
John Luther Adams
John Luther Adams (born January 23, 1953) is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014.[1] His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music.[2]
Not to be confused with John Adams (composer) or John Clement Adams.Early life[edit]
Born in Meridian, Mississippi, Adams began playing music as a teenager as a drummer in rock bands. He attended the California Institute of the Arts as an undergraduate in the early 1970s, studying with James Tenney and Leonard Stein, and graduated in 1973.[3] After graduating, Adams began work in environmental protection, and through this work Adams first travelled to Alaska in 1975. Adams moved to Alaska in 1978 and lived there until 2014. He now splits his time between New York and the Sonoran desert in Mexico,[4] though his time in Alaska continues to be a prominent influence in his music.[1] From 1982 to 1989, he performed as timpanist and principal percussionist with the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.[3]
In 2014 Adams won the Pulitzer Prize for Music for his orchestral piece Become Ocean, which Alex Ross of The New Yorker called "the loveliest apocalypse in musical history".[12] It was premiered in 2013 by Ludovic Morlot and the Seattle Symphony and performed by the same conductor and orchestra at the 2014 Spring For Music music festival at Carnegie Hall. Adams had never been to Carnegie Hall before hearing his work played there to a sold-out house.[13] The surround-sound recording of Become Ocean on Cantaloupe Music debuted at No. 1 on the Billboard Traditional Classical Chart, stayed there for two straight weeks, and went on to win the Grammy Award for Best Contemporary Classical Composition.[14] All his works are published by Taiga Press (BMI) and available from Theodore Front Musical Literature n.d..
In October 2015, Adams received the William Schuman Award from Columbia University. The events surrounding the award included a series of concerts of his music at the Miller Theater, including Clouds of Forgetting, Clouds of Unknowing, For Lou Harrison, and In the White Silence.[15]