Frost/Nixon (film)
Frost/Nixon is a 2008 historical drama film based on the 2006 play of the same name by Peter Morgan, who also adapted the screenplay. The film tells the story behind the Frost/Nixon interviews of 1977. The film was directed by Ron Howard. A co-production of the United States, the United Kingdom and France, the film was produced for Universal Pictures by Howard, Brian Grazer of Imagine Entertainment, and Tim Bevan and Eric Fellner of Working Title Films, and received five Oscar nominations, including Best Picture, Best Actor, and Best Director.
Frost/Nixon
Frost/Nixon
by Peter Morgan
- Brian Grazer
- Ron Howard
- Tim Bevan
- Eric Fellner
Universal Pictures (United States)
StudioCanal (France)[1]
- October 15, 2008 (London)
- December 5, 2008 (United States)
- January 23, 2009 (United Kingdom)
- April 1, 2009 (France)
122 minutes
- United States
- United Kingdom
- France
English
$25 million[1]
$27.4 million[1]
The film reunites the original two stars from the West End and Broadway productions of the play: Michael Sheen as British television broadcaster David Frost and Frank Langella as former United States President Richard Nixon. It was released in the United States on December 5, 2008, and in the United Kingdom on January 23, 2009. Despite critical acclaim, the film underperformed at the box office, grossing $27 million on a budget of $25 million.
Plot[edit]
After the Watergate scandal of 1972 and his subsequent resignation in 1974, 400 million people worldwide watch on television as United States President Richard Nixon departs the White House aboard Marine One. Among those watching is British journalist David Frost, who is recording a talk show in Australia at the time, and who decides to pursue an interview with the President. Nixon's literary agent, Irving Lazar, believes the interviews would be an opportunity for Nixon to salvage his reputation and profit financially. Lazar demands $500,000 and ultimately secures $600,000 after Frost accepts.
After persuading his friend and producer John Birt that the interviews could be a success, Frost travels with Birt to California to meet with Nixon. Aboard the plane, Frost flirts with a young woman named Caroline Cushing, and the pair begin a relationship as she tags along for the trip. Frost struggles to sell the interviews to American networks, and decides to finance the project with private money. He brokers his own deals with advertisers and local television stations to syndicate the broadcast of the interviews. He and Birt hire two investigators, Bob Zelnick and Jim Reston, to help Frost prepare. Frost is unsure as to what he wants to achieve from the interviews; Reston encourages him to aim for a confession from Nixon.
Under scrutiny by Nixon's post-presidential chief of staff, Jack Brennan, Frost and Nixon embark on the first three recording sessions. Frost is restricted by an agreed-upon timeframe and, under pressure from his own team, attempts to ask tough questions. However, Nixon dominates the sessions regarding the Vietnam War and his achievements in foreign policy. Behind the scenes, Frost's team is nervous about his capacity as a journalist and angry that Nixon appears to be exonerating himself. Frost also struggles to obtain sponsors to pay for the interviews, and his talk show in London is cancelled.
Four days before the final interview, which will focus on Watergate, Frost receives a phone call from an inebriated Nixon. In a drunken rant, Nixon declares that they both know the final interview will make or break their careers. He compares himself to Frost, insisting that they both came from humble backgrounds and had to struggle to make it to the top of their fields, only to be knocked back down again. Frost gains new insight into his subject, while Nixon assures Frost that he will do everything in his power to emerge the victor of the final interview. The conversation spurs Frost into action; for the next three days, he works relentlessly to prepare as Reston pursues a lead at the Federal Courthouse library in Washington.
As the final interview begins, Frost ambushes Nixon with damning transcripts of a conversation between Nixon and Charles Colson that Reston dug up in Washington. As his own team watches in horror from an adjoining room, Nixon admits that he did unethical things, adding, "When the President does it, that means it's not illegal." A stunned Frost is on the verge of inducing a confession when Brennan bursts in and disrupts the recording. After Nixon and Brennan confer, the interview resumes. Frost adheres to his original line of questioning; Nixon admits that he participated in a cover-up and that he "let the American people down."
