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Folk rock

Folk rock is a genre of rock music with heavy influences from English folk and American folk music.[1] Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s.[2][3] In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

This article is about folk rock in general, especially American folk rock. For British folk rock in particular, see British folk rock.

Folk rock

Early to mid-1960s, United States

The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where he was backed by an electric band, was also a pivotal moment in the development of the genre.


During the late 1960s in Britain and Europe, a distinct, eclectic British folk rock style was created by Pentangle, Fairport Convention and Alan Stivell. Inspired by British psychedelic folk and the North American style of folk rock, British folk rock bands began to incorporate elements of traditional British folk music into their repertoire, leading to other variants, including the overtly English folk rock of the Albion Band and Celtic rock.

Definition and etymology[edit]

The term "folk rock" refers to the blending of elements of folk music and rock music, which arose in the U.S. and UK in the mid-1960s.[2] The genre was pioneered by the Byrds, who began playing traditional folk music and songs by Bob Dylan with rock instrumentation, in a style heavily influenced by the Beatles and other British Invasion bands.[4][5] The term "folk rock" was initially coined by the U.S. music press to describe the Byrds' music in June 1965, the month in which the band's debut album was issued.[6][7] Dylan also contributed to the creation of the genre, with his recordings utilizing rock instrumentation on the albums Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.[8]


In a broader sense, folk rock encompasses similarly inspired musical genres and movements in different regions of the world. Folk rock may lean more towards either folk or rock in instrumentation, playing and vocal style, and choice of material. While the original genre draws on music of Europe and North America, there is no clear delineation of which other culture's music might be included as influences.

List of folk rock artists

Rockabilly

Bluegrass music

Folk metal

Pagan rock

Brocken, Michael, (2003) The British Folk Revival, 1944–2002. Ashgate

Einarson, John, (2005) Mr. Tambourine Man. Backbeat Books

Sources

Cohen, Ronald D., (2006) Folk Music: The Basics. Routledge

Friedlander, Paul, (2006) Rock And Roll: A Social History. Westview Press

Frith, Simon, The Rock Era, Routledge, 2004

Laing, Dave, et al. (1975) The Electric Muse: the story of folk into rock. London: Eyre Methuen

Pohle, Horst (1987) The Folk Record Source Book: England / Ireland / Scotland / Wales; 2nd ed. Berlin: Horst Pohle (1st ed.: 1984) (discography of ca. 10,000 LP & EP records by ca. 2500 groups / musicians 1950s to 1987; a few audiotapes where no vinyl discs available)

Shelton, Robert (2003) No Direction Home: the life and music of Bob Dylan. Da Capo Press

Woodstra, Chris, et al. (2002) All Music Guide to Rock (Byrds). Backbeat Books

Zak, Albin (2001) The Poetics of Rock. University of California Press