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Enrique Granados

Pantaleón Enrique Joaquín Granados Campiña (27 July 1867 – 24 March 1916), commonly known as Enrique Granados in Spanish or Enric Granados in Catalan, was a Spanish composer of classical music, and concert pianist from Catalonia, Spain. His most well-known works include Goyescas, the Spanish Dances, and María del Carmen.[1]

For other people with the same name, see Enrique Granados (swimmer) and Enrique Granados (water polo).

Death[edit]

A delay in New York, incurred by accepting a recital invitation, caused him to miss his boat back to Spain. Instead, he took a ship to England, where he boarded the passenger ferry SS Sussex for Dieppe, France. On the way across the English Channel, the Sussex was torpedoed by a German U-boat, as part of the German World War I policy of unrestricted submarine warfare. According to witness Daniel Sargent, Granados's wife, Amparo, was too heavy to get into a lifeboat. Granados refused to leave her and positioned her on a small life raft on which she knelt and he clung. Both then drowned within sight of other passengers.[4] However, according to a different account from another survivor, "A survivor of the 1916 torpedo attack on a Cross channel ferry, Sussex, recognised Spanish composer Granados in a lifeboat, his wife in the water. Granados dived in to save her and perished."[5] The ship broke in two parts, and only one sank (along with 80 passengers). Ironically, the part of the vessel that contained his cabin did not sink and was towed to port, with most of the passengers, except for Granados and his wife, who were on the other side of the boat when it was hit. Granados and his wife left six children: Eduard (a musician), Solita, Enrique (a swimming champion), Víctor, Natalia, and Francisco.


The personal papers of Enrique Granados are preserved in, among other institutions, the National Library of Catalonia.

12 danzas españolas (1890) for piano; Op. 37, H. 142, DLR 1:2. The contents of the four volumes are: Vol. 1: Galante (or ), Oriental, Fandango (or Zarabanda); Vol. 2: Villanesca; Andaluza (or Playera); Rondalla aragonesa (or Jota); Vol. 3: Valenciana; Sardana (or Asturiana); Romántica (or Mazurca); Vol. 4: Melancólica (or Danza Triste); Zambra; Arabesca.

Minueto

(1898), opera

María del Carmen

(1904)

Allegro de concierto

Escenas románticas (1903) for piano. The individual "scenes" are: Mazurca; ; Allegretto; Mazurka; Allegro appassionato; Epílogo

Berceuse

Dante (1908),

symphonic poem

Tonadillas al estilo antiguo, H136 (1910) for voice and piano, settings of a group of poems by . Titles of individual songs in the collection are: "Amor y odio"; "Callejeo"; "El majo discreto"; "El majo olvidado"; "El majo tímido"; "El mirar de la maja"; "El tra-la-la y el punteado"; "La maja de Goya"; "La maja dolorosa I (Oh muerte cruel!), II (Ay majo de mi vida!), and III (De aquel majo amante)"; "La currutacas modestas" (duet).

Fernando Periquet

Canciones españolas for voice and piano. Titles of individual songs in the collection are: "Yo no tengo quien me llore"; "Cantar I"; "Por una mirada, un mundo"; "Si al retiro me llevas..."; "Canción"; "Serenata"; "Canto gitano".

Cançons catalanas for voice and piano. Titles of individual songs in the collection are: "L'ocell profeta"; "Elegía eterna"; "Cançó de Gener"; "Cançó d'amor"; "Cançoneta"; "La boira".

(1911), suite for piano, subtitled "Los majos enamorados". It consists of six pieces in two books. Movements are: Book 1: "Los requiebros"; "Coloquio en la reja"; "El fandango de candil"; "Quejas o La maja y el ruiseñor"; Book 2: "El amor y la muerte"; "Epílogo (Serenata del espectro)". "El pelele", although not published as part of the Goyescas, is usually appended to it. In performance it is played as the seventh and last piece. It is based on the music of the opening scene of Granados's opera Goyescas, in which a "pelele" is being tossed in the air by the "majas".

Goyescas

Bocetos (1912) which contains: "Despertar del cazador"; "El hada y el niño"; "Vals muy lento"; "La campana de la tarde".

