I Know What I Like (In Your Wardrobe)
"I Know What I Like (In Your Wardrobe)" was the first charting single by the rock band Genesis. It was drawn from their 1973 album Selling England by the Pound. The single was released in the UK in February 1974,[1] and became a minor hit[2] in April 1974, when it reached number 21 in the UK Singles Chart.[3]
"I Know What I Like (In Your Wardrobe)"
Release and reception[edit]
Released by Charisma in the UK in February 1974, "I Know What I Like" was the band's only pop hit of their early years, at a time when progressive rock bands largely avoided the singles market. The song was played on Top of the Pops. Its success would not be topped until And Then There Were Three album's "Follow You Follow Me", some four years later in 1978.
The B-side was the non-album track "Twilight Alehouse" (also credited to the whole band), recorded during the sessions for Foxtrot (1972), but left off the album due to lack of room. Its lyrics portray a lonely man who finds solace in the local tavern. The song had been in Genesis' live set since 1970, but was not recorded in the studio until 1972 during the Foxtrot sessions, and its initial release was held until this point. "Twilight Alehouse" was later released as part of Genesis Archive 1967–75,[6] now accurately credited to Banks-Gabriel-Phillips-Rutherford.
Live performance[edit]
The song was performed live during the Selling England by the Pound Tour between 1973 and 1974, Peter Gabriel put a helmet and 2 leaves of wheat in his mouth while pretending to use a lawnmower at the beginning and end of the song. Gabriel used to tell stories at the beginning of songs, and he told about a guy who sees everyone wasting time on insignificant things, while he entertains himself while mowing the grass. A recording of the song during a concert at the Rainbow Theatre in London can be heard on the Genesis Archive 1967-75 compilation album.
Later live versions of this song (such as the one on Seconds Out) feature an extended instrumental section which includes snippets of various other Genesis songs – such as "Visions of Angels", "Blood on the Rooftops", "Dancing with the Moonlit Knight" and "Stagnation" – and songs by other artists, such as "Don't Let Me Be Misunderstood". In the version on "The Way We Walk", snippets include "Follow You Follow Me", "That's All", "Illegal Alien" and "Your Own Special Way". Phil Collins performed a dance during these instrumentals, using a tambourine in a tight, rhythmic fashion against his hands, elbows, knees, feet, buttocks and head; this can be seen in the Genesis: In Concert film from 1977, as well as the live DVDs The Way We Walk – Live in Concert (1992) and When in Rome 2007. In his memoir Not Dead Yet, Collins describes the dance as "a cross between morris dancing and John Cleese's The Ministry of Silly Walks".
For The Way We Walk and Turn It On Again tours, this song was played as part of a medley of old Genesis songs, and starting with the A Trick of the Tail tour in 1976 was often performed with excerpts of "Stagnation", from the album Trespass (1970). During the Turn It On Again tour shows, images from the band's history cycled by in the background.
Cover versions[edit]
In 1993, Marillion's ex-frontman Fish did a cover version on his Songs from the Mirror album. Fish said his decision to cover the song was to prove to his critics that he could interpret a song differently from Gabriel, having been previously dismissed in his career as a Gabriel clone.[7]
Cultural references[edit]
The presenters of Top Gear and The Grand Tour have mixed views on the song, particularly between Jeremy Clarkson and Richard Hammond with Clarkson being a fan of Genesis and Hammond expressing a dislike of the group's music. The song subsequently became a recurring gag during the show following the Middle East Special in which Clarkson inserted a hidden speaker in Hammond's car playing the track on a loop. In Top Gear's India Special, Clarkson played the song through a megaphone attachment on his car to annoy Hammond and played the song in an unsuccessful attempt to get Hammond out of the way whilst racing towards the finishing point in Top Gear: African Special.[9]