
Drama (Yes album)
Drama is the tenth studio album by the English progressive rock band Yes, released on 18 August 1980 by Atlantic Records. It was their only album to feature Trevor Horn on lead vocals[a] and the first with Geoff Downes on keyboards. This followed the departures of Jon Anderson and Rick Wakeman after attempts to record a new album in Paris and London had failed. Drama was recorded hurriedly with Horn and Downes, as a tour had already been booked before the change in personnel. The album marked a development in Yes' musical direction, combining the band's progressive signature with Horn and Downes' new wave sensibilities.
"Machine Messiah" redirects here. For the Sepultura album, see Machine Messiah (album).Drama
18 August 1980
April–June 1980
Townhouse and SARM East Studios, London (album)
Roundhouse and RAK Studios, London (guitars)
36:54
- Yes
- Eddy Offord (backing tracks)
Drama was released to a mostly positive critical reception, with most welcoming the band's new sound. It peaked at No. 2 in the UK and No. 18 in the US, though it became their first album since 1971 not to reach gold certification by the RIAA, and their first to miss the top ten there since The Yes Album. "Into the Lens" was released as the album's sole single. Yes toured the album with a 1980 tour of North America and the UK, and were met with some negative reactions from British audiences over the line-up change. The group disbanded at its conclusion; Horn would collaborate with Yes as a producer, while Downes would rejoin the band as a full-time member in 2011. Drama was remastered in 2004 with previously unreleased bonus tracks, and it was performed live in its entirety for the first time in 2016.
Recording[edit]
Drama was recorded in approximately three months at Townhouse with each band member credited for its production and Hugh Padgham, Gary Langan, and Julian Mendelsohn as recording engineers. The sessions began with Eddy Offord, Yes' engineer and producer throughout the 1970s, but several issues resulted in his departure as the album was being made;[14] Downes said Offord "left in strange circumstances. It was a fraught and manic time",[15] but he remained credited as producer of the backing tracks.[16] In 2021, Howe revealed that he fired Offord when three weeks of increasingly erratic behaviour by the engineer culminated with Howe being asked to come down to the studio café immediately, where Offord was frying a pigeon he had apparently caught in the street in a saucepan with the intent of eating it.[17]
Padgham, who had previously worked on a session with the Buggles, accepted Horn's invitation to get involved with the album. He recalled the difficulty in working with Yes during this time as the sessions were "full of dramas" with "so much tension around."[18] The music was put together in several London locations; Howe put down his guitar tracks at RAK[19] and Roundhouse Recording Studios and the rest was recorded at Townhouse and SARM East Studios.[15] Howe recorded his parts in two weeks, saying: "I had total freedom. I went away and recorded 90 percent of the guitars on my own in a London studio and went back and presented it to the band. At first, people said 'Your guitars sound too bright and treble-y.' I said 'No, shut up and use them'".[20] Horn spoke about his efforts to get the album finished: "I got married and two hours later, I was back in the studio. [We decided that] for our honeymoon, we were going to spend two weeks in Miami Beach ... it ended up as three days in Bournemouth and Steve came along, we had a good time actually." Horn and Howe completed the album's mixdown by themselves.[21]
Cover[edit]
The album's sleeve was designed by Roger Dean, his first design for a Yes album since Relayer in 1974. When Dean was commissioned to work on the project, he knew of the album's title before working on it and adopted "an intuitive approach" to complete it. His previous work was known for its fantasy and mysticism, but this time he made a conscious effort not to do so with things "that you couldn't see in the world today. Maybe they're being shuffled around a bit, but it's not in any degree fantastic".[33] He expressed a particular interest in illustrating a storm adorned sky, with "the light playing across the landscape, so there were some bits that jumped out and very stark and bright, and other bits that are very dark – black on dark grey". Dean summarised that "there was a lot going on" on the final cover, incorporating various elements and "stirred it up ... they came out in a way I guess that training and good luck worked together".[34] In 2013, Dean spoke fondly of his design, ranking it as one of his favourite paintings.[33]
Release[edit]
Drama was released on 18 August 1980.[19] It reached No. 2 in the UK and No. 18 in the US,[15] the band's lowest charting studio release in the US since The Yes Album (1971), which peaked at No. 40. "Into the Lens" was released as the album's sole single in 1980. The band shot music videos for "Into the Lens" and "Tempus Fugit"; both of them mimed live performances with minimal visual effects.
The album has been reissued several times; the first was in 1994 by Atlantic Records. In 2004, Rhino Records issued a remastered edition with several previously unreleased tracks, including some from the band's sessions from Paris in late 1979.
Footnotes
References
Bibliography