Jimmie Nicol
James George Nicol (born 3 August 1939) is an English drummer and business entrepreneur. He is best known for sitting-in for Ringo Starr in the Beatles for eight concerts of the Beatles' 1964 world tour during the height of Beatlemania, elevating him from relative obscurity to worldwide fame and then back again in the space of a fortnight.[2] Nicol had hoped that his association with the Beatles would greatly enhance his career but instead found that the spotlight moved away from him once Starr returned to the group, and in 1965 his subsequent lack of commercial success culminated in bankruptcy. In 1975, after having worked with a number of different bands which included a successful relationship with the Spotnicks, and several more while living in Mexico, he left the music business to pursue a variety of entrepreneurial ventures.
For other people with the same name, see James Nicol (disambiguation).
Jimmie Nicol
James George Nicol
3 August 1939
Barnes, London, England
- Musician
- entrepreneur
- Drums
- percussion
1957–1971
Josefina Nicol
Over the decades, Nicol increasingly shied away from media attention, preferring not to discuss his connection to the Beatles nor seeking financial gain from it. He has a son, Howard, who is a BAFTA award-winning sound engineer.
Early career[edit]
Jimmie Nicol's career break came in 1957 when he was talent spotted by Larry Parnes whilst drumming with various bands in London's The 2i's Coffee Bar, a time that saw Britain's skiffle-dominated music scene giving way to rock and roll which was being popularised by its Teddy Boy youth. Parnes invited Nicol to join Colin Hicks & The Cabin Boys whom Parnes co-managed with John Kennedy (Colin Hicks is the younger brother of English entertainer Tommy Steele, whom Parnes also managed). After taking a temporary break from the group to be a member of the original pit band in the Lionel Bart musical Fings Ain't Wot They Used T'Be at the Theatre Royal Stratford East Nicol rejoined Hicks's band for their appearance in the 1958 Italian film documentary Europa Di Notte, breaking them in Italy and subsequently allowing them to tour there extensively.[3] During the early sixties, Nicol went on to play for a number of artists, including Vince Eager, Oscar Rabin, and Cyril Stapleton and was kept in regular work through Charlie Katz, a well-known session fixer during that period. Nicol has cited drummer Phil Seamen and saxophonist Julian "Cannonball" Adderley as being his main influences.[1]
In 1964 Nicol helped to form The Shubdubs with former Merseybeats bassist Bob Garner, a jazz line-up similar in musical style to Georgie Fame and the Blue Flames, a group with whom Nicol had sat-in when they were the resident house band at London's now defunct Flamingo Jazz Club.[4] Other members of The Shubdubs were Tony Allen (vocals), Johnny Harris (trumpet), Quincy Davis (tenor saxophone), and Roger Coulam (organ – went on to form Blue Mink). It was at this point that he received a telephone call from the Beatles' producer, George Martin. Nicol recalled: "I was having a bit of a lie down after lunch when the phone rang."[5]
Legacy[edit]
During Nicol's brief time with the Beatles both Lennon and McCartney would often ask him how he felt he was coping, to which his reply would usually be "It's getting better". Three years later McCartney was walking his dog, Martha, with Hunter Davies, the Beatles' official biographer, when the sun came out. McCartney remarked that the weather was "getting better" and began to laugh, remembering Nicol. This event inspired the song "Getting Better" on 1967's Sgt. Pepper's Lonely Hearts Club Band.[22] McCartney again makes reference to Nicol on the Let It Be tapes from 1969, saying: "I think you'll find we're not going abroad 'cause Ringo just said he doesn't want to go abroad. And he put his foot down. So, us and Jimmie Nicol might go abroad."[23]
While appearing on the radio show Fresh Air hosted by Terry Gross in April 2016, Tom Hanks noted that he was at least partly influenced by Jimmie Nicol's experience with the Beatles when he wrote the script for his 1996 feature film That Thing You Do![24]