Historiography of World War II
The historiography of World War II is the study of how historians portray the causes, conduct, and outcomes of World War II.
There are different perspectives on the causes of the war; the three most prominent are the Orthodox from the 1950s, Revisionist from the 1970s, and Post-Revisionism which offers the most contemporary perspective. The orthodox perspective arose during the aftermath of the war. The main historian noted for this perspective is Hugh Trevor-Roper. Orthodox historians argue that Hitler was a master planner who intentionally started World War II due to his strong beliefs on fascism, expansionism, and the supremacy of the German state.[1] Revisionist historians argue that it was an ordinary war by world standards and that Hitler was an opportunist of the sort who commonly appears in world history; he merely took advantage of the opportunities given to him. This viewpoint became popular in the 1970s, especially in the revisionism of A. J. P. Taylor. Orthodox historians argue that, throughout the course of the war, the Axis powers were an evil consuming the world with their powerful message and malignant ideology, while the Allied powers were trying to protect democracy and freedom. Post-revisionist historians of the causes, such as Alan Bullock, argue that the cause of the war was a matter of both the evil and the banal. Essentially Hitler was a strategist with clear aims and objectives, that would not have been achievable without taking advantage of the opportunities given to him.[2] Each perspective of World War II offers a different analysis and provides different perspectives on the blame, conduct and causes of the war.
On the result of the war, historians in countries occupied by the Nazis developed strikingly similar interpretations celebrating a victory against great odds, with national liberation based on national unity. That unity is repeatedly described as the greatest source of future strength. Historians in common glorified the resistance movement (somewhat to the neglect of the invaders who actually overthrew the Nazis). There is great stress on heroes — including celebrities such as Charles de Gaulle, Winston Churchill and Josip Broz Tito — but also countless brave partisans and members of the resistance. Women rarely played a role in the celebrity or the histories, although since the 1990s, social historians have been piecing together the role of women on the home fronts. In recent years much scholarly attention has focused on how popular memories were constructed through selection, and how commemorations are held.
Causes and motives[edit]
Self esteem and glory[edit]
R.J. Bosworth argues the major powers have experienced intellectual conflict in interpreting their wartime stories. Some have ignored the central issues. Germany and, to a much lesser extent, Japan have experienced a collective self-analysis. But these two, as well as Great Britain, France, Russia, and Italy, have largely ignored many roles and have looked instead for glory even when it was lacking. In a lot of cases the countries deny any involvement in war crimes or objectionable historical occurrences.[3]
Blame[edit]
Blame as the driving force during World War II, is a widely known orthodox perspective. Especially directly after World War II, Nazi Germany was held to blame for starting the war. Orthodox historians cited several reasons for this. Germany was the one who initially invaded Poland against the recommendation of the allies, and also attacked the Soviet Union.[4] Also, the system of alliances between the Axis Powers was one that was only meant for war. The Tripartite Pact stated that if any country declared war on one of the Axis countries, the other two would also declare war on those countries. Another reason, historians saw, is that the policies of Hitler were overly aggressive; not only did Hitler preach war with France and the Soviet Union, but he followed a careful plan of expansion. The events that took place before the war such as the Remilitarization of the Rhineland, Anschluss, and the German involvement during the Spanish Civil War, showed that Hitler was anticipating the possibility of war and preparing for one.[5]
By theme[edit]
Common themes: heroic liberation from Nazis[edit]
Almost all national narratives of the Second World War—ranging from historiography in liberal democracies to that of Communist dictatorship, fit the same European pattern. The French-German historian Etienne Francois has identified the common themes, as paraphrased by Johan Östling: