In 2015–2017, French director Ivan Alexandre produced the trilogy at the and the Royal Opera of Versailles, with subsequent performances on tour. In his version, the lovelorn teenager Cherubino becomes the libertine Don Giovanni, who then ages as the disillusioned but scheming Don Alfonso; at the end of Così, he designates as his libertine successor Despina, sung by the same singer as Cherubino, hinting at a cyclical nature of the story. Figaro and Leporello, both servants, are performed by the same singer, as they had been by Francesco Benucci in 1786–1787. Musical quotations are added from the other operas, as Mozart himself had done when Don Giovanni’s house orchestra plays the popular tune of Figaro’s aria.^[3]

(2006). The Man Who Wrote Mozart. London: Weidenfeld & Nicolson. ISBN 978-029785-080-9.

Goertz, Harald (1985). Mozarts Dichter Lorenzo da Ponte: Genie und Abenteurer (in German). Vienna: Österreichischer Bundesverlag.  3-215-05646-1.

; Riehn, Rainer, eds. (1991). Mozart: Die Da Ponte-Opern. Musik-Konzepte (Sonderband) (in German). Munich: edition text + kritik. ISBN 3-88377-397-2.