Jakub Hrůša
Jakub Hrůša (born 23 July 1981 in Brno) is a Czech conductor.
Education[edit]
Hrůša is the son of the architect Petr Hrůša.[1] He is the first professional musician in his family, who mostly work in fields relating to technology and science.[2] Hrůša studied piano and trombone, and developed an interest in conducting, during his years at Gymnázium třída Kapitána Jaroše in Brno. While at school he took lessons from Evžen Holiš, a repetiteur and conductor at Brno's National Theatre, which familiarized a young Hrůša with the inner workings and atmosphere of a busy professional opera house.[2] At 18 he entered the Academy of Performing Arts in Prague, where his teachers included Jiří Bělohlávek,[3] Radomil Eliška and Leoš Svárovský.[4] In 2000 he participated in the Prague Spring International Music Festival conducting competition. In 2003, he was a prizewinner in the International Competition of Young Conductors Lovro von Matačić in Zagreb, Croatia.[4] In his dissertation on the work of contemporary Czech composers, Hrůša acknowledged a debt to Bělohlávek's teaching, writing that he admired him for his generosity "in sharing ideas, inviting me to rehearsals, and actually I remember observing him work on Katya Kabanová in Helsinki with Karita Mattila. I owe him a lot."[2]
Career[edit]
Hrůša's first conducting position after graduation was when he was at the Bohuslav Martinů Philharmonic orchestra of Zlín, with which he went on tour with the orchestra to Spain in 2004 - during long bus trip, he and the players were able to bond before he took up his post officially in 2005.[2] He also began to build up his experience in the Czech Republic, where he conducted The Cunning Little Vixen in 2005 and Marcel Mihalovici's Krapp, or The Last Tape, at the National Theatre in Prague.[2] where he also worked as an Associate Conductor with the Czech Philharmonic. From 2005 to 2006, he was an associate conductor with the Orchestre Philharmonique de Radio France, his first international appointment. In April 2006, he signed a six-CD recording contract with Supraphon, where the first three CDs were with the Prague Philharmonia.[5][6] From 2005 to 2008, Hrůša was principal guest conductor of the Prague Philharmonia, then chief conductor from 2008 to 2015.[4] He became principal guest conductor of the Czech Philharmonic Orchestra as of the 2015–2016 season.
In February 2009, Hrůša was named the music director of Glyndebourne on Tour, effective January 2010.[7] In September 2011, he was named the next music director of the Royal Danish Opera and of the Royal Danish Orchestra, effective September 2013.[8] However, in January 2012, in the wake of the resignation of Keith Warner from the artistic directorship of the Royal Danish Opera following proposed budget cuts, Hrůša announced that he would not take the music directorship of Royal Danish Opera, in solidarity with Warner's action.[9]
In September 2015, after five appearances as a guest conductor, Hrůša was named the next chief conductor of the Bamberg Symphony, from the 2016–2017 season, with an initial contract of four seasons.[10][11] This was extended firstly to the 2025–2026 season,[12] then through to the 2028–2029 season.[13]
In March 2017, the Philharmonia Orchestra announced the appointment of Hrůša as one of its two new principal guest conductors, effective with the 2017–2018 season.[14] In July 2021, the Orchestra dell'Accademia Nazionale di Santa Cecilia announced the appointment of Hrůša as its next principal guest conductor, effective with the 2021–2022 season, with an initial contract of three seasons.[15] His Proms debut in 2017 was an unconventional programme of the Hussite Chorale 'Ktož jsú Boži bojovníci', Smetana's Tábor and Blaník from Má vlast, Martinů's Field Mass, Dvořák's Hussite Overture, Janáček's Song of the Hussites and Suk's Praga.[16] His next Prom concert in 2019 consisted of the complete Má vlast preceded by Dvořák's violin concerto.
Hrůša first guest-conducted at the Royal Opera House (ROH) in February 2018, in a production of Carmen.[17] He returned to the ROH in April 2022 to conduct a production of Lohengrin.[18] In October 2022, the ROH announced the appointment of Hrůša as its next music director, effective in September 2025,[19][20] taking the title of music director designate with immediate effect.[21]
In 2020 a bi-lingual (Czech–English) anthology entitled Hrůša on Martinů was published consisting of essays on Bohuslav Martinů by Hrůša, and an interview, in his role as president of the International Martinů Circle.[22] Although he had not conducted a Martinů opera in the theatre at the time of publication, he had given performances of Martinů's symphonies on both sides of the Atlantic.[2]