Jetsons: The Movie
Jetsons: The Movie is a 1990 American animated science fiction comedy film based on the animated television series The Jetsons, produced by Hanna-Barbera Productions and distributed by Universal Pictures.[4] The film was directed by William Hanna and Joseph Barbera from a screenplay by Dennis Marks, and stars the voices of George O'Hanlon Mel Blanc and Tiffany in her feature film debut as Judy Jetson. Penny Singleton and Don Messick also reprised their roles in the film. The story follows George Jetson, who is tasked with running a new Spacely Sprockets facility by his boss Cosmo Spacely. However, after he brings his family along to support him, they uncover the tragic truth of the facility's location.
The film was released on July 6, 1990. It grossed $20.3 million on a budget of $8 million during its theatrical run, though it was considered a box office disappointment and received mixed to mostly negative reviews.[2] O'Hanlon and Blanc died during production of the film, which was dedicated to both their memories. Jetsons: The Movie was the last theatrical film to be directed by William Hanna and Joseph Barbera before their deaths, in 2001 and 2006 respectively. It serves as the series finale to the television show. It was also the final Jetsons production until the release of The Jetsons & WWE: Robo-WrestleMania! in 2017.
Although Warner Bros. Discovery owns the rights to the majority of the Hanna-Barbera library, including the rights to The Jetsons, the rights to this film are still owned by Universal Pictures. Coincidentally, both Warner Bros. and Universal also own the physical home media joint-venture division named Studio Distribution Services.[5]
Plot[edit]
In the late 21st century, Spacely Sprockets and Spindles has opened a new mining colony: The "Orbiting Ore Asteroid". The proposed project is meant to increase productivity at 1/10 the cost of making the items on Earth. However, the factory is mysteriously and continuously sabotaged. During a meeting, Cosmo Spacely (Mel Blanc), head of the company, learns from the robotic plant engineer Rudy-2 (Ronnie Schell) that the latest head of the factory Alexander Throttlebottom has fled in fear, making four vice presidents of the new plant that Spacely has lost so far.
Fearing for his company (and profits), Spacely abruptly declares George Jetson (George O'Hanlon) as Throttlebottom's successor and sends George and his family to the plant. While the family is thoroughly upset at being thrown from their normal lifestyle (and their upcoming weekly plans), they set up arrangements on the adjoining apartment community to the asteroid and its neighboring shopping complex, while it takes the family time to adjust.
Rudy-2 shows George around the plant as they prepare for the grand re-opening of the plant. Meanwhile, Jane (Penny Singleton) and Rosie (Jean Vander Pyl) befriend Rudy-2's wife Lucy-2 (Patti Deutsch). Judy Jetson (Tiffany) is having a hard time adjusting, and accepting the fact that she lost her chance at a date with rock star Cosmic Cosmo (Steve McClintock) which a friend of hers later takes, but soon feels better after meeting a teenaged boy named Apollo Blue (Paul Kreppel). Elroy Jetson (Patric Zimmerman) meets Rudy-2's son Teddy-2 (Dana Hill) with whom he first is at odds, but eventually befriends. Meanwhile, George, after orienting to his new job, figures that everything is ready; himself to start working, Mr. Spacely to see the plant working full-capacity, and its machines eventually able to churn out the one millionth Spacely sprocket. However, the opening-day festivities give way to panic and danger as the factory is sabotaged once again. Over the next several days, George and Rudy-2 try to fix things, but issues persist to the point that, fed up and thinking George is responsible, Mr. Spacely charters a flight to the asteroid to check on things personally. George stays overnight in the factory hoping to catch the saboteurs in the act, only to accidentally fall asleep and be taken away by the mysterious creatures. Elroy, Teddy-2, and their neighbor Fergie Furbelow (Russi Taylor) sneak into the plant and meet Squeep (Frank Welker), a member of a small furry alien race known as Grungees (Frank Welker).
Squeep (with Teddy-2 translating) reveals that the factory is actually drilling into and destroying his people's community, which is based inside the asteroid. Soon, Jane, Judy, Apollo, Rudy-2, and Astro show up and discover the threat the plant is incurring. George is found hog-tied in the Grungees' colony, and is eventually convinced as well. Spacely arrives, and seeing his factory at a stand-still, he angrily reactivates it (despite it being nighttime and after disabling Rudy-2, who tries stopping him), putting everyone still in the asteroid in jeopardy, and nearly burying Elroy and Squeep alive under rubble. Everyone safely escapes, and, finally standing up to Spacely, George manages to stop the factory for the final time, ironically through his very own sabotage, and exposes the catastrophe his boss blatantly created for profit. After George confronts him, Spacely (sheepishly and begrudgingly) comes to an agreement: the Grungees will run the plant, and create new Spacely sprockets through recycling old ones (thus stopping the further destruction of the Grungees' homes inside the asteroid).
