Methods[edit]
Community archives may be developed via participatory or autonomous practices, and can occur in both physical and virtual spaces, including through the digitization of dispersed physical materials.[7][3] The participatory archives model was defined by Isto Huvila in 2008 to discuss how individuals actively and consciously participate in the creation of shared heritage.[8] Drawing on the idea of participatory culture (as opposed to consumer culture), the participatory collection's focus is to create opportunities for civic engagement and artistic expression, encouraging participants to share information and resources with the community to achieve a common goal. The autonomous archives framework was introduced in 2010 by Shauna Moore and Susan Pell to describe community-based collections that are constituted as intentional social and political acts by and for emerging publics, often enacted by those who have been traditionally excluded from the dominant cultural discourse.[9]
The act of bringing together dispersed records online, also called “virtual reunification,”[10] may encourage a more holistic understating of community history and strengthen community ties. However, communities that cannot support these endeavors on their own but wish to remain autonomous may face added complexity, due to the technological infrastructure required to ensure that collections are developed on a platform that can be supported and maintained over time.
Resources[edit]
There are many toolkits and best practices guidelines published by practitioners working outside of, within, and in partnership with cultural heritage organizations such as libraries, archives and museums. These include Tacoma Public Library’s Community Archives Toolkit,[11] The University of North Carolina's Charting New Courses in Community-Driven Archives,[12] The Community Archiving Workshop Handbook,[13] and The University of Massachusetts Boston's Roadmap for Participatory Archiving [14]
Challenges[edit]
In 2021, Shift Collective published its Needs Assessment to Identify Hidden Collections
Documenting America’s Diverse Culture and History [15] which identified 7 key findings about the needs of community-based archives, historical societies, public and rural library archives, tribal archives, archives in small museums, and archives in community organizations such as civic and activist groups. These findings include the need for stabilized funding sources, help with collection assessment, analysis of representation of marginalized groups within collections, digital preservation planning and technical assistance, and long-term strategies for sustained development.
As the term "community archive" has gained popularity, it has been applied in a variety of ways, including as a way to denote community participation in knowledge creation and preservation in ways that may challenge existing dominant historical and political narratives.[16][17] However, the ambiguity inherent in defining the terms "community" and "archives" complicates attempts to discuss and define what is meant by "community archives". Therefore, allowing these independent entities to label and define their organizations and missions is one important way to support their activities.[3]
Whether community archives consider their endeavors to be political, exerting control over community documentation and storytelling inherently calls attention to issues of power manifest in traditional approaches to archival creation and maintenance.[3] As the interest in, and number of, community archives increase globally, opportunities to document and share these efforts and materials with the general public may result in tension between community archives stakeholders and heritage professionals who are trained with an emphasis on legal, intellectual, and physical control of records.[3]
Since many community archives develop as independent social spaces, often distinct from mainstream narratives, their organizational champions may resist archival labels and/or intervention by trained professionals out of concern that collections may be absorbed by formal institutions and rendered inaccessible to their communities. Therefore, issues of independence and autonomy tend to be at the forefront of community archival identities, even if they seek partnerships or welcome support from traditional cultural heritage institutions.[1]