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Independent film

An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.[1]

It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film, they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director that they admire. Many examples of the latter include John Travolta and Bruce Willis taking less pay to work with Quentin Tarantino on Pulp Fiction.[2]


Generally, the marketing of independent films is characterized by limited release, often at independent movie theaters, but they can also have major marketing campaigns and a wide release. Independent films are often screened at local, national, or international film festivals before distribution (theatrical or retail release). An independent film production can rival a mainstream film production if it has the necessary funding and distribution.

(1992–present)

Sony Pictures Classics

(1994–present)

Searchlight Pictures

Paramount Vantage

Miramax

(2002–present)

Focus Features

Warner Independent Pictures

[28]

(1993–present)

Marvel Studios

Internationally[edit]

The independent film industry exists globally. Many of the most prestigious film festivals are hosted in various cities around the world.[31] The Berlin International Film Festival attracts over 130 countries, making it the largest film festival in the world.[32] Other large events include the Toronto International Film Festival, Hong Kong International Film Festival, and the Panafrican Film and TV Festival of Ouagadougou.[31]


The European Union, specifically through the European Cinema and VOD Initiative (ECVI), has established programs that attempt to adapt the film industry to an increasing digital demand for film on video on demand services, outside of theatrical screenings. With this program, VOD offerings are paired with traditional movie screenings.[33] There is also more of a push from EU National governments to fund all aspects of the arts, including film.[34] The European Commission for Culture has an Audiovisual sector, for example, whose role is most notably to help distribute and promote films and festivals across Europe. Additionally, the Commission organizes policymaking, research, and reporting on "media literacy" and "digital distribution."[34]

British Independent Film Awards

Independent Spirit Awards

List of film festivals

Outline of film

Independent animation

American Eccentric Cinema

World cinema

List of American independent films

Marich, Robert (2013). (3rd ed.). Southern Illinois University Press. p. 350. ISBN 978-0-80-933196-3.

Marketing To Moviegoers: A Handbook of Strategies and Tactics

Levy, Emanuel (1999). . NYU Press. ISBN 978-0-8147-5124-4.

Cinema of Outsiders: The Rise of American Independent Film

McDonald, Paul; Wasko, Janet, eds. (2008). . Malden, MA: Blackwell Publishing. ISBN 978-1-40-513388-3.

The Contemporary Hollywood Film Industry

Kirsner, Scott (2008). . Boston: CinemaTech Books. ISBN 978-1-4382-0999-9.

Inventing the Movies: Hollywood's Epic Battle Between Innovation and the Status Quo, from Thomas Edison to Steve Jobs

Biskind, Peter (2004). . Simon & Schuster. ISBN 0-684-86259-X.

Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film

Hall, Phil (2009). . BearManor Media. ISBN 978-1-59393-335-7.

The History of Independent Cinema

. The Monster That Ate Hollywood. Season 20. Episode 8. November 22, 2001. PBS.

"indies are dead. long live the indies!"

King, Geoff (2005). American Independent Cinema. Indiana University Press.  9780253218261.

ISBN

Lyons, Donald (1994). . Ballantine Books. ISBN 0-345-38249-8.

Independent Visions: A Critical Introduction to Recent Independent American Film

Maccann, Richard Dyer (Summer 1962). "Independence, with a Vengeance". Film Quarterly. 15 (4). University of California Press: 14–21. :10.2307/1211185. JSTOR 1211185.

doi

Merritt, Greg (2000). . Thunder's Mouth Press. ISBN 1-56025-232-4.

Celluloid Mavericks: The History of American Independent Film

Pierson, John (2004). . Miramax Books. ISBN 1-4013-5950-7.

Spike Mike Reloaded

Redding, Judith; Brownworth, Victoria (1997). . Seal Press. ISBN 1-878067-97-4.

Film Fatales: Independent Women Directors

Vachon, Christine (2006). . Simon & Schuster. ISBN 0-7432-5630-1.

A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond

The Edge of Hollywood - Annenberg Learner