Katana VentraIP

Fantasia on a Theme by Thomas Tallis

Fantasia on a Theme by Thomas Tallis, also known as the Tallis Fantasia, is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries.

Background and first performance[edit]

Vaughan Williams did not achieve wide recognition early in his career as a composer, but by 1910, in his late thirties, he was gaining a reputation.[1] In that year the Three Choirs Festival commissioned a work from him, to be premiered in Gloucester Cathedral; this represented a considerable boost to his standing.[2] He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's".[3] It is based on a tune by the 16th-century English composer Thomas Tallis, which Vaughan Williams had come across while editing the English Hymnal, published in 1906.[4] Vaughan Williams conducted the London Symphony Orchestra in the first performance of the Fantasia, as the first part of a concert in Gloucester Cathedral on 6 September 1910, followed by Elgar's The Dream of Gerontius, conducted by its composer.[5][n 1]

Day, James (1972). Vaughan Williams. London: Dent.  462037518.

OCLC

; Ralph Vaughan Williams (1906). "Hymn 92 – When Rising from the Bed of Death". The English Hymnal. Oxford: Oxford University Press. OCLC 10855613.

Dearmer, Percy

Frogley, Alain; Aidan J. Thomson (2013). The Cambridge Companion to Vaughan Williams. Cambridge: Cambridge University Press.  978-1-139-04324-3.

ISBN

(1981). Putting the Record Straight. London: Secker and Warburg. ISBN 978-0-436-11802-9.

Culshaw, John

(1988). Working with Vaughan Williams. London: The British Library. ISBN 978-0-7123-0148-0.

Douglas, Roy

(1954). The Music of Ralph Vaughan Williams. Oxford: Oxford University Press. OCLC 459433504.

Howes, Frank

Hurd, Michael (1978). The Ordeal of Ivor Gurney. Oxford: Oxford University Press.  978-0-19-211752-6.

ISBN

(1989). The Double Man: Vaughan Williams and the Vision of Albion. London: Barrie & Jenkins. ISBN 978-0-7126-2117-5.

Mellers, Wilfrid

Ross, Ryan (2016). Ralph Vaughan Williams: A Research and Information Guide. New York and London: Routledge.  978-1-138-79271-5.

ISBN

Vaughan Williams, Ralph (1921). . London and New York: Boosey & Hawkes. OCLC 663881436.

Fantasia on a theme by Thomas Tallis

(1964). RVW: A Biography of Ralph Vaughan Williams. Oxford: Oxford University Press. ISBN 978-0-19-315411-7.

Vaughan Williams, Ursula

Pike, Lionel (1984). . Tempo (149): 2–13. doi:10.1017/S0040298200058496. JSTOR 945078. S2CID 143715625. (subscription required)

"Tallis: Vaughan Williams: Howells: Reflections on Mode Three"

List of variations on a theme by another composer

Score and parts from IMSLP

. YouTube. Archived from the original on 22 December 2021. Retrieved 14 March 2016.

"Complete performance in Gloucester Cathedral, with page-turning full score"