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John Philip Sousa

John Philip Sousa (/ˈszə, ˈssə/ SOO-zə, SOO-sə,[1][2] Portuguese: [ˈso(w)zɐ]; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches.[3] He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among Sousa's best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis" (official march of the United States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

"John Sousa" redirects here. Not to be confused with John Souza.

John Philip Sousa

(1854-11-06)November 6, 1854

March 6, 1932(1932-03-06) (aged 77)

"The (American) March King"

Jane van Middlesworth Bellis
(m. 1879)

3

United States

  • 1868–1875, 1880–1892 (USMC)
  • 1917–1918 (USN)

Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. Sousa's father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, Sousa performed as a violinist and learned to conduct. In 1880, he rejoined the Marine Band and served there for 12 years as director, after which Sousa was hired to conduct a band organized by David Blakely, P.S. Gilmore's former agent. Blakely wanted to compete with Gilmore. From 1880 until his death, Sousa focused exclusively on conducting and writing music. He aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.


Upon the outbreak of World War I, Sousa was awarded a wartime commission of lieutenant commander to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until his death in 1932. In the 1920s, Sousa was promoted to the permanent rank of lieutenant commander in the naval reserve.

Memberships[edit]

Sousa was a member of the Sons of the Revolution, Military Order of Foreign Wars, American Legion, Freemasons, and the Society of Artists and Composers. He was also a member of the Salmagundi, Players, Musicians, New York Athletic, Lambs, Army and Navy and the Gridiron clubs of Washington.

"Review" (1873) (Sousa's first published march)

"" (1886)

The Gladiator March

"" (1888) (Official March of the United States Marine Corps)

Semper Fidelis

"" (1889)

The Washington Post

"" (1889)

The Thunderer

"The Loyal Legion March" (1890)

"" (1890)

High School Cadets

"" (1893) (later used as the credits theme for Monty Python's Flying Circus TV series)

The Liberty Bell

"" (1893)

Manhattan Beach March

"" (1895)

King Cotton

"" (1896) (National March of the United States)[38]

Stars and Stripes Forever

"" (1896)

El Capitan

"" (1899)

Hands Across the Sea

"Hail to the Spirit of Liberty" March (1900)

"" (1901) (dedicated to Pan-American Buffalo Exposition) (Interim United States Space Force Anthem)

The Invincible Eagle

"" March (1902) Dedicated to King Edward VII of the United Kingdom[39]

Imperial Edward

"" (1908)

Fairest of the Fair

"Glory of the Yankee Navy" (1909)

"" (1914)

Columbia's Pride

"" (1917) (modified version "The Army Goes Rolling Along" is the official song of the U.S. Army)[40]

U.S. Field Artillery

"" (1918) Dedicated "To the U.S. Navy"[41]

Anchor & Star

"Who's Who in Navy Blue" (1920) (composed at the request of the class of 1920 and dedicated to Tamanend, a bronze reproduction of the figurehead of the U.S.S. Delaware that occupies a key place at the Academy)[42]

United States Naval Academy

"" (1922)

The Gallant Seventh

"" (1922) Dedicated "To Col. Hyatt, the Faculty and Cadets of the Pennsylvania Military College" (Now Widener University in Chester, PA)[43]

The Dauntless Battalion

"Nobles of the Mystic Shrine" (1923)

"" (1924) (written in honor of Troop A, 107th Cavalry, Ohio National Guard).[44]

The Black Horse Troop

"Pride of the Wolverines" (1926)

"" (1927) Dedicated to "The faculty and students of the University of Minnesota"[45]

The Minnesota March

"New Mexico March" (1928)

"Salvation Army March" (1930) (dedicated to the Salvation Army's 50th anniversary in the U.S.)

Sousa Archives and Center for American Music

Academy of Music/Riviera Theatre

William Bell (tuba player)

John Philip Sousa Bridge

Patrick Gilmore

75 years after death here, Sousa sells out the Abe – Reading Eagle Newspaper

Congressional hearing: in by Professor Tim Woo, University of Virginia, May 2004 – Caution, 560k PDF.

Copyright's Communication Policy

Bierley, Paul E. (1973). (revised ed.). Alfred Music. ISBN 978-1-4574-4995-6.

John Philip Sousa: American Phenomenon

Bierley, Paul E. (2001). . Alfred Music. ISBN 978-1-4574-4995-6.

John Philip Sousa: American Phenomenon

Berger, Kenneth W. The March King and His Band : The Story of John Philip Sousa. New York: Exposition Press, 1957.

Bierley, Paul E. John Philip Sousa: A Descriptive Catalog of His Works. Urbana: University of Illinois Press, 1973.

Bierley, Paul E. The Incredible Band of John Philip Sousa Urbana: University of Illinois Press, 2006.

Delaplaine, Edward S. John Philip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.

Heslip, Malcolm. Nostalgic Happenings in the Three Bands of John Philip Sousa. Westerville, OH: Integrity Press, 1992.

Lingg, Ann M. John Philip Sousa. New York: Holt, 1954.

Newsom, Jon, ed. Perspectives on John Philip Sousa. Washington: Library of Congress, 1983.

Proksch, Bryan, ed. A Sousa Reader: Essays, Interviews, and Clippings. Chicago: GIA, 2017

Warfield, Patrick. Making the March King: John Philip Sousa's Washington Years, 1854–1893 (University of Illinois Press; 2013) 331 pages; scholarly biography

at Project Gutenberg

Works by John Philip Sousa

at Faded Page (Canada)

Works by John Philip Sousa

at LibriVox (public domain audiobooks)

Works by John Philip Sousa

at the International Music Score Library Project (IMSLP)

Free scores by John Philip Sousa

at the Discography of American Historical Recordings.

John Philip Sousa recordings