Hotel California (album)
Hotel California is the fifth studio album by American rock band Eagles, released on December 8, 1976, by Asylum Records. Recorded by the band and produced by Bill Szymczyk at the Criteria and Record Plant studios between March and October 1976, it was the band's first album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and the last to feature founding bassist Randy Meisner. The album cover features a photograph of the Beverly Hills Hotel, taken by David Alexander.
This article is about the Eagles album. For the Tyga album, see Hotel California (Tyga album).Hotel California
Hotel California was an immediate critical and commercial success, topping the US Billboard Top LPs & Tapes chart. At the 20th Grammy Awards, the title track won Record of the Year, and "New Kid in Town" won Best Arrangement for Voices. The album was also nominated for Album of the Year but lost to Fleetwood Mac's Rumours (1977). Three singles were released from the album, with the title track and "New Kid in Town" topping the Billboard Hot 100 and "Life in the Fast Lane" reaching No. 11.
Hotel California is one of the best-selling albums of all time. It has been certified 26× Platinum by the Recording Industry Association of America (RIAA) in the US, and has sold over 32 million units worldwide, making it the band's second best-selling album after Their Greatest Hits (1971–1975).[3] Ranked by various publications as one of the greatest albums of all time, it was placed at number 37 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003 and 2012, re-positioned to number 118 in the 2020 edition. A 40th anniversary special edition of Hotel California was released in November 2017.
Composition[edit]
Bernie Leadon, who was the principal country influence in the band, left the band after the release of the previous album One of These Nights. For Hotel California, the band made a conscious decision to move away from country rock, and wrote some songs that are more rock & roll, such as "Victim of Love" and "Life in the Fast Lane". Leadon was replaced by Joe Walsh who provided the opening guitar riff of "Life in the Fast Lane" that was then developed into the song. The title for "Life in the Fast Lane" was inspired by a conversation between Frey and his drug dealer during a high speed car ride.[6]
The chord progression and basic melody of the title track, "Hotel California", was written by Don Felder. Don Henley wrote most of the lyrics, with contributions from Glenn Frey. Henley noted that the hotel had become a "literal and symbolic focal point of their lives at that time", and it became the theme of the song. Frey wanted the song to be "more cinematic", and to write it "just like it was a movie". Henley sought inspiration for the lyrics by driving out into the desert, as well as from films and theatre.[7] Parts of the lyrics of "Hotel California" as well as the song "Wasted Time" were based on Henley's break up with his then girlfriend Loree Rodkin.[8][9]
Frey, in the "Hotel California" episode of In the Studio with Redbeard, spoke about the writing of "The Last Resort". Frey said: "It was the first time that Don took it upon himself to write an epic story and we were already starting to worry about the environment… we're constantly screwing up paradise and that was the point of the song and that at some point there is going to be no more new frontiers. I mean we're putting junk, er, garbage into space now."[10]
Recording[edit]
The album was recorded between March and October 1976 at Criteria Studios in Miami and Record Plant Studios in Los Angeles, and produced by Bill Szymczyk.[2] Although the band favored Los Angeles, the producer Szymczyk wanted to record in Miami as he had developed a fear of living on a fault line in Los Angeles after experiencing an earthquake, and a compromise was then struck to split the recording between both places.[6] While the band were recording the album, Black Sabbath were recording Technical Ecstasy in an adjacent studio at Criteria Studios. The band was forced to stop recording on numerous occasions because Black Sabbath were too loud and the sound was coming through the wall.[11] The last track of the album, "The Last Resort", had to be re-recorded a number of times due to noise from the next studio.[6]
For the title track "Hotel California", after the arrangement and instrumentation had been refined, several complete takes were recorded. The best parts were then spliced together, in all 33 edits on the two‑inch master, to create the final version.[2] In contrast, "Victim of Love" was recorded in a live session in studio apart from the lead vocal and the harmony on the choruses which were added later. Don Felder initially sang the lead vocals in the many early takes for the song, but the band felt that his efforts were not up to the required standard, and Henley then took over as the lead.[6] Producer Szymczyk claims that the basic tracks for the entire album were recorded in complete takes,[2] but he does not describe how individual songs were recorded (other than the aforementioned "Hotel California" and "Victim of Love").
