Katana VentraIP

Contradanza

Contradanza (also called contradanza criolla, danza, danza criolla, or habanera) is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.

This article is about the dance and its music. For the band, see Contradanza (band). For the aria from "Carmen", see Habanera (aria).

In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics.


Outside Cuba, the Cuban contradanza became known as the habanera – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th century,[1] though it was never so called by the people who created it.[2]

Nihonbashi kara( にほんばし から) by Seki Taneko (せき たねこ) (1932)

Matendo by Sato Chiyako (1929)

Kamome Kanashiya by Yayoi tanaka

Elements of the Habanera are also incorporated into popular Japanese music called Ryūkōka. It is mixed with traditional Min'yō. It was mainly through the influence of Milonga and Tango that this rhythm reached Japan.


Some examples are :

Danzón

French contredanse

Guaracha

La tumba francesa

Music of Haiti

Contra dance

Alén, Olavo (1994). De lo Afrocubano a la Salsa. La Habana: Ediciones ARTEX.

Baim, Jo (2007). Tango: Creation of a Cultural Icon. Indiana University Press.  978-0-253-34885-2.

ISBN

(2001). Timothy Brennan (ed.). Music in Cuba. Translated by Alan West-Durán. Minneapolis: University of Minnesota Press.

Carpentier, Alejo

Léon, Argeliers (1974). "De la Contradanza al Danzón". In Fernández, María Antonia (ed.). Bailes Populares Cubanos. La Habana: Editorial Pueblo y Educación.

Manuel, Peter (2009). Creolizing Contradance in the Caribbean. Philadelphia: Temple University Press.

Orovio, Helio (1981). Diccionario de la Música Cubana. La Habana: Editorial Letras Cubanas.  959-10-0048-0.

ISBN

Peñalosa, David (2009). The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins. Redway, California: Bembe.  978-1-886502-80-2.

ISBN

(1979). The Latin Tinge: The Impact of Latin American Music on the United States. Oxford.{{cite book}}: CS1 maint: location missing publisher (link)

Roberts, John Storm

Roberts, John Storm (1999). Latin Jazz. New York: Schirmer.

Santos, John (1982). The Cuban Danzón: Its Ancestors and Descendants (liner notes). Folkways Records. FW04066.

Sources

.

Habanera's blog from Tony Foixench

(Cuban Music Website).

"3-Habanera and danzón"

1982. Various Artists. Folkways Records – FW04066

The Cuban Danzon: Its Ancestors and Descendants

Legran Orchestra Archived 2016-03-04 at the Wayback Machine ISWC: T-042192386-5 2007. Published with the permission of the owner of rights

La Comisión de San Roque Habanera Mp3·