Eels (band)
Eels (often typeset as eels or EELS) is an American rock band formed in Los Angeles in 1991 by singer/songwriter and multi-instrumentalist Mark Oliver Everett, known by the stage name E. Band members have changed over the years, both in the studio and on stage, making Everett the only official member for most of the band's work. Eels' music is often filled with themes of family, death, and unrequited love. Since 1996, Eels has released fourteen studio albums, seven of which charted in the Billboard 200.[2]
Eels
Los Feliz, Los Angeles, California, U.S.
1991–1995 (E) 1995–present
E (Mark Oliver Everett)
The Chet (Jeff Lyster)
Koool G Murder (Kelly Logsdon)
P-Boo (Mike Sawitzke)
Knuckles (Derek Brown)
Big/Krazy/Tiny/Honest/Upright/Royal Al (Allen Hunter)
History[edit]
E solo records[edit]
In 1991, Everett signed a contract with Polydor and released A Man Called E under the name E a year later. The single "Hello Cruel World" was a minor success. Touring to support the album, E opened for Tori Amos.[3] A Man Called E was followed by Broken Toy Shop in 1993. This year also marked the beginning of E's collaboration with drummer Jonathan "Butch" Norton. After Broken Toy Shop, E was released from his record deal with Polydor. E has performed two of the songs from Broken Toy Shop ("The Only Thing I Care About" and "Manchester Girl") for his own live shows with Eels.
Beautiful Freak[edit]
Eels were officially founded when Butch and E met Tommy Walter. The name "Eels" was chosen so that the band's records would be close to E's solo records in an alphabetical ordering, although it was too late once they realized that numerous Eagles and Earth, Wind and Fire releases were in between.[4] "I went to the Virgin Megastore and I see the E CDs right at the beginning of the E section," Everett recalled on the Naked Lunch podcast with Phil Rosenthal and David Wild. "And then there's like, 28 Earth, Wind and Fire [albums], 40 Eagles [albums] -- they're nowhere near each other!"[5]
Eels became one of the first groups to sign a record deal with DreamWorks Records, followed by Elliott Smith.
In 1996, the band released their debut album Beautiful Freak. The singles "Novocaine for the Soul", "Susan's House" and "Your Lucky Day in Hell" achieved modest national and international success, with the band winning the Best International Breakthrough Act award at the 1998 BRIT Awards.[6]
The single Susans House was extremely popular in the UK as stylistically it was similar to the Triphop genre which was popular at the time with its slow rhythm, mild tune and distorted
spoken vocals. In 1996 and 1997, Eels toured extensively to support the album, building their name as a live act in the United States and Europe. In September 1997, Walter quit the band.
Released in May 2001, the motion picture soundtrack for the movie Shrek included the song "My Beloved Monster".
Electro-Shock Blues[edit]
Following the success of Beautiful Freak, E experienced a difficult time in his personal life. His sister died by suicide, and his mother was diagnosed with cancer. These events inspired Eels' second album, 1998's Electro-Shock Blues. The album deals with many difficult subjects, including cancer, mental illness, suicide and death.[7] The tragedy of Everett's father's death became prominent once more in the context of his mother's impending death and his sister's suicide, and as a result the song "Baby Genius" is written for his father Hugh Everett III. Contributions to the album were made by Jon Brion, Lisa Germano, Jim Jacobsen, Grant-Lee Phillips, Dust Brother Michael Simpson, and T-Bone Burnett.
The single "Last Stop: This Town" saw minor success, while "Cancer for the Cure", the second single from the album, appeared on the soundtrack for American Beauty (1999).
Still a three-piece band on stage, Tommy Walter was replaced by Adam Siegel. Part of the American leg of the tour was canceled after the death of E's mother. They returned to tour Europe later in the year, to open for Pulp.
Daisies of the Galaxy[edit]
In 2000, Eels released Daisies of the Galaxy. The album, which was recorded almost entirely in E's basement, is lighter and more upbeat than its predecessor. Everett noted, "if Electro-Shock Blues was the phone call in the middle of the night that the world doesn't want to answer, then Daisies of the Galaxy is the hotel wake-up call that says your lovely breakfast is ready".[8] He was joined in the studio by Michael Simpson (Dust Brothers), Grant-Lee Phillips (Grant Lee Buffalo), and Peter Buck (R.E.M.).
The first single, "Mr. E's Beautiful Blues", was co-written by Simpson. The song was not intended to be on the album, but the record company insisted on its inclusion. Therefore, it was not featured on the track listing but was instead listed on the cover sticker as a bonus track, separated from the rest of the album by 20 seconds of silence.
To promote Daisies of the Galaxy, another tour took place across the United States and Europe, with the band also playing their first concerts in Australia. For these performances, Eels were transformed into a 6-piece orchestra, including Lisa Germano and Probyn Gregory. E also played some solo shows, opening for Fiona Apple.
Souljacker and Shootenanny![edit]
In 2001, Souljacker was released, an album with a heavier feel and more rock-oriented sound than Daisies of the Galaxy. John Parish, previously of PJ Harvey's band, co-wrote most of the songs and played guitar on the album and first part of the tour. After Parish became a father, he was replaced with Joe Gore for the American leg of the Bus Driving, Band Rocking Tour. Koool G Murder played bass and keyboards and joined Eels on tour.
2003 marked the release of the album Shootenanny!. E now refers to the album as a break from recording the following Blinking Lights album. It was recorded live in the studio in only ten days. "Saturday Morning" was released as a single.
Butch was replaced on drums by Puddin'. In 2003, Eels embarked upon another big tour, called the Tour of Duty. The live band consisted of E, Goldenboy (guitar), Koool G Murder (bass) and Puddin' (drums). Later that year, E composed the score for the film Levity.
