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Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594)[n 1] was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.[1]

Giovanni Pierluigi da Palestrina

between 3 February 1525-2 February 1526

2 February 1594

Primarily known for his masses and motets, which number over 105 and 250 respectively,[2] Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint.[3] According to Grove Music Online, Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations' selective view of it) an iconic stature as a model of perfect achievement."[1]

The flow of music is dynamic, not rigid or static.

Melody should contain few leaps between notes. (Jeppesen: "The line is the starting point of Palestrina's style".)

[12]

If a leap occurs, it must be small and immediately countered by stepwise motion in the opposite direction.

Dissonances are to be confined to suspensions, passing notes and weak beats. If one falls on a strong beat (in a suspension) it must be immediately resolved.

in the Choral Public Domain Library (ChoralWiki)

Free scores by Giovanni Pierluigi da Palestrina

at the International Music Score Library Project (IMSLP)

Free scores by Giovanni Pierluigi de Palestrina

Palestrina Foundation

on YouTube: a 1971 concert performance by Guildford Cathedral Choir, directed by Barry Rose

Palestrina's "Dum complerentur"

from Coro Nostro, a mixed chamber choir based in Leicester, UK. Accessed 2010-04-17

recording of Palestrina's Sicut Cervus