Principal Lecturer at , where he designed the first undergraduate degree in communication in the United Kingdom

Sheffield Polytechnic

Principal Lecturer in Communication at the , where he supervised the first Ph.D. candidate in Communication in the United Kingdom

Polytechnic of Wales

Principal Lecturer in the School of Communication and Cultural Studies at in Perth, Australia

Curtin University

Professor of Communication Arts at the , from which he retired

University of Wisconsin-Madison

Theory[edit]

Semiotics and television studies[edit]

Fiske was one of the first scholars to apply semiotics to media texts following the tradition of poststructuralism, and coined the term semiotic democracy.


He is the author of works on television studies regarding popular culture and mass media. Fiske's books analyze television shows as semiotic "texts" in order to examine the different layers of meaning and sociocultural content. Fiske rejects the notion that assumes "the audience" as an uncritical mass, the theory that mass audiences consume the products that are offered to them without thought. He instead suggests "audiences" as being of various social backgrounds and identities that enable them to receive texts differently.


Fiske's 1987 textbook on television, Television Culture, introduces the subject of television studies by examining the economic and cultural issues, as well as the theory and text-based criticism, involving television. It also provides an overview of the arguments by British, American, Australian, and French scholars. It was "one of the first books about television to take seriously the feminist agenda that has been so important to the recent development of the field."[4]

Power[edit]

In Power Plays, Power Works (1993), Fiske argues that power "is a systematic set of operations upon people that works to ensure the maintenance of the social order…and ensure its smooth running."[5]


Through the book, Fiske coined the term "power bloc" in reference to the social and political economic constructs around which power functions in the contemporary Western world.[6] Rather than constituting a particular class or permanently-defined socio-political group, power blocs are unsystematic series of both strategic and tactical political alliances. These constantly-changing partnerships form whenever circumstances emerge that jeopardize the socio-political advantages of the members involved. They therefore arise and separate on an ad hoc basis (i.e., depending on the necessities of the moment), and their alliance is specific to matters of social, cultural, historic, and/or imminent relevance.[6]


Those who fall outside of the bloc—and fall under its "authority"—can be understood as the notion of "the people." Such people may still possess power of their own, however it is a weaker power—what Fiske refers to as a "localizing power".[6]


In Understanding Popular Culture (1989), Fiske maintains that culture is integral to social power:[7]

1978. Reading Television, with . London: Methuen & Co. ISBN 0-415-04291-7.

John Hartley

1982. Introduction to Communication Studies, Studies in Culture and Communication.  0-415-04672-6.

ISBN

1984. "Popularity and Ideology: A Structuralist Reading of Dr Who." In Interpreting Television: Current Research Perspectives, edited by W. D. Rowland Jr. and B. Watkins.

[8]

1987. Television Culture, Studies in Communication Series. London: Methuen & Co.  0-415-03934-7.

ISBN

1989. Reading the Popular. London: Unwin Hyman Ltd.  978-0-415-07875-7.

ISBN

1989. Understanding Popular Culture. New York: Routledge.  978-0-415-07876-4.

ISBN

1992. "British Cultural Studies and Television." In Channels of Discourse, Reassembled, edited by R. C. Allen.  978-0-8078-4374-1.

ISBN

1994. Media Matters: Everyday Culture and Political Change. Minneapolis: University of Minneapolis Press.  9780816624621.

ISBN

1993. Power Plays, Power Works.  0-86091-616-2

ISBN

1996. Media Matters: Race and Gender in U.S. Politics.  978-0-8166-2463-8.

ISBN

Glynn, Kevin, Jonathan Gray, and Pamela Wilson. 2011. “Reading Fiske and Understanding the Popular,” in John Fiske, Understanding Popular Culture, 2nd Edition (pp. xxxix-lvii). London: Routledge.

Hancock, Black Hawk. 2016 May 25. "," edited by H. Jenkins. Confessions of an ACA-FAN.

From Media Matters to #blacklivesmatter: Black Hawk Hancock discusses John Fiske (Part One)

. 2011. “Why Fiske Still Matters.” Pp. xii–xxxviii in Reading the Popular (2nd ed.), edited by J. Fiske. New York: Routledge.

Jenkins, Henry

—— 2016. "." Pp. 138–52 in Exploring the Roots of Digital and Media Literacy through Personal Narrative, edited by R. Hobbs. Philadelphia: Temple University Press.

Henry Jenkins on John Fiske

—— 2010 June 16. "." Center for Civic Media. US: Massachusetts Institute of Technology.

John Fiske: Now and The Future

Academic Family Tree: John Fiske