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E.T. the Extra-Terrestrial

E.T. the Extra-Terrestrial (or simply E.T.) is a 1982 American science fiction film produced and directed by Steven Spielberg and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial, dubbed E.T., who is left behind on Earth. Along with his friends and family, Elliott must find a way to help E.T. find his way home. The film stars Dee Wallace, Henry Thomas, Peter Coyote, Robert MacNaughton and Drew Barrymore.

"E.T." redirects here. For the titular character of this film, see E.T. (character). For other uses, see ET.

E.T. the Extra-Terrestrial

  • May 26, 1982 (1982-05-26) (Cannes)
  • June 11, 1982 (1982-06-11) (United States)

114 minutes[2]

United States

English

$10.5 million[3][4]

$792.9 million[3][5]

The film's concept was based on an imaginary friend that Spielberg created after his parents' divorce. In 1980, Spielberg met Mathison and developed a new story from the unrealized project Night Skies. In less than two months, Mathison wrote the first draft of the script, titled E.T. and Me, which went through two rewrites. The project was rejected by Columbia Pictures, who doubted its commercial potential. Universal Pictures eventually purchased the script for $1 million. Filming took place from September to December 1981 on a budget of $10.5 million. Unlike most films, E.T. was shot in rough chronological order to facilitate convincing emotional performances from the young cast. The animatronics for the film were designed by Carlo Rambaldi.


E.T. premiered as the closing film of the Cannes Film Festival on May 26, 1982, and was released in the United States on June 11, 1982. The film was a smash hit at the box office, surpassing Star Wars to become the highest-grossing film of all time, a record it held for eleven years until Spielberg's own Jurassic Park surpassed it in 1993. E.T. was near–universally acclaimed by critics, and is regarded as one of the greatest films of all time. It received nine nominations at the 55th Academy Awards, winning Best Original Score, Best Visual Effects, Best Sound, and Best Sound Editing in addition to being nominated for Best Picture and Best Director. It also won five Saturn Awards and two Golden Globe Awards. The film was re-released in 1985 and again in 2002 to celebrate its 20th anniversary, with altered shots, visual effects, and additional scenes. It was also re-released in IMAX on August 12, 2022, to celebrate its 40th anniversary. In 1994, the film was added to the United States National Film Registry of the Library of Congress, who deemed it "culturally, historically, or aesthetically significant."

as Elliott Taylor,[6][7] a 10-year-old boy who befriends E.T.

Henry Thomas

Steven Spielberg, and Kayden Green as E.T. (voiceover; uncredited)

Pat Welsh

as Mary Taylor, a single mother to Elliott, Michael and Gertie

Dee Wallace

as Keys, a government agent bent on capturing E.T.

Peter Coyote

as Michael Taylor, Elliott and Gertie's older brother

Robert MacNaughton

as Gertie Taylor, Elliott and Michael's younger sister

Drew Barrymore

K.C. Martel as Greg

as Tyler

C. Thomas Howell

as Steve

Sean Frye

as Pretty Girl

Erika Eleniak

David O'Dell as Schoolboy

Richard Swingler as Science Teacher

Frank Toth as Policeman

Robert Barton as Ultra Sound Man

Michael Darrell as Van Man

as Nurse

Anne Lockhart

Reception[edit]

Release and sales[edit]

E.T. was previewed in Houston, Texas, and premiered at the 1982 Cannes Film Festival's closing gala on May 26, 1982,[65][66] and was released in the United States on June 11, 1982. It opened at number one at the US box office with a gross of $11 million, and stayed at the top of the box office for six weeks; it then fluctuated between the first and second positions until October, before returning to the top spot for the final time in December during a brief holiday season re-release.[67] In its second weekend, it recorded the highest-grossing second weekend of all time, surpassing the record of $10,765,687 set by Superman II in 1981.[68] In its fourth weekend, it recorded the highest-grossing weekend of all time, surpassing the record of $16,706,592 set earlier that year by Rocky III.[69] It had a record eight weekends with a gross of over $10 million, a feat not matched until Home Alone (1990),[70] and set a modern era record for being at number one for 16 weeks in total.[71]


The film began its international rollout in Australia on November 26, 1982, and grossed $839,992 in its first 10 days from nine theatres, setting five weekly house records and 43 daily records. In South Africa, it opened in late November and grossed $724,340 in eight days from 14 screens, setting 13 weekly highs. In France, it opened on December 1, and had 930,000 admission in its first five days on 250 screens, setting an all-time record in Paris for most daily admissions (Saturday, December 4). In Japan, it opened on December 4, and grossed $1,757,527 in two days from 35 theatres in 11 cities, setting 10 house records on Saturday and 14 on Sunday. In the United Kingdom, it opened on December 9 after a charity performance in London and grossed a record £1 million in its opening weekend.[72] The film added another 138 screens in Japan on December 11, with advance sales of 1.3 million tickets.[73] It later opened in the Philippines in January 1983.[74] In Finland, Norway, and Sweden, the film had minimum age ratings of 8, 12, and 11, respectively, while Denmark had no minimum age limit. There were Swedish people who were opposed to the age limit.[75]


In 1983, E.T. surpassed Star Wars to become the highest-grossing film of all-time;[76] by the end of its theatrical run, it had grossed $359 million in the United States and Canada and $619 million worldwide.[3][77] Box Office Mojo estimates that the film sold over 120 million tickets in its initial U.S. theatrical run.[78] Spielberg earned $500,000 a day from his share of the profits,[79][80] while The Hershey Company's profits rose 65% due to the film's prominent placement of Reese's Pieces.[20] The "Official E.T. Fan Club" offered photographs, a newsletter that let readers "relive the film's unforgettable moments [and] favorite scenes", and a vinyl record with "phone home" and other sound clips.[81]


The film was also a merchandising success, with dolls selling 15 million units by September 1982 and becoming the best-selling toy that Christmas season.[82] E.T. went on to generate over $1 billion in merchandise sales by 1998.[83] Following the success of the film, Kuwahara, the company that created the BMX bikes featured in the film, began producing red and white "E.T." models in three price and quality levels.[84] Kuwahara reissued the E.T. model in 2002, as part of the film's 20th anniversary, and again in 2022 as part of the film's 40th anniversary.[85]

Sequels[edit]

Cancelled sequel[edit]

In July 1982, during the film's first theatrical run, Spielberg and Mathison wrote a treatment for a sequel to be titled E.T. II: Nocturnal Fears.[178] It would have shown Elliott and his friends getting kidnapped by evil aliens, and attempting to contact E.T. for help. Spielberg decided against pursuing it, feeling it "would do nothing but rob the original of its virginity. E.T. is not about going back to the planet".[179] However, on June 28, 2022, Henry Thomas said that he hopes a feature-length sequel never gets made, but added "I guarantee you, there are a few men in a very big room now salivating and using their Abacus and slide rules to come up with some really, really big numbers."[180]

The Alien (unproduced film)

at IMDb

E.T. the Extra-Terrestrial

at AllMovie

E.T. the Extra-Terrestrial

at Box Office Mojo

E.T. the Extra-Terrestrial

at Rotten Tomatoes

E.T. the Extra-Terrestrial

at the TCM Movie Database

E.T. the Extra-Terrestrial

at the AFI Catalog of Feature Films

E.T. the Extra-Terrestrial

E.T. The Extra-Terrestrial essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010  0826429777, pages 774–775 America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry

ISBN