Spacely Sprockets reaches the millionth sprocket at long last, and when George asks about being vice president, Spacely retorts, stating, "he's lucky that he'll be getting his old job back". Only when pressured by everyone else does he reluctantly promote him to vice president (without a raise). However, George knows that with the Grungees now running the plant, he is no longer needed as its director. With heavy hearts, the Jetsons then bid their new friends goodbye, including Fergie, who attempted to stow away aboard the Jetsons' car. As the family passes over the factory towards Earth, the Grungees arrange themselves to form the words "THANKS GEORGE", as a friendly goodbye to him for saving their home.
Production[edit]
A film adaptation based on The Jetsons started development when Paramount Pictures first tried to film a live-action version around 1985, which was to be executive produced by Gary Nardino. However, the project never got far into production, putting the film into a turnaround.[7] Later on during the 1980s, Universal Pictures bought the film rights for The Jetsons from Hanna-Barbera Productions.
A problem that arose during the production of the film was the advanced age and poor health of many of the voice actors from the series; all of the major cast members except Don Messick (himself in his early 60s) were over 65 years old by this point. Daws Butler, the voice of Elroy, fell ill with a stroke and pneumonia in early 1988, before he could record any lines for the film, and ultimately died on May 18.[8][9] Though Butler had been training Joe Bevilacqua[10] and Greg Burson to succeed him,[11] voice coordinator Kris Zimmerman brought in her then-husband Patric, then a relative unknown, to fill the role of Elroy.[12] George O'Hanlon, who had already been in ill throughout the 1980s revival, died of a stroke on February 11, 1989 after he finished recording;[13] voice director Andrea Romano later recalled that he could record only an hour at a time and had his final stroke while at the studio.[14] Mel Blanc also died during the production of the film on July 10, 1989. Voice actor Jeff Bergman would later step in and fill in for both O'Hanlon and Blanc as George Jetson and Mr. Spacely to complete their dialogue in additional scenes of the film.[15]
Janet Waldo, the original voice of Judy Jetson, recorded the role for the film, but her voice was later replaced by singer Tiffany (though Waldo still provided the voice of a robot secretary and some of Judy's lines by Waldo remain in the film). Studio executives hoped that Tiffany's involvement would result in a stronger box office performance.[16] Displeased with the casting change, Romano attempted to have her own name removed from the finished film.[14] Tiffany said her singing voice was what initially drew the attention of Barbera.[17] Tiffany sang three songs used in the film ("I Always Thought I'd See You Again", "You and Me" and "Home"), which are on the soundtrack album along with "Jetsons' Rap" by XXL and tracks by other artists.[18] Tiffany did not write any of the songs, but she cited "I Always Thought I'd See You Again" as one of her favorites to sing.[19]
Reception[edit]
Box office[edit]
The film opened at fourth place, behind Die Hard 2, Days of Thunder and Dick Tracy, with a weekend gross of $5 million from 1,562 theaters. The film then lost 43% of its audience in its second weekend, falling to tenth place with a second weekend gross of $2.9 million, and bringing its ten-day gross to $10.9 million. It ended up grossing just $20.3 million in the United States.[3] While made on a budget of $8 million, Universal spent $12 million on marketing, hurting its ability to turn a profit.[2]
Critical response[edit]
On review aggregation website Rotten Tomatoes, the film has an approval rating of 27% based on 15 reviews, with an average rating of 4.4/10.[26] On Metacritic, it has a score of 46 out of 100 based on 17 reviews indicating "mixed or average reviews".[27]
Charles Solomon of the Los Angeles Times criticized the filmmakers for not deciding "whether they're making a with-it musical for teen-agers or re-creating the ingenuous humor of a '60s TV show". He also criticized the film's use of CGI, claiming it makes the 2D characters "look as though they stumbled in from another film. Their prominent shadows give them an odd, plastic texture, but don't help them fit into the computerized world."[12] Siskel & Ebert gave this film two thumbs down, citing both the story and the animation as having "no imagination whatsoever".[28] Roger Ebert later named it one of the ten worst films of 1990.[29]
Janet Maslin of The New York Times wrote the film would "appeal only to small children, and only to the most patient among them. On the positive side, it has a bright, perky look and a few amusing gadgets, like the machine that bathes and washes George Jetson after ejecting him from his bed...On the other hand, the film isn't any more fascinating than the television cartoon series that inspired it. It's only longer."[30] William Thomas of Empire gave the film two out of five stars, stating "it's not nearly exciting enough and at an hour and twenty minutes is overlong for animation fans, yet by virtue of the fact it's a cartoon, it presents itself as too childish for older live action devotees."[31]