Colección de canciones amatorias (1915) for voice and piano. Titles of individual songs in the collection are: "Descúbrase el pensamiento de mi secreto cuidado"; "Mañanica era"; "Llorad, corazón, que tenéis razón 'Lloraba la niña'"; "Mira que soy niña"; "No lloréis, ojuelos"; "Iban al pinar 'Serranas de Cuenca'"; "Gracia mía".

, opera, 1916

Goyescas

6 Estudios expresivos

6 Piezas sobre cantos populares españoles, which include: "Añoranza"; "Ecos de la parranda"; "Vascongada"; "Marcha oriental"; "Zambra"; "Zapateado"

Madrigal, for cello and piano

8 Valses Poéticos, for piano, including No 6 "Vals Poético"

Trío, for piano, violin, and cello

"Military March", for piano, Op.38

Clark, Walter Aaron (2005). Enrique Granados: Poet Of The Piano. . pp. 55–57. ISBN 0195140664.

Oxford University Press

Milton, John W. (2005). . Edina, MN. ISBN 1-59298-071-6. OCLC 58522918.{{cite book}}: CS1 maint: location missing publisher (link)

The Fallen Nightingale

Larrad, Mark (2007). . Grove Music Online (8th ed.). Oxford University Press. ISBN 978-1-56159-263-0.

"Granados (y Campiña), Enrique [Enríc]"

Hess, Carol A. (1991). . New York: Greenwood Press. ISBN 978-0-313-36920-9. OCLC 615629336.

Enrique Granados: A Bio-Bibliography

San-Juan, Pablo Vila: Papeles íntimos de Enrique Granados. Amigos de Granados, 1966. (in Spanish)

Perandones, Miriam: "El compositor catalán Enrique Granados Análisis de tres canciones de concierto: La boyra (1900), Cansó d’amor (1902) y Elegia eterna (1912)". Recerca musicològica, nos. 20–21, 2013–2014, pp. 277–304 (in Spanish)

Perandones, Miriam: "La canción de Enrique Granados: un microcosmos estilístico", Cuadernos de música iberoamericana, Vol. 22, 2011, pp. 151–186 (in Spanish)

Perandones, Miriam: "Enrique Granados en París: la construcción de un icono español en el ámbito musical internacional", Revista de Musicología, Vol. 34, Nº 1, 2011, págs. 203–232. (in Spanish)

Perandones, Miriam: "Estancia y recepción de Enrique Granados en Nueva York (1915–1916) desde la perspectiva de su epistolario inédito", Revista de Musicología, Vol. 32, Nº 1, 2009, pp. 281–295. (in Spanish)

Comentaris a la gravació de la suite "Goyescas" per a piano. Joaquín Achúcarro, RCA Records, Madrid, 1980. D.L. M 8232-80 (in Spanish)

Historia de la Música Española. Siglo XIX. Carlos Gómez Amat, Alianza Música, 1984.  84-206-8505-4 (in Spanish)

ISBN

Enrique Granados (su obra para piano). 2 vols. Antonio Iglesias, Editorial Alpuerto, 1985–1986.  84-381-00-99-6 i 84-3810101-1 (in Spanish)

ISBN

Granados. Antoni Carreras i Granados, Nou Art Thor, 1988.  84-7327-173-4. (in Catalan)

ISBN

as recorded by Granados on piano roll, c. 1913, Paris (Info)

Goyescas, Part 1, Los Requiebros

L'escola pianística catalana (Enregistraments històrics) ()

la mà de guido, LMG3060

Enrique Granados today playing his 1913 interpretations (

The Welte Mignon Mystery Vol. I)

Enrique Granados: Composer as Pianist (, PIR0002) ASIN B000051ZMS

Pierian Recording Society

Masters of the Piano Roll: Granados Plays Granados ()

Dal Segno Records, DSPRCD008

The Catalan Piano Tradition () ASIN B000003LIC

VAI Audio, 1001

Rollos de Pianola (Obras de Albéniz, Granados, Turina, Ocón, Chapí, Alonso y Otros) () ASIN B000GI34D6

Almaviva, DS – 0141

Biography and images

– Free Scores by Granados

www.kreusch-sheet-music.net

Personal papers of Enric Granados in the Biblioteca de Catalunya

at the International Music Score Library Project (IMSLP)

Free scores by Enrique Granados