Guy Davis (comics)
Guy Davis (born 1966) is an American creature designer, concept artist, illustrator and storyboard artist who has worked on film, television, comic book and video game projects. He is known for his collaborations with filmmaker Guillermo del Toro, including the television series The Strain (2014–17) and the films Pacific Rim (2013), Crimson Peak (2015) and The Shape of Water (2017). Beforehand, Davis was the regular artist for the Hellboy spinoff comic B.P.R.D. (2003–2010), as well as the artist behind his own creator-owned comic The Marquis (2009).
Guy Davis
Biography[edit]
Career[edit]
A self-taught illustrator, Guy Davis began his art career in 1985. Soon his independent work attracted the editors of Caliber Press, who published his first creator-owned series — the Harvey Award-nominated Baker Street. It was the success of Baker Street that got Davis work with DC Comics/Vertigo, illustrating Sandman Mystery Theatre. He illustrated Mike Mignola's ongoing B.P.R.D. series, The Zombies That Ate the World for Métal Hurlant, and his creator-owned series The Marquis for Dark Horse Comics.[1][2] He has also provided illustration work for the White Wolf role-playing game series and TCM Underground, cover artwork for Criterion, and poster art for Mondo.
At the 2011 ECCC, Davis announced he would no longer be the ongoing B.P.R.D. artist. Since leaving comics, Davis has moved to a career in conceptual design, providing concept art, character design and storyboards for film, television and video games. He worked on Pacific Rim, designing the Kaiju Otachi and Slattern, various props and storyboards. Other conceptual design projects for director Guillermo del Toro include Crimson Peak, The Strain TV series and The Simpsons Treehouse of Horror XXIV opening. He has also provided concept for Steven Universe, ParaNorman, The Mill at Calder's End, Pinocchio, and video game projects including Evolve, InSane, and Alone in the Dark (2024).
Concept art / character design:
IMDB
Comics work includes:
Other Projects:
He won the Eisner Award in