According to Henley in a 1982 interview, the Eagles "probably peaked on Hotel California." Henley said: "After that, we started growing apart as collaborators and as friends."[12]
Release[edit]
The album was released by Asylum Records on December 8, 1976, in vinyl, cassette and 8-track cartridge formats. It was considered for quadraphonic release in early 1977, but this idea was dropped following the demise of the quadraphonic format. On the album's 25th anniversary in 2001, it was released in a Multichannel 5.1 DVD-Audio disc. On August 17, 2011, the album was released on a hybrid SACD in Japan in The Warner Premium Sound series, containing both a stereo and a 5.1 mix.[18]
Original vinyl pressings of Hotel California (Elektra/Asylum catalog no. 7E-1084) had custom picture labels of a blue Hotel California logo with a yellow background. These also had text engraved in the run-out groove of each side, continuing an in-joke trend the band had started with their third album On the Border. The text reads: Side one: "Is It 6 O'Clock Yet?"; Side two: "V.O.L. Is Five-Piece Live", indicating that the song "Victim of Love" was recorded in a live session in studio, with no overdubbing. Joe Walsh and Glenn Frey confirm this on the inner booklet of The Very Best Of.[19] This only referred to the instrumental track, however; the lead vocal and harmony for the chorus were added later. This was in response to those who criticized the Eagles' practice of copious overdubbing of instruments and that they were too clinical and soulless in the studio. They wanted to demonstrate that they could play together without overdubs if they wanted to.[6]
A 40th anniversary deluxe edition was released on November 24, 2017. The set includes the original remastered album, and a second CD that features 10 live tracks from the concert at The Forum, recorded in October 1976 two months before the original release of the album.[20] This bonus CD was also issued as a stand-alone vinyl LP in 2021.[21]
Commercial performance[edit]
The album first entered the US Billboard 200 at number four,[40] reaching number one in its fourth week in January 1977.[29][41] It topped the chart for eight weeks (non-consecutively), and it was certified platinum by the Recording Industry Association of America (RIAA) in a week of release.[42] In its first year of release it sold nearly 6 million copies in the United States,[43] and by July 1978 it has sold 9.5 million copies worldwide (7 million in the US and 2.5 million elsewhere internationally).[44] On March 20, 2001, the album was certified 16× platinum by the Recording Industry Association of America, denoting shipment of 16 million in the United States,[42][45] and had sold over 17 million copies in the US by 2013.[46] Worldwide the album has sold 32 million copies.[47] On August 20, 2018, the album was certified 26× platinum by the RIAA for 26 million units consumed in the United States under the new system that tallies album and digital track sales as well as streams.[48]
The album produced two number one hit singles on the US Billboard Hot 100: "New Kid in Town", on February 26, 1977, and "Hotel California" on May 7, 1977.[49]
Allegedly stolen lyric sheets[edit]
In July 2022 three men, all involved in rare book and memorabilia dealing, were indicted by a Manhattan, New York City, grand jury on felony charges of conspiracy and possession of stolen property; one was further charged with hindering prosecution. Prosecutors alleged that they had forged provenance documents attempting to demonstrate that they were the lawful owners of some of Frey and Henley's original drafts of lyrics for songs on the album, including "Hotel California" and "Life in the Fast Lane" and "New Kid in Town", when they in fact knew those materials, around a hundred handwritten pages on yellow notebook paper estimated to be worth $1 million in total, to have been stolen. Their plot had come to light after, having sold Henley some of the documents for $8,500 in 2012, they returned to Henley offering to sell him some more after listing them at Sotheby's four years later; he then filed a complaint with the New York County district attorney's office. All three protested their innocence through their attorneys.[53][54]
The three were alleged to have acquired the documents from Ed Sanders, a journalist who had been hired to write a biography of the band around the time of Hotel California. Sanders did not finish the work until after the band had broken up and the project was eventually canceled. He is not charged or named in the indictment, but in a news release announcing it, the D.A.'s office described the papers as "originally stolen in the late 1970s by an author who had been hired to write a biography of the band." The indictment also quotes an "Individual 1" as telling one of the indicted men in an email that he "was staying at Henley's place in Malibu and had total access to his boxes of stuff, and there was a lot, and I compiled a box of files I wanted and his assistant mailed them to me." The Los Angeles Times found also[54] that an archived version of the 2016 Sotheby's listing online identified Sanders as the then-owner.[55]