louie Bellson (Percussion Power, 2008)

Carnegie Blues: The Music of Duke Ellington (Squatty Roo, 2015)

Let's Talk Trumpet: From Legit to Jazz (with Phil Rizzo), 1973

Clark Terry's System of Circular Breathing for Woodwind and Brass Instruments (with Phil Rizzo), 1975

Interpretation of the Jazz Language, Bedford, Ohio: M. A. S. Publishing Company, 1977

TerryTunes, anthology of 60 original compositions (1st edn, 1972; 2nd edn w/doodle-tonguing chapter, 2009)

"Clark Terry – Jazz Ambassador: C.T.'s Diary" [cover portrait], 31 (May 6, 1978): pp. 7–8.

Jazz Journal International

"Jazz for the Record" [Clark Terry Archive at William Paterson University], (December 11, 2004).

The New York Times

Beach, Doug, "Clark Terry and the St. Louis Trumpet Sound", Instrumentalist 45 (April 1991): 8–12.

Bernotas, Bob, "Clark Terry", Jazz Player 1 (October–November 1994): 12–19.

Blumenthal, Bob, "Reflections on a Brilliant Career" [reprint of 25, No. 8], Jazz Educators Journal 29, No. 4 (1997): 30–33, 36–37.

JazzTimes

"Clark Terry" chapter in Music is My Mistress (Garden City, NY: Doubleday, 1973): 229–230.

Ellington, Duke

LaBarbera, John, "Clark Terry: More Than 'Mumbles'", ITG Journal () 19, No. 2 (1994): 36–41.

International Trumpet Guild

Morgenstern, Dan, "Clark Terry" in Living With Jazz: A Reader (New York: Pantheon, 2004): 196–201. [Reprint of Down Beat 34 (June 1, 1967): 16–18.]

Owens, Thomas, "Trumpeters: Clark Terry", in Bebop: The Music and the Players (New York: Oxford, 1995): 111–113.

Terry, C. Clark: The Autobiography of Clark Terry, (2011), ISBN 978-0520268463

University of California Press

Official site

Allmusic

by Arnold Jay Smith (www.jazz.com)

"Profile: Clark Terry"

at the National Visionary Leadership Project

Clark Terry's oral history video excerpts

NAMM Oral History Library (2008)

Clark Terry Interview