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Duduk

The duduk (/dˈdk/ doo-DOOK; Armenian: դուդուկ IPA: [duˈduk])[1] or tsiranapogh (Armenian: ծիրանափող, meaning "apricot-made wind instrument"), is a double reed woodwind instrument made of apricot wood originating from Armenia.[2][3] Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Bulgaria, Azerbaijan, Georgia, Kurdistan, Turkey, and Iran.[4][5] Duduk, Kaval , Balaban, and Mey are almost identical, except for historical and geographical differences.[6]

Woodwind instrument

Performing arts (music)

2008 (3rd session)

Representative

It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called dum, and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size.


UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangible Heritage of Humanity in 2005 and inscribed it in 2008.[7][8] Duduk music has been used in a number of films, most notably in The Russia House and Gladiator.

Etymology[edit]

There have been two published lines of thinking on the origins of the word.


Both the Russian book Musical Instruments Encyclopedia (Музыкальные инструменты. Энциклопедия) and American book Musical Instruments, A Comprehensive Dictionary give an ultimate origin of the name as Persian, the word tutak.[9][10]


In Armenia, the instrument is also known as tsiranapogh (ծիրանափող).


This instrument is not to be confused with the northwestern Bulgarian folk instrument of the same name (see below, Balkan duduk). Similar instruments used in other parts of Western Asia are the mey and balaban.

History[edit]

Armenian musicologists cite evidence of the duduk's use as early as 1200 BC, though Western scholars suggest it is 1,500 years old.[19] Variants of the duduk can be found in Armenia and the Caucasus. The history of the Armenian duduk music is dated to the reign of the Armenian king Tigran the Great, who reigned from 95 to 55 B.C.[20] According to ethnomusicologist Dr. Jonathan McCollum, the instrument is depicted in numerous Armenian manuscripts of the Middle Ages, and is "actually the only truly Armenian instrument that's survived through history, and as such is a symbol of Armenian national identity ... The most important quality of the duduk is its ability to express the language dialectic and mood of the Armenian language, which is often the most challenging quality to a duduk player."[21]

Balkan duduk[edit]

While "duduk" most commonly refers to the double reed instrument described on this page, there is a very similar instrument played in northwestern Bulgaria. This is a blocked-end flute known as a kaval, resembling the Serbian frula, or kavalče in a part of Macedonia,[22] and as duduk in northwest Bulgaria.[23][24] Made of maple or other wood, it comes in two sizes: 700–780 millimetres (28–31 in) and 240–400 millimetres (9.4–15.7 in) (duduce). The blocked end is flat.

by Mychael Danna

Ararat (2002)

by James Horner, in the track Shutting Down Grace's Lab

Avatar (2009)

by Rupert Gregson-Williams[30]

Bedtime Stories (2008)

by Joseph LoDuca

Brotherhood of the Wolf (2001)

by Fractal

Chilean Gothic (2000)

by Brian Tyler, Klaus Badelt, in the track Circle of Hell

Constantine (2005)

by Graeme Revell featuring the duduk player Djivan Gasparyan

The Crow (1994)

by David Robbins

Dead Man Walking (1995)

by Christophe Beck[30]

Elektra (2005)

by Djivan Gasparyan in the track Duduk of the North[31]

Gladiator (2000)

main theme music[32]

Hotel Rwanda (2004)

(2003) duduk by Pedro Eustache by Danny Elfman[33]

Hulk

(2005) by Steve Jablonsky[30]

The Island

(2007) by Alberto Iglesias[30]

The Kite Runner

(1988) by Peter Gabriel, featuring the duduk player Vatche Hovsepian

The Last Temptation of Christ

(2005) by Harry Gregson-Williams, in the track A Narnia Lullaby[34]

The Lion, the Witch and the Wardrobe

duduk by Pedro Eustache (2005) by John Williams

Munich

(1991) by Omar Al Sharif

Mayrig

(2007) by Mark Isham[30]

Next

(2004) by Mel Gibson, composer John Debney duduks by Pedro Eustache and Chris Bleth

The Passion of The Christ

(2007) by Hans Zimmer[30]

Pirates of the Caribbean: At World's End

(2007) by Paul Hepker and Mark Kilian, duduk by Pedro Eustache

Rendition

(1998) by Elia Cmiral, duduk by Albert Vardanyan

Ronin

(2005) by Alexandre Desplat, duduks by Djivan Gasparyan and Pedro Eustache

Syriana

(1990) by Jerry Goldsmith

The Russia House

(1998) by Graeme Revell, in the track Torture

The Siege

(2008) by Atli Orvarsson[30]

Vantage Point

(2008) by Danny Elfman[30]

Wanted

(2003) by A. R. Rahman[35]

Warriors of Heaven and Earth

(2008) by Rupert Gregson-Williams[30]

You Don't Mess with the Zohan

Beasts in Our Time and Under The Eye Of The Sun played by on Steve Hackett's album At The Edge Of Light

Rob Townsend

(2018) by Jafar Panahi, duduk by Yusef Moharamian

3 Faces

(2021) by Hans Zimmer, duduk by Pedro Eustache[36]

Dune

(2024) by Hans Zimmer, duduk by Pedro Eustache[37]

Dune: Part Two

Nercessian, Andy (2001). The Duduk and National Identity in Armenia. . ISBN 9781461672722.

Scarecrow Press

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