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Georgian architecture

Georgian architecture is the name given in most English-speaking countries to the set of architectural styles current between 1714 and 1830. It is named after the first four British monarchs of the House of Hanover, George I, George II, George III, and George IV, who reigned in continuous succession from August 1714 to June 1830.

For the unrelated architecture of the country of Georgia, see Architecture of Georgia (country).

The Georgian cities of the British Isles were Edinburgh, Bath, pre-independence Dublin, and London, and to a lesser extent York and Bristol.[1] The style was revived in the late 19th century in the United States as Colonial Revival architecture and in the early 20th century in Great Britain as Neo-Georgian architecture; in both it is also called Georgian Revival architecture.


In the United States, the term Georgian is generally used to describe all buildings from the period, regardless of style; in Britain it is generally restricted to buildings that are "architectural in intention",[2] and have stylistic characteristics that are typical of the period, though that covers a wide range.


The Georgian style is highly variable, but marked by symmetry and proportion based on the classical architecture of Greece and Rome, as revived in Renaissance architecture. Ornament is also normally in the classical tradition, but typically restrained, and sometimes almost completely absent on the exterior. The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English vernacular architecture (or becoming the new vernacular style) for almost all new middle-class homes and public buildings by the end of the period.


Georgian architecture is characterized by its proportion and balance; simple mathematical ratios were used to determine the height of a window in relation to its width or the shape of a room as a double cube. Regularity, as with ashlar (uniformly cut) stonework, was strongly approved, imbuing symmetry and adherence to classical rules: the lack of symmetry, where Georgian additions were added to earlier structures remaining visible, was deeply felt as a flaw, at least before John Nash began to introduce it in a variety of styles.[3] Regularity of housefronts along a street was a desirable feature of Georgian town planning. Until the start of the Gothic Revival in the early 19th century, Georgian designs usually lay within the Classical orders of architecture and employed a decorative vocabulary derived from ancient Rome or Greece.

Characteristics[edit]

In towns, which expanded greatly during the period, landowners turned into property developers, and rows of identical terraced houses became the norm.[4] Even the wealthy were persuaded to live in these in town, especially if provided with a square of garden in front of the house. There was an enormous amount of building in the period, all over the English-speaking world, and the standards of construction were generally high. Where they have not been demolished, large numbers of Georgian buildings have survived two centuries or more, and they still form large parts of the core of cities such as London, Edinburgh, Dublin, Newcastle upon Tyne and Bristol.


The period saw the growth of a distinct and trained architectural profession; before the mid-century "the high-sounding title, 'architect' was adopted by anyone who could get away with it".[5] This contrasted with earlier styles, which were primarily disseminated among craftsmen through the direct experience of the apprenticeship system. But most buildings were still designed by builders and landlords together, and the wide spread of Georgian architecture, and the Georgian styles of design more generally, came from dissemination through pattern books and inexpensive suites of engravings. Authors such as the prolific William Halfpenny (active 1723–1755) had editions in America as well as Britain.


A similar phenomenon can be seen in the commonality of housing designs in Canada and the United States (though of a wider variety of styles) from the 19th century through the 1950s, using pattern books drawn up by professional architects that were distributed by lumber companies and hardware stores to contractors and homebuilders.[6]


From the mid-18th century, Georgian styles were assimilated into an architectural vernacular that became part and parcel of the training of every architect, designer, builder, carpenter, mason and plasterer, from Edinburgh to Maryland.[7]

Ditchley House in Oxfordshire, a country house. James Gibbs, 1722

Ditchley House in Oxfordshire, a country house. James Gibbs, 1722

Connecticut Hall at Yale University, a relatively unornamented iteration of the Georgian style (1750)

Connecticut Hall at Yale University, a relatively unornamented iteration of the Georgian style (1750)

Sutton Lodge, Sutton, London, once used by the Prince Regent, George IV of the United Kingdom[42]

Sutton Lodge, Sutton, London, once used by the Prince Regent, George IV of the United Kingdom[42]

Georgian period townhouses in Pery Square, Newtown Pery, Limerick, Ireland, after 1769

One of Robert Adam's masterpieces, in a largely Georgian setting: Pulteney Bridge, Bath, 1774

One of Robert Adam's masterpieces, in a largely Georgian setting: Pulteney Bridge, Bath, 1774

A former guildhall in Dunfermline, Scotland built between 1805 and 1811

A former guildhall in Dunfermline, Scotland built between 1805 and 1811

University Hall of Harvard University by Charles Bulfinch (1815), exemplary of Georgian ornamental restraint

University Hall of Harvard University by Charles Bulfinch (1815), exemplary of Georgian ornamental restraint

Western side of Bryanston Square, London, with its gardens. 1810-15

Western side of Bryanston Square, London, with its gardens. 1810-15

Late Georgian Regency; the west curve of Park Crescent, London, by John Nash, 1806–21

Late Georgian Regency; the west curve of Park Crescent, London, by John Nash, 1806–21

The Grange, a Georgian manor in Toronto built for D'Arcy Boulton in 1817

The Grange, a Georgian manor in Toronto built for D'Arcy Boulton in 1817

St James' Church, Sydney in Colonial Georgian architecture, built in 1824

St James' Church, Sydney in Colonial Georgian architecture, built in 1824

Golden ratio

Jamaican Georgian architecture

Canning, Liverpool

Clifton, Bristol

Georgian Dublin

Grainger Town, Newcastle upon Tyne

an 18th- and 19th-century development that contains some of the largest surviving examples of Georgian-style architecture and layout.

New Town, Edinburgh

Limerick

Newtown Pery

The Georgian Group

and Fletcher, Banister, A History of Architecture, 1901 edn., Batsford

Fletcher, Banister

The Glory of the English House, 1991, Barrie and Jenkins, ISBN 0712636137

Esher, Lionel

(1999), England's Thousand Best Churches, 1999, Allen Lane, ISBN 0-7139-9281-6

Jenkins, Simon

(2003), England's Thousand Best Houses, 2003, Allen Lane, ISBN 0-7139-9596-3

Jenkins, Simon

How to Read a Country House, 2005, Ebury Press, ISBN 009190076X

Musson, Jeremy

. The Englishness of English Art, Penguin, 1964 edn.

Pevsner, Nikolaus

Sir , Georgian London (1945), 1988 revised edition, Barrie & Jenkins, ISBN 0712620958. (Also see revised edition, edited by Howard Colvin, 2003)

John Summerson

Howard Colvin, A Biographical Dictionary of British Architects, 3rd ed., 1995.

John Cornforth, Early Georgian Interiors (Paul Mellon Centre), 2005.

James Stevens Curl, Georgian Architecture.

Early Georgian Houses, Mid-Georgian Houses, Late Georgian Houses. Reissued in paperback, Antique Collectors Club, 1986.

Christopher Hussey

Frank Jenkins, Architect and Patron, 1961.

Barrington Kaye, The Development of the Architectural Profession in Britain, 1960.

McAlester, Virginia & Lee, A Field Guide to American Houses, 1996.  0-394-73969-8.

ISBN

Sir John Summerson, Architecture in Britain (series: Pelican History of Art). Reissued in paperback 1970.

The Anatomy of the Georgian Room. Period Homes, March 2006.

Richard Sammons