Katana VentraIP

Dominant (music)

In music, the dominant is the fifth scale degree (scale degree 5) of the diatonic scale. It is called the dominant because it is second in importance to the first scale degree, the tonic.[1][2] In the movable do solfège system, the dominant note is sung as "So(l)".

The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function.

In non-Western music[edit]

The dominant is an important concept in Middle Eastern music. In the Persian Dastgah, Arabic maqam and the Turkish makam, scales are made up of trichords, tetrachords, and pentachords (each called a jins in Arabic) with the tonic of a maqam being the lowest note of the lower jins and the dominant being that of the upper jins. The dominant of a maqam is not always the fifth, however; for example, in Kurdish music and Bayati, the dominant is the fourth, and in maqam Saba, the dominant is the minor third. A maqam may have more than one dominant.

Predominant chord

Secondary dominant

Secondary leading-tone chord

For use of the term "dominant" as a in Gregorian chant, see church modes.

reciting tone

Nondominant seventh chord