Katana VentraIP

Experimental musical instrument

An experimental musical instrument (or custom-made instrument) is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.

The instruments created by the earliest 20th-century builders of experimental musical instruments, such as Luigi Russolo (1885–1947), Harry Partch (1901–1974), and John Cage (1912–1992), were not well received by the public at the time of their invention. Even mid-20th century builders such as Ivor Darreg, Pierre Schaeffer and Pierre Henry did not gain a great deal of popularity. However, by the 1980s and 1990s, experimental musical instruments gained a wider audience when they were used by bands such as Einstürzende Neubauten and Neptune.

Baschet Brothers

Chas Smith

Kraig Grady

Louis Hardin

Pierre Bastien

Ken Butler

Cabo San Roque

Henry Dagg

Hugh Davies

Constance Demby

Fifty Foot Hose

Fred Frith

Futureman

Bruce Haack

Herbie Hancock

Les Luthiers

Micachu

Moondog

The Music Tapes

Neptune

Einstürzende Neubauten

– homemade real-time sound sourcing system used on Getting a Head (1980)

Bob Ostertag

Hans Reichel

Senyawa

Sleepytime Gorilla Museum

That 1 Guy

Thomas Truax

Uakti

Franco Venturini

Organisations[edit]

Logos Foundation, STEIM, Sonoscopia (Porto) and iii (The Hague) are organisations that focus on the development of new instruments. Besides producing instruments themselves, these organisations also run active artist-in-residence programs and invite artists for developing new art works, workshops, and presentations. Yearly the Guthman Instrument Competition takes place at Georgia Tech.

Amplified cactus

Experimental luthier

NIME

(EMI) was a periodical published by Bart Hopkin, a leader in 20th-century experimental music design and construction. Though no longer in print, back issues are still available.

Experimental Musical Instruments

Proceedings of the (ICMC)

International Computer Music Conference

Proceedings of the (NIME) conference

New Interfaces for Musical Expression

. “Progress Report: The State of the Art after Sixteen Years of Designing and Playing Electroacoustic Sound-Sculptures.” eContact! 12.3 – Instrument—Interface (June 2010). Montréal: CEC.

Applebaum, Mark

. Between Air and Electricity. Microphones and Loudspeakers as Musical Instruments. New York: Bloomsbury Academic, 2017. ISBN 978-1-5013-2760-5.

Cathy, van Eck

Jensenius, Alexander Refsum; Lyons, Michael, eds. (2017). . Springer. ISBN 978-3-319-47214-0.

A NIME Reader: Fifteen Years of New Interfaces for Musical Expression

Leonardson, Eric. “.” eContact! 10.3 – Symposium Électroacoustique de Toronto 2007 Toronto Electroacoustic Symposium (May 2008). Montréal: CEC.

The Springboard: The Joy of Piezo Disk Pickups for Amplified Coil Springs

- From Rusollo till Present, a history about the art of experimental musical instruments, June 2019

Landman, Yuri

a website dedicated to unique, odd, ethnic, experimental and unusual musical instruments and resources.

oddmusic

an extensive list of experimental musical instrument links

Noisejunk

Archived 2015-04-02 at the Wayback Machine

EMI

NIME community page

a picture gallery of unusual instruments

www.siegelproductions.ca

of articles on Psychevanhetvolk about experimental instruments

Table of contents

an exhibit of musical instruments made of PVC pipe

Plastic Sound

the keyolin.

Keyolin