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Crucifixion of Jesus

The crucifixion of Jesus occurred in 1st-century Judaea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, later attested to by other ancient sources, and is broadly accepted as one of the events most likely to have occurred during his life.[1] There is no consensus among historians on the details.[2][3][4]

"The Crucifixion" redirects here. For other uses, see Crucifixion (disambiguation).

Date

AD 30/33

Condemnation before Pilate's court

Roman army (executioners)

According to the canonical gospels, Jesus was arrested and tried by the Sanhedrin, and then sentenced by Pontius Pilate to be scourged, and finally crucified by the Romans.[5][6][7] The Gospel of John portrays his death as a sacrifice for sin.


Jesus was stripped of his clothing and offered vinegar mixed with myrrh or gall (likely posca[8]), to drink after saying "I am thirsty". At Golgotha, he was then hung between two convicted thieves and, according to the Gospel of Mark, died by the 9th hour of the day (at around 3:00 p.m.). During this time, the soldiers affixed a sign to the top of the cross stating "Jesus of Nazareth, King of the Jews" which, according to the Gospel of John (John 19:20), was written in three languages (Hebrew, Latin, and Greek). They then divided his garments among themselves and cast lots for his seamless robe, according to the Gospel of John. The Gospel of John also states that, after Jesus' death, one soldier (named in extra-Biblical tradition as Longinus) pierced his side with a spear to be certain that he had died, then blood and water gushed from the wound. The Bible describes seven statements that Jesus made while he was on the cross, as well as several supernatural events that occurred.


Collectively referred to as the Passion, Jesus's suffering and redemptive death by crucifixion are the central aspects of Christian theology concerning the doctrines of salvation and atonement.

E′li, E′li, la′ma sa‧bach‧tha′ni? (Aramaic for "My God, My God, why have you forsaken me?"). Aramaic linguist Steve Caruso said Jesus most likely spoke Galilean Aramaic,[148] which would render the pronunciation of these words: əlahí əlahí ləmáh šəvaqtáni.[149]

[147]

Denial[edit]

Docetism[edit]

In Christianity, docetism is the doctrine that the phenomenon of Jesus, his historical and bodily existence, and above all the human form of Jesus, was mere semblance without any true reality.[236] Docetists denied that Jesus could have truly suffered and died, as his physical body was illusory, and instead saw the crucifixion as something that only appeared to happen.[237]

Nag Hammadi manuscripts[edit]

According to the First Revelation of James in the Nag Hammadi library, Jesus appeared to James after apparently being crucified and stated that another person had been inflicted in his place:

Carrying the Cross fresco, Decani monastery, Kosovo, 14th century

Carrying the Cross fresco, Decani monastery, Kosovo, 14th century

Orthodox Crucifixion icon, Athens, Greece

Orthodox Crucifixion icon, Athens, Greece

Crucifixion of Christ, Michelangelo, 1540

Crucifixion of Christ, Michelangelo, 1540

Print of Albrecht Dürer's Die Kreuzigung (1508), printed at the end of the 16th century[259]

Print of the Crucifixion, made at the end of the 16th century

Calvary by Paolo Veronese, 16th century

Calvary by Paolo Veronese, 16th century

From a 14th–15th century Welsh Manuscript

From a 14th–15th century Welsh Manuscript

Crucified Jesus at the Ytterselö church, Sweden. Ca. 1500

Crucified Jesus at the Ytterselö church [sv], Sweden. Ca. 1500

Descent from the Cross, Rubens (1616–17)

Descent from the Cross, Rubens (1616–17)

Descent from the Cross, Raphael, 1507

Descent from the Cross, Raphael, 1507

Since the crucifixion of Jesus, the cross has become a key element of Christian symbolism, and the crucifixion scene has been a key element of Christian art, giving rise to specific artistic themes such as Christ Carrying the Cross, raising of the Cross, Stabat Mater, Descent from the Cross and Lamentation of Christ.


