Hero (Chad Kroeger song)
"Hero" is a song by Canadian musician Chad Kroeger (lead vocalist of Nickelback) and American musician Josey Scott (then lead vocalist of Saliva) for the soundtrack to the 2002 superhero film Spider-Man. It was written by Kroeger and recorded specifically for the film.[4] "Hero" was released through Roadrunner Records on March 1, 2002, as the soundtrack's lead single.[5] The song serves as Kroeger's debut solo release.
"Hero"
"Invisible Man" by Theory of a Deadman
March 1, 2002
March 2001[1]
- 3:20 (with orchestral background)
- 3:09 (with strings omitted)
Chad Kroeger
There are two widely-available versions of the song: one with an orchestral background and one without. Mike Kroeger (bassist of Nickelback), Tyler Connolly (lead singer/guitarist of Theory of a Deadman), and Matt Cameron (drummer of Soundgarden and Pearl Jam) appear on the recording. In addition to its digital release, "Hero" was distributed internationally in various CD single and maxi single formats. Theory of a Deadman's "Invisible Man" was included on many of these releases.
"Hero" experienced worldwide commercial success, peaking in the top 10 of record charts in Austria, Canada, Denmark, Germany, Ireland, New Zealand, Sweden, Switzerland, the United Kingdom, and the United States. The song also topped the US Billboard Mainstream Rock and Modern Rock airplay charts. It was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media, Best Rock Performance by a Duo or Group with Vocal, and Best Rock Song at the 45th Grammy Awards (2003).[6]
Music video[edit]
The music video consists of the group, except for Matt Cameron, performing on a building's rooftop purportedly in New York City, with footage of the movie spliced in between, and was directed by Nigel Dick. It was filmed in Vancouver, British Columbia on March 24, 2002, and premiered on March 28.[7]
The song has won Best Video from a Film at the 2002 MTV Video Music Awards.[10]
Chart performance[edit]
The song was a cross-genre hit in mid-2002, peaking at number one on the Billboard Modern Rock and Mainstream Rock charts, number three on the Billboard Hot 100, and also winning considerable airplay at pop radio, peaking at number two and five, respectively, on the Mainstream Top 40 and Adult Top 40 charts.