Some time after the interviews have aired, Frost and Cushing pay a farewell visit to Nixon at his villa. Frost thanks Nixon for the interviews and Nixon, graciously admitting defeat, thanks Frost in return and wishes him well. Frost gives Nixon a pair of Italian shoes identical to the ones Frost wore during the interviews that Nixon had admired. In a private moment, Nixon asks about the night he drunkenly called Frost, implying that he has no recollection of the event. For the first time, Nixon addresses Frost by his first name. Nixon watches Frost and Cushing leave before placing the shoes on the villa's stone railing and solemnly looking out at the sunset.
A textual epilogue states that the interviews were wildly successful and that Nixon never escaped controversy until his death from a stroke in 1994.
Historical accuracy[edit]
Both the film and the play take dramatic license with the on-air and behind-the-scene details of the Nixon interviews.[17][18] Jonathan Aitken, one of Nixon's official biographers who spent much time with the former president at La Casa Pacifica, rebukes the film for its portrayal of a drunken Nixon making a late-night phone call as never having happened. Ron Howard discussed the scene on his feature commentary for the DVD release, pointing out it was a deliberate act of dramatic license, and while Frost never received such a phone call, "it was known that Richard Nixon, during ...the Watergate scandal, had occasionally made midnight phone calls that he couldn't very well recall the following day."[18] Elizabeth Drew of the Huffington Post and author of Richard M. Nixon (2007) noted some inaccuracies, including a misrepresentation of the end of the interviews, the failure to mention the fact that Nixon received 20% of the profits from the interviews, and what she says are inaccurate representations of some of the characters. Drew points out a critical line in the movie that is particularly deceptive: Nixon admitted he "'...was involved in a 'cover-up,' as you call it.' The ellipsis is of course unknown to the audience, and is crucial: What Nixon actually said was, 'You're wanting me to say that I participated in an illegal cover-up. No!'"[19]
According to a 2014 Baltimore Sun article by Jules Witcover, Nixon didn't admit his guilt until he was interviewed in 1983 by former White House aide Frank Gannon (played by Andy Milder in the film).[20]
David Edelstein of New York wrote that the film overstates the importance of its basis, the Frost interviews, stating it "elevates the 1977 interviews Nixon gave (or, rather, sold, for an unheard-of $600,000) to British TV personality David Frost into a momentous event in the history of politics and media."[21] Edelstein also noted that "with selective editing, Morgan makes it seem as if Frost got Nixon to admit more than he actually did."[21] Edelstein wrote that the film "is brisk, well crafted, and enjoyable enough, but the characters seem thinner (Sheen is all frozen smiles and squirms) and the outcome less consequential."[21]
Writing for the conservative National Review, Fred Schwarz, who deemed the Frost/Nixon interviews "a notorious fizzle", commented that, the film "is an attempt to use history, assisted by plenty of dramatic license, to retrospectively turn a loss into a win. By all accounts, Frost/Nixon does a fine job of dramatizing the negotiations and preparation that led up to the interviews. And it’s hard to imagine Frank Langella, who plays a Brezhnev-looking Nixon, giving a bad performance. Still, the movie’s fundamental premise is just plain wrong."[22] Though generally approving, critic Daniel Eagan notes that partisans on both sides have questioned the accuracy of the film's script.[23]
Caroline Cushing Graham, in a December 2008 interview, noted that her first trip with Frost was to the Muhammad Ali fight in Zaire, and that the two had been together for more than five years prior to when the film shows the two meeting. She remembered Frost as feeling that he did a pretty good job on every interview, whereas the film depicts him feeling he did a poor job with the first two interviews. She added that while the movie shows Frost driving, in fact they were always chauffeured because he was always making notes for the work he was doing.[24]
Diane Sawyer, portrayed in the film in her role as one of Nixon's researchers, said in December 2008 that, "Jack Brennan is portrayed as a stern military guy," citing both the play and what she'd heard about the film version. "And he’s the funniest guy you ever met in your life, an irreverent, wonderful guy. So there you go. It's the movies."[25]