The symbolism of the cross which is today one of the most widely recognized Christian symbols was used from the earliest Christian times. Justin Martyr, who died in 165, describes it in a way that already implies its use as a symbol, although the crucifix appeared later.[252][253]


Devotions based on the process of crucifixion, and the sufferings of Jesus are followed by various Christians. The Stations of the Cross follows a number of stages based on the stages involved in the crucifixion of Jesus, while the Rosary of the Holy Wounds is used to meditate on the wounds of Jesus as part of the crucifixion.


Masters such as Giotto, Fra Angelico, Masaccio, Raphael, Botticelli, van Dyck, Titian, Caravaggio, El Greco, Zurbarán, Velázquez, Rubens and Rembrandt have all depicted the crucifixion scene in their works. The Crucifixion, seen from the Cross by Tissot presented a novel approach at the end of the 19th century, in which the crucifixion scene was portrayed from the perspective of Jesus.[254][255]


The presence of the Virgin Mary under the cross, mentioned in the Gospel of John,[256] has in itself been the subject of Marian art, and well known Catholic symbolism such as the Miraculous Medal and Pope John Paul II's Coat of Arms bearing a Marian Cross. And a number of Marian devotions also involve the presence of the Virgin Mary in Calvary, e.g., Pope John Paul II stated that "Mary was united to Jesus on the Cross".[257][258] Well known works of Christian art by masters such as Raphael (the Mond Crucifixion), and Caravaggio (The Entombment of Christ) depict the Virgin Mary as part of the crucifixion scene.

The and impenitent thief, crucified alongside Jesus

penitent thief

Descriptions in antiquity of the execution cross

True Cross

Shroud of Turin

Sudarium of Oviedo

Feast of the Cross

Golgotha

Life of Jesus in the New Testament

Seven Sorrows of Mary

Swoon hypothesis

Depictions of Jesus

Calvary

Stations of the Cross

Brox, Norbert (1984). "'Doketismus' – eine Problemanzeige". Zeitschrift für Kirchengeschichte. 95. : 301–314. ISSN 0044-2925.

Kohlhammer Verlag

Cousar, Charles B. (1990). A Theology of the Cross: The Death of Jesus in the Pauline Letters. Fortress Press.  0-8006-1558-1.

ISBN

Dennis, John (2006). "Jesus' Death in John's Gospel: A Survey of Research from Bultmann to the Present with Special Reference to the Johannine Hyper-Texts". . 4 (3): 331–363. doi:10.1177/1476993X06064628. S2CID 170326371.

Currents in Biblical Research

Dilasser, Maurice (1999). . Liturgical Press. ISBN 978-0-8146-2538-5.

The Symbols of the Church

Green, Joel B. (1988). The Death of Jesus: Tradition and Interpretation in the Passion Narrative. Mohr Siebeck.  3-16-145349-2.

ISBN

Humphreys, Colin J.; W. G. Waddington (December 1983). "Dating the Crucifixion". Nature. 306 (5945): 743–746. :1983Natur.306..743H. doi:10.1038/306743a0. S2CID 4360560.

Bibcode

McRay, John (1991). Archaeology and the New Testament. Baker Books.  0-8010-6267-5.

ISBN

Rosenblatt, Samuel (December 1956). "The Crucifixion of Jesus from the Standpoint of Pharisaic Law". Journal of Biblical Literature. 75 (4). The Society of Biblical Literature: 315–321. :10.2307/3261265. JSTOR 3261265.

doi

Samuelsson, Gunnar. (2011). Crucifixion in Antiquity. Mohr Siebeck.  978-3-16-150694-9.

ISBN

; Maurer, Christian (1994) [1991]. "The Gospel of Peter". In Schneemelcher, Wilhelm; Wilson, McLachlan (eds.). New Testament Apocrypha: Gospels and related writings. Vol. 1. Westminster John Knox Press. pp. 216–227. ISBN 978-0-664-22721-0. Retrieved April 25, 2012.

Schneemelcher, Wilhelm

Sloyan, Gerard S. (1995). The Crucifixion of Jesus. Fortress Press.  0-8006-2886-1.

ISBN