Joe Zawinul
Josef Erich Zawinul (/ˈzɒvɪnəl/ ZOV-in-əl; 7 July 1932 – 11 September 2007)[1][2] was an Austrian jazz and jazz fusion keyboardist and composer. First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with Miles Davis and to become one of the creators of jazz fusion, a musical genre that combined jazz with rock. He co-founded the groups Weather Report and The Zawinul Syndicate. He pioneered the use of electric piano and synthesizer, and was named "Best Electric Keyboardist" twenty-eight times by the readers of DownBeat magazine.[3]
Joe Zawinul
Josef Erich Zawinul
7 July 1932
Vienna, Austria
11 September 2007 (aged 75)
Vienna, Austria
- Jazz
- jazz fusion
- world music
- Musician
- composer
Keyboards
1949–2007
- Columbia
- ESC
- BHM
- Intuition
Biography[edit]
Early life and career[edit]
Zawinul grew up in Vienna, Austria. Accordion was his first instrument. When he was six or seven, he studied clarinet, violin, and piano at the Vienna Conservatory[4] (Konservatorium Wien). During the 1950s he was a staff pianist for Polydor. He worked as a jazz musician with Hans Koller, Friedrich Gulda, Karl Drewo, and Fatty George.[5] In 1959 he moved to the U.S. to attend Berklee College of Music, but a week later he received a job offer from Maynard Ferguson, so he left school and went on tour.[4] He then accompanied Dinah Washington.[6] He spent most of the 1960s with Cannonball Adderley. During this time he wrote "Mercy, Mercy, Mercy" and "Walk Tall", and "Country Preacher" and played electric piano. As recounted in Zawinul's New York Times obituary, "It was uncommon then for a black bandleader like Adderley to hire a white sideman like Mr. Zawinul and touring could be problematic. 'I often had to sit in the bottom of the car when we drove through certain parts of the South,' Mr. Zawinul said in a 1997 interview with Anil Prasad of Innerviews magazine. But, he added, with characteristic bravado, 'Those kinds of things never fazed me; I wanted to play music with the best, and I could play on that level with the best.'"[7]
At the end of the decade Zawinul recorded with Miles Davis on In a Silent Way and Bitches Brew, as Davis was establishing the genre of jazz fusion, combining jazz with rock.[2]