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John Luther Adams

John Luther Adams (born January 23, 1953) is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014.[1] His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music.[2]

Not to be confused with John Adams (composer) or John Clement Adams.

Early life[edit]

Born in Meridian, Mississippi, Adams began playing music as a teenager as a drummer in rock bands. He attended the California Institute of the Arts as an undergraduate in the early 1970s, studying with James Tenney and Leonard Stein, and graduated in 1973.[3] After graduating, Adams began work in environmental protection, and through this work Adams first travelled to Alaska in 1975. Adams moved to Alaska in 1978 and lived there until 2014. He now splits his time between New York and the Sonoran desert in Mexico,[4] though his time in Alaska continues to be a prominent influence in his music.[1] From 1982 to 1989, he performed as timpanist and principal percussionist with the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.[3]

On February 8, 2015, Adams was awarded a GRAMMY in the category Best Contemporary Classical Composition for his .

Become Ocean

In November 2014, Adams was named the 2015 Composer of the Year.[16]

Musical America

Adams was the recipient of the 2010 Nemmers Prize in Music Composition. He was cited by the selection committee for melding the physical and musical worlds into a unique artistic vision that transcends stylistic boundaries.

[17]

The 's recording of Adams' Four Thousand Holes was noted as one of The New Yorker's Best Classical Recordings of 2011.[18]

Callithumpian Consort

In 2012, he received the 17th Annual with a special focus on the environment.[19]

Heinz Award

In 2006, Adams was named one of the first United States Artists Fellows. He has received awards and fellowships from the , the Rockefeller Foundation, the Rasmuson Foundation, and the Foundation for Contemporary Arts.[1]

National Endowment for the Arts

Adams received a 1993 Grants to Artists Award.[20]

Foundation for Contemporary Arts

In 2014 Adams won the Pulitzer Prize for Music for his orchestral piece Become Ocean, which Alex Ross of The New Yorker called "the loveliest apocalypse in musical history".[12] It was premiered in 2013 by Ludovic Morlot and the Seattle Symphony and performed by the same conductor and orchestra at the 2014 Spring For Music music festival at Carnegie Hall. Adams had never been to Carnegie Hall before hearing his work played there to a sold-out house.[13] The surround-sound recording of Become Ocean on Cantaloupe Music debuted at No. 1 on the Billboard Traditional Classical Chart, stayed there for two straight weeks, and went on to win the Grammy Award for Best Contemporary Classical Composition.[14] All his works are published by Taiga Press (BMI) and available from Theodore Front Musical Literature n.d..


In October 2015, Adams received the William Schuman Award from Columbia University. The events surrounding the award included a series of concerts of his music at the Miller Theater, including Clouds of Forgetting, Clouds of Unknowing, For Lou Harrison, and In the White Silence.[15]

Silences So Deep: Music, Solitude, Alaska (Farrar, Straus and Giroux 2020)

The Place Where You Go To Listen – In Search of an Ecology of Music (Wesleyan University Press, 2009)

"The Immeasurable Space of Tones", 91 (Spring, 2005)

Musicworks

"Sonic Geography Alaska", Musicworks 93 (Fall, 2005)

"Winter Music: Composing the North", (Wesleyan University Press, 2004)

"Global Warming and Art", Orion (September–October, 2003)

"Global Warming and Art", Musicworks 86 (Summer, 2003)

"Winter Music. A Composer's Journal", In The Best Spiritual Writing 2002, edited by Philip Zaleski (Harper Collins, 2002), pp. 1–21.

"Winter Music. A Composer's Journal", Musicworks 82 (February, 2002)

"The Place Where You Go to Listen", In The Book of Music and Nature, edited by David Rothenberg and Marta Ulvaeus (Wesleyan University Press, 2000), pp. 181–182.

"Winter Music. A Composer's Journal", In Reflections on American Music, edited by James R. Heintze and Michael Saffle (Hillsdale, NY: Pendragon Press, 2000), pp. 31–48.

"Strange and Sacred Noise", Yearbook of Soundscape Studies (Vol. 1: "Northern Soundscapes", ed. R. Murray Schafer and Helmi Järviluoma, 1998), pp. 143–146.

"The Place Where You Go to Listen", Terra Nova, 2/3, 1997, pp. 15–16.

"From the Ground Up", The Utne Reader, March/April, 1995, p. 86.

"Resonance of Place, Confessions of an Out-of-Town Composer", The North American Review, January/February, 1994, pp. 8–18.

Official website

John Luther Adams's Recordings on Cantaloupe Music

Cold Blue Music: John Luther Adams

Video: John Luther Adams's 'Inuksuit'

NonPop Show 006 – "The Place" interview

on YouTube, complete performance, Lincoln Center

Sila

January 27, 1989

Interview with John Luther Adams