Katana VentraIP

Indian folk music

Indian folk music is diverse because of India's enormous cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.

Bhavageethe[edit]

Bhavageethe (literally 'emotion poetry') is a form of expressionist poetry and light music. When an emotional poem having excellent poetic components becomes a song, it is known as a "Bhaavageeth". Most of the poetry sung in this genre pertain to subjects like love, nature, and philosophy, and the genre itself is not much different from Ghazals, though Ghazals are bound to a peculiar metre. This genre is quite popular in many parts of India, notably in Karnataka and Maharashtra. Bhavageethe may be called by different names in other languages.


Kannada Bhavageethe draws from the poetry of modern, including Kuvempu, D.R. Bendre, Gopalakrishna Adiga, K.S. Narasimhaswamy, G.S. Shivarudrappa, K. S. Nissar Ahmed, and N S Lakshminarayana Bhatta. Notable Bhavageethe performers include P. Kalinga Rao, Mysore Ananthaswamy, C. Aswath, Shimoga Subbanna, Archana Udupa, and Raju Ananthaswamy.


C. N. Joshi is one of the foremost Bhaavageet singers in Marathi. Gajanan Watave is known for making the Bhaavageet tradition flourish in homes of Maharashtra.


Bhaavageete in Marathi draws from the works of Shanta Shelke, Vinda Karandikar, Jagdish Khebudkar, Ga Di Madgulkar, Raja Badhe and Mangesh Padgaonkar. Bhaavgeete composers include Sudhir Phadke, Shrinivas Khale and Yashwant Deo. Singers include Suresh Wadkar, Arun Date, Suman Kalyanpur, Lata Mangeshkar, Asha Bhosle and Bhimsen Joshi. Many books containing compilations of Bhaavageete in Marathi are available.[7]

Bhangra and Giddha[edit]

Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance-oriented folk music of Punjab. The present musical style is derived from non traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ).

Sufi folk rock[edit]

Sufi folk rock contains elements of modern hard rock and traditional folk music with Sufi poetry. While it was pioneered by bands like Junoon in Pakistan, it became very popular especially in north India. In 2005, Rabbi Shergill released a Sufi rock song called "Bulla Ki Jaana", which became a chart-topper in India and Pakistan. More recently, the Sufi folk rock song "Bulleya" from the 2016 film Ae Dil Hai Mushkil became a mammoth hit.

Jhumair and Domkach[edit]

Jhumair and Domkach are Nagpuri folk music. The musical instruments used in folk music and dance are Dhol, Mandar, Bansi, Nagara, Dhak, Shehnai, Khartal, Narsinga etc.[8][9]

They use to sing it in the Ebb (Bhata) as in this phase it does not need much effort for rowing.

It originated from the (now in Bangladesh).

Bhati area

This type of music was cultured mainly by the oarsmen and fishermen of erstwhile Bengal. There are many opinions regarding the origin of the term "Bhatiali". Most popular of them are:


One of the most eminent singers is Nirmalendu Chowdhury.

Bihu[edit]

Bihu songs are the most famous among music lovers in Assam and are based on themes like Assamese new year, farmers' daily life, love and more. Bihu music is played with instruments like dhol, mohor singor pepa, cymbal, a bamboo instrument called gogona and a clapper made from bamboo known as toka. It is an absolute delight to sit and listen to heart-touching Bihu songs during the Bihu festival when the entire state is in a celebratory mood. The talented musicians of the state have been following this traditional form of music since generations and listening to them sing in joy is an unmatched experience for every tourist.

Garba[edit]

Garba ("song") is sung in honor of Hindu goddesses and gods during Navratri. They are sung in the honor of god Krishna, Hanuman, Ram, etc.

Dollu Kunita[edit]

This is a group dance that is named after the Dollu — the percussion instrument used in the dance. It is performed by the menfolk of the Kuruba community of the North Karnataka area. The group consists of 16 dancers who wear the drum and beat it to rhythms while dancing. The beat is controlled and directed by a leader with cymbals who is positioned in the center. Slow and fast rhythms alternate and group weaves varied patterns.

Kolata/Kolattam[edit]

Kolata/Kolattam is a traditional folk dance of the states of Andhra Pradesh, Karnataka and Tamil Nadu.[11] Similar to its North Indian counterpart Dandiya Ras, it is performed with coloured sticks and usually involves both men and women dancing together.

Telangana's Janapadha Geyalu[edit]

Telangana had its own unique song and dance, and there were many folk singers and artistes who took part in the Telangana movement. Some of the prominent names who took active part in the Telangana movement are Gaddar, Belli Lalitha, Sai Chand, Vimalakka and singers like Deshapati Srinivas and Rasamayi Balakishan.

Veeragase[edit]

Veeragase is a dance folk form prevalent in the state of Karnataka. It is a vigorous dance based on Hindu mythology and involves very intense energy-sapping dance movements. Veeragase is one of the dances demonstrated[12] in the Dasara procession held in Mysore.

Naatupura Paatu[edit]

Naatupura Paatu is Tamil folk music. It is divided into gramathisai (village folk music) and gana (city folk music).

: Madiga Dappu, Mala Jamidika

Andhra Pradesh

: Pandavani

Chhattisgarh

: Garba, Doha, Sanedo

Gujarat

: Jhumair, Domkach

Jharkhand

: Bhavageete

Karnataka

: Sambalpuri and Lalita

Odisha

: Mahiyan

Punjab

: Sufi Folk Rock

North West India

: Biraha

North India

: Naattupura Padalgal

Tamil Nadu

: Janapadha Geyalu

Telangana

: Tamang Selo, Bahula, bhatiyali, Kirtan

West Bengal

Chhattisgarhi Folk Song